Dong-Yeon Koh
Biographic Data
| ID | 10668612 |
|---|---|
| NAME | Dong-Yeon Koh |
| GIVEN NAMES | Dong-Yeon |
| FAMILY NAME | Koh |
| SIGNATURE | KOH D |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
The Place-ness of the DMZ
During the last decade, the DMZ (demilitarized zone) has emerged as one of the most popular tourist attractions for both domestic and international travelers—despite continued conflicts over nuclear weapons under Jungun Kim’s administration as well as ongoing landmine problems. Inspired by Marc Augé’s theory of non-place, this essay critically examines the policy to create an eco-friendly image of the DMZ that became prevalent among public art pr…
Globalizing Korean queers ? Project L(esbian) , the first exhibition of lesbian arts in South Korea
This paper deals with the influence of queer and visual culture in South Korea by concentrating on the example of Project L, the first exhibition organized by self-proclaimed lesbian artists and curators in South Korea in 2005, followed by the group's second exhibition, Gender Spectrum, in 2008. Conflicts between the dominant curatorial approach toward feminist arts and the identity politics of the Project L team are investigated in order to illu…
Globalizing Korean queers ? Project L(esbian) , the first exhibition of lesbian arts in South Korea
This paper deals with the influence of queer and visual culture in South Korea by concentrating on the example of Project L, the first exhibition organized by self-proclaimed lesbian artists and curators in South Korea in 2005, followed by the group's second exhibition, Gender Spectrum, in 2008. Conflicts between the dominant curatorial approach toward feminist arts and the identity politics of the Project L team are investigated in order to illu…
Globalizing Korean queers ? Project L(esbian) , the first exhibition of lesbian arts in South Korea
This paper deals with the influence of queer and visual culture in South Korea by concentrating on the example of Project L, the first exhibition organized by self-proclaimed lesbian artists and curators in South Korea in 2005, followed by the group's second exhibition, Gender Spectrum, in 2008. Conflicts between the dominant curatorial approach toward feminist arts and the identity politics of the Project L team are investigated in order to illu…
The Place-ness of the DMZ
During the last decade, the DMZ (demilitarized zone) has emerged as one of the most popular tourist attractions for both domestic and international travelers—despite continued conflicts over nuclear weapons under Jungun Kim’s administration as well as ongoing landmine problems. Inspired by Marc Augé’s theory of non-place, this essay critically examines the policy to create an eco-friendly image of the DMZ that became prevalent among public art pr…
Art (2 works) · Political science (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Citizen journalism (1 work) · Computer Science (1 work) · Computer security (1 work) · DMZ (1 work) · Exhibition (1 work) · Feminism, Gender, and Sexuality Studies (1 work)