Andy Hewitt
Biographic Data
| ID | 10670799 |
|---|---|
| NAME | Andy Hewitt |
| GIVEN NAMES | Andy |
| FAMILY NAME | Hewitt |
| SIGNATURE | HEWITT A |
| AFFILIATIONS | University of Wolverhampton |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 0 |
Privatizing the public
This article considers the development of cultural policy as part of New Labour’s Third Way governance and identifies three rhetorics of state-funded art: art as a form of cultural democracy; art as an economic driver; and art providing solutions for social amelioration. The text describes how the liberal conception of art and culture, i.e., having universal benefit as a public good, was extended to function within wider policy directives that we…
The New Futurist Manifesto (Revised, Expanded and Updated)
The Freee Collective have written a manifesto entitled ‘The New Futurist Manifesto’ which uses the original Futurist manifesto as a template. Freee have updated the manifesto simply by changing the odd word here and there and sometimes by adding whole sections to change the meaning and politics of the original to suit a radical critique of the current world order. The manifesto was launched at the ICA exactly 100 years after the original. It star…
No prominent works on this page.
The New Futurist Manifesto (Revised, Expanded and Updated)
The Freee Collective have written a manifesto entitled ‘The New Futurist Manifesto’ which uses the original Futurist manifesto as a template. Freee have updated the manifesto simply by changing the odd word here and there and sometimes by adding whole sections to change the meaning and politics of the original to suit a radical critique of the current world order. The manifesto was launched at the ICA exactly 100 years after the original. It star…
Privatizing the public
This article considers the development of cultural policy as part of New Labour’s Third Way governance and identifies three rhetorics of state-funded art: art as a form of cultural democracy; art as an economic driver; and art providing solutions for social amelioration. The text describes how the liberal conception of art and culture, i.e., having universal benefit as a public good, was extended to function within wider policy directives that we…
Law (2 works) · Political science (2 works) · Politics (2 works) · Aesthetics (1 work) · Art (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Art, Technology, and Culture (1 work) · Corporate governance (1 work) · Cultural Industries and Urban Development (1 work)