Roberto G Sanchez
Biographic Data
| ID | 1066272 |
|---|---|
| NAME | Roberto G Sanchez |
| GIVEN NAMES | Roberto G |
| FAMILY NAME | Sanchez |
| SIGNATURE | SANCHEZ R G |
| AFFILIATIONS | Universidad Politécnica de Cartagena |
| ORCID | 0000-0003-2092-6807 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Recepción vitruviana de la noción aristotélica de «táxis» [τάξιϛ]
Aristotle says that the beauty of a thing composed of parts depends on size [μέγεθος] and order [τάξιϛ]. The right size is a measurement, neither large nor small, that can be grasped by the eye. Order is the proper placement of everything in its place. In the Vitruvian treatise it is said that the ordinatio is táxis. In this text we will point out that the notion of order is more in line with the concept of dispositio, and that the ordinatio is m…
El prestigio cultural de la mímesis ritual
In general, mimesis can be ritual, visual or cognitive. The oldest mimesis takes place within the framework of rites, but in times of symbolic impoverishment many of them have lost their former vigour and have sometimes been reduced to mere folklore. Plato addressed visual mimesis, who said that it did not allow us to know reality with the depth or perfection with which it was possible to do it through rite or reflection. Aristotle delved into co…
The Invention of Perspective and the Transition from the Sacred to the Religious
Many historical events and scientific and artistic discoveries took place at the twilight of the Late Middle Ages and the beginning of the Renaissance. The great majority of them enabled the birth of individualism and the objectification of reality. This was decisively influenced by the devaluation of the oral and the prioritization of the visual. The priority of sight as a sovereign form of knowledge had in the invention of perspective one of it…
La soportable levedad del límite en la arquitectura de finales del siglo XX
Este artículo se plantea como objetivo el estudio analítico del concepto de disolución o vacío en el uso compositivo de las artes y, en particular, de la arquitectura de la disolución material de finales del siglo XX y principios del siglo XXI. Para ello, como metodología, se recurre a las corrientes del pensamiento actual que han justificado posturas y modos de puesta en valor de este concepto, como el racionalismo analítico, la fenomenología y …
Reconciliación pragmática entre arte y vida cotidiana
Uno de los rasgos que otorgaron fisonomía propia a la Postmodernidad fue la tecnificación y democratización en la producción y consumo de arte. La indiferenciación indolente y la vulgarización artística fueron los riesgos a los que se expuso. Con ella se mantuvo en vigor la escisión existente entre la experiencia estética refinada y la vida cotidiana vinculada a lo útil. Intentaremos mostrar la incapacidad de la propuesta postmoderna técnico-demo…
The Function of Dates and Deadlines in Galdos' La de Bringas
M OST studies of La de Bringas have focused either on isolated scenes and incidents or on individual characters.' Essays which take a broader view of the work, such as those of Bly, Palley, and Gullon, give primary importance to distance and point of view, to its ambient, or to the parallelism between story and history.2 None, however, examines time as an agent that unifies and paces the narrative in a very special way. In a previous study I used…
El prestigio cultural de la mímesis ritual
In general, mimesis can be ritual, visual or cognitive. The oldest mimesis takes place within the framework of rites, but in times of symbolic impoverishment many of them have lost their former vigour and have sometimes been reduced to mere folklore. Plato addressed visual mimesis, who said that it did not allow us to know reality with the depth or perfection with which it was possible to do it through rite or reflection. Aristotle delved into co…
The Function of Dates and Deadlines in Galdos' La de Bringas
M OST studies of La de Bringas have focused either on isolated scenes and incidents or on individual characters.' Essays which take a broader view of the work, such as those of Bly, Palley, and Gullon, give primary importance to distance and point of view, to its ambient, or to the parallelism between story and history.2 None, however, examines time as an agent that unifies and paces the narrative in a very special way. In a previous study I used…
Reconciliación pragmática entre arte y vida cotidiana
Uno de los rasgos que otorgaron fisonomía propia a la Postmodernidad fue la tecnificación y democratización en la producción y consumo de arte. La indiferenciación indolente y la vulgarización artística fueron los riesgos a los que se expuso. Con ella se mantuvo en vigor la escisión existente entre la experiencia estética refinada y la vida cotidiana vinculada a lo útil. Intentaremos mostrar la incapacidad de la propuesta postmoderna técnico-demo…
La soportable levedad del límite en la arquitectura de finales del siglo XX
Este artículo se plantea como objetivo el estudio analítico del concepto de disolución o vacío en el uso compositivo de las artes y, en particular, de la arquitectura de la disolución material de finales del siglo XX y principios del siglo XXI. Para ello, como metodología, se recurre a las corrientes del pensamiento actual que han justificado posturas y modos de puesta en valor de este concepto, como el racionalismo analítico, la fenomenología y …
The Invention of Perspective and the Transition from the Sacred to the Religious
Many historical events and scientific and artistic discoveries took place at the twilight of the Late Middle Ages and the beginning of the Renaissance. The great majority of them enabled the birth of individualism and the objectification of reality. This was decisively influenced by the devaluation of the oral and the prioritization of the visual. The priority of sight as a sovereign form of knowledge had in the invention of perspective one of it…
El prestigio cultural de la mímesis ritual
In general, mimesis can be ritual, visual or cognitive. The oldest mimesis takes place within the framework of rites, but in times of symbolic impoverishment many of them have lost their former vigour and have sometimes been reduced to mere folklore. Plato addressed visual mimesis, who said that it did not allow us to know reality with the depth or perfection with which it was possible to do it through rite or reflection. Aristotle delved into co…
Recepción vitruviana de la noción aristotélica de «táxis» [τάξιϛ]
Aristotle says that the beauty of a thing composed of parts depends on size [μέγεθος] and order [τάξιϛ]. The right size is a measurement, neither large nor small, that can be grasped by the eye. Order is the proper placement of everything in its place. In the Vitruvian treatise it is said that the ordinatio is táxis. In this text we will point out that the notion of order is more in line with the concept of dispositio, and that the ordinatio is m…
Art (5 works) · Philosophy (4 works) · Humanities (3 works) · Architecture and Art History Studies (2 works) · History (2 works) · Literary and Cultural Studies (2 works) · Advertising and Communication Studies (1 work) · Aesthetics (1 work) · Art history (1 work) · Classical Philosophy and Thought (1 work)