Sarah Mattice
Biographic Data
| ID | 1066008 |
|---|---|
| NAME | Sarah Mattice |
| GIVEN NAMES | Sarah |
| FAMILY NAME | Mattice |
| SIGNATURE | MATTICE S |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Shinran as Global Philosopher
Gutoku Shinran 愚禿親鸞 (1173-1263) is one of Japan's most creative and influential thinkers. He is the (posthumous) founder of what ultimately became Jōdo Shinshū, better known today as Shin Buddhism, the most widely practiced form of Buddhism in Japan. Despite this, his work has not received the global attention of other historical Japanese philosophical figures such as Kūkai 空海 (774-835) or Dōgen 道元 (1200-1253). The relationships of influence betw…
Artistry as Methodology
Although aesthetics has been to some extent marginalized in western philosophy, within the Chinese philosophical tradition aesthetics plays a key role. This article explores Chinese aesthetics as a site of valuable resources for rethinking the ways in which we conceptualize philosophical activity. After introducing a few distinct features of the Chinese aesthetic tradition, the article examines aesthetic distance in terms of guan, he, and ying, C…
No prominent works on this page.
Artistry as Methodology
Although aesthetics has been to some extent marginalized in western philosophy, within the Chinese philosophical tradition aesthetics plays a key role. This article explores Chinese aesthetics as a site of valuable resources for rethinking the ways in which we conceptualize philosophical activity. After introducing a few distinct features of the Chinese aesthetic tradition, the article examines aesthetic distance in terms of guan, he, and ying, C…
Shinran as Global Philosopher
Gutoku Shinran 愚禿親鸞 (1173-1263) is one of Japan's most creative and influential thinkers. He is the (posthumous) founder of what ultimately became Jōdo Shinshū, better known today as Shin Buddhism, the most widely practiced form of Buddhism in Japan. Despite this, his work has not received the global attention of other historical Japanese philosophical figures such as Kūkai 空海 (774-835) or Dōgen 道元 (1200-1253). The relationships of influence betw…
Aesthetics (2 works) · China (2 works) · Chinese history and philosophy (2 works) · Epistemology (2 works) · History (2 works) · Philosophy (2 works) · Art (1 work) · Buddhism (1 work) · Chinese philosophy (1 work) · East Asia (1 work)