Michael Flier
Biographic Data
| ID | 10665477 |
|---|---|
| NAME | Michael Flier |
| GIVEN NAMES | Michael |
| FAMILY NAME | Flier |
| SIGNATURE | FLIER M |
| AFFILIATIONS | Harvard University Faculty of Arts and Sciences |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Iconic Endgame
Simon Ushakov wrote his signature on virtually all his extant icons, in stark contrast to most Eastern Orthodox icon painters who remained anonymous. The chronological development of his signature in content and placement parallels the trajectory of his career as Muscovite icon painter and bureaucrat over the second half of the seventeenth century. The representation of written words in visible space, a graphosphere in Simon Franklin’s apt termin…
California Slavic Studies
Henrik Birnbaum, Medieval Novgorod: Political, Social, and Cultural Life in an Old Russian Urban Community Thomas Eekman, Muscovy's International Relations in the Late Seventeenth Century: Johan van Keller's Observations Terence Emmons, Kliuchevskii's Pupils Leighton Brett Cooke, Puskin and the Femme Fatale: Jealousy in Cygany Paul A. Karpuk, The Historical Framework of Nikolaj Gogol's Strasnaja mest' Bernice Glatzer Rosenthal, Transcending Polit…
No prominent works on this page.
California Slavic Studies
Henrik Birnbaum, Medieval Novgorod: Political, Social, and Cultural Life in an Old Russian Urban Community Thomas Eekman, Muscovy's International Relations in the Late Seventeenth Century: Johan van Keller's Observations Terence Emmons, Kliuchevskii's Pupils Leighton Brett Cooke, Puskin and the Femme Fatale: Jealousy in Cygany Paul A. Karpuk, The Historical Framework of Nikolaj Gogol's Strasnaja mest' Bernice Glatzer Rosenthal, Transcending Polit…
Iconic Endgame
Simon Ushakov wrote his signature on virtually all his extant icons, in stark contrast to most Eastern Orthodox icon painters who remained anonymous. The chronological development of his signature in content and placement parallels the trajectory of his career as Muscovite icon painter and bureaucrat over the second half of the seventeenth century. The representation of written words in visible space, a graphosphere in Simon Franklin’s apt termin…
Art (1 work) · Art history (1 work) · Byzantine Studies and History (1 work) · Classics (1 work) · Eastern European Communism and Reforms (1 work) · EPIC (1 work) · European Cultural and National Identity (1 work) · FAUST (1 work) · Historical Art and Architecture Studies (1 work) · History (1 work)