Sally J Cornelison

Biographic Data

ID1066609
NAMESally J Cornelison
GIVEN NAMESSally J
FAMILY NAMECornelison
SIGNATURECORNELISON S J
AFFILIATIONSUniversity of Kansas
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS2
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2019
H-INDEX1

  • Michelangelo's Panel’: Content, Context, and Vasari's Buonarroti Altarpiece

    Open AccessSally J CornelisonARTICLEArt History2019

  • Architecture and Pilgrimage, 1000–1500: Southern Europe and Beyond

    Open AccessSally J CornelisonARTICLERenaissance Quarterly2014

    Paul Davies, Deborah Howard, and Wendy Pullan, eds. Architecture and Pilgrimage, 1000–1500: Southern Europe and Beyond. Farnham: Ashgate Publishing Limited, 2013. xvi + 286 pp. $119.95. ISBN: 978-1-4724-1083-2. - Volume 67 Issue 4

  • Foundation, Dedication, and Consecration in Early Modern Europe

    Open AccessSally J CornelisonARTICLERenaissance Quarterly2012

    Maarten Delbeke and Minou Schraven, eds. Foundation, Dedication, and Consecration in Early Modern Europe. Intersections: Interdisciplinary Studies in Early Modern Culture 22. Leiden: Brill, 2012. xxv + 388 pp. $179. ISBN: 978–90–04–21757–7. - Volume 65 Issue 4

  • Painted Palaces: The Rise of Secular Art in Early Renaissance Italy

    Open AccessSally J CornelisonARTICLERenaissance Quarterly2010

    Anne Dunlop. Painted Palaces: The Rise of Secular Art in Early Renaissance Italy. University Park: Penn State University Press, 2009. xix + 319 pp. index. illus. bibl. $80. ISBN: 978–0–271–03408–9. - Volume 63 Issue 1

  • Relocating Fra Bartolomeo at San Marco

    Open AccessSally J CornelisonARTICLERenaissance Studies2009

    In 1974 Janet Cox-Rearick identified a panel at San Francesco in Fiesole as a relatively faithful copy of Fra Bartolomeo's lost St Sebastian with an Angel, a painting that, according to Vasari, was so beautiful it stimulated sinful thoughts in the women who looked upon it. Cox-Rearick further proposed that the lost painting was a pendant to the same artist's monumental St Mark the Evangelist and that the two works originally decorated altars loca…

  • The Renaissance Pulpit: Art and Preaching in Tuscany, 1400-1550 . Nirit Ben-Aryeh Debby

    Sally J CornelisonARTICLESpeculum2009

  • Tales of Two Bishop Saints: Zenobius and Antoninus in Florentine Renaissance Art and History

    Sally J CornelisonARTICLESixteenth Century Journal2007

    From the late quattrocento through the cinquecento Florence’s first sainted bishop, Zenobius (d. ca. 424), and the sainted Florentine archbishop Antoninus Pierozzi (d. 1459) were hailed as two of Florence’s most effective intercessors. Their images were included in an impressive series of temporary and permanent decorations made for Florence Cathedral, and the historical and visual relationship between the two saints reached its symbolic peak in …

  • Looking at the Renaissance: Essays toward a Contextual Appreciation

    Open AccessSally J CornelisonARTICLERenaissance Quarterly2006

    Charles R. Mack. Looking at the Renaissance: Essays toward a Contextual Appreciation. Ann Arbor: The University of Michigan Press, 2005. 216 pp. index. illus. bibl. 24.95 (pbk). ISBN: 0-472-09890-X (cl), 0-472-06890-3 (pbk). - Volume 59 Issue 1

  • A French King and a Magic Ring: The Girolami and a Relic of St. Zenobius in Renaissance Florence

    Open AccessSally J CornelisonARTICLERenaissance Quarterly2002Cited by: 2

    In 1482, the episcopal ring of St. Zenobius, patron of the Florentine see, was sent from Florence to France in the hope that it would cure the ailing King Louis XI. This secondary relic belonged to the Girolami, a banking and mercantile family that claimed to be related to the saint. The present study examines the use of St. Zenobius’ ring as a means of international and local diplomatic exchange. In addition, it traces the history of the Girolam…