Elisabeth Giselbrecht
Biographic Data
| ID | 1068170 |
|---|---|
| NAME | Elisabeth Giselbrecht |
| GIVEN NAMES | Elisabeth |
| FAMILY NAME | Giselbrecht |
| SIGNATURE | GISELBRECHT E |
| AFFILIATIONS | King's College London |
| ORCID | 0000-0002-1261-3061 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Notation in Early Modern Language Teaching
This article examines the use of musical notation as a pedagogical tool in early modern language teaching, focusing on Latin, Greek, Hebrew, and briefly, Turkish. While musical notation is typically associated with performance and composition, the sources discussed here demonstrate its broader application as a visual and conceptual system for representing sound—specifically pronunciation, rhythm, accentuation and metre. Drawing on a wide range of…
Encoding the Users
English Abstract: The research project DORMEME develops a database that encodes interactions with music books that happened (primarily) after the books left the printshop: bindings, inscriptions, annotations, additions, which are then used to tell the story of who owned, read, and performed from music books printed in the first half of the sixteenth century. Using a copy-based approach to assessing individual interactions, this database sits at t…
The Production and Reading of Music Sources
‘[T]here is no text apart from the physical support that offers it for reading (or hearing), hence there is no comprehension of any written piece that does not at least in part depend upon the forms in which it reaches its readers.’ When Rogier Chartier wrote this in the early 1990s (The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries, trans. Lydia G. Cochrane (Cambridge and Oxford, 1994),…
Music, Piety, and Propaganda
In the early 1590s, an official at the court of Albrecht V of Bavaria wrote about the regulations for the Corpus Christi Procession in Munich. On nearly 600 folios he noted the details of this event, from the required dress and order of the participants to the meticulous preparation and presentation of music: trumpeters, military drums, court musicians, and student choirs were to fill the city with an abundance of sounds. The elaboration of this …
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Music, Piety, and Propaganda
In the early 1590s, an official at the court of Albrecht V of Bavaria wrote about the regulations for the Corpus Christi Procession in Munich. On nearly 600 folios he noted the details of this event, from the required dress and order of the participants to the meticulous preparation and presentation of music: trumpeters, military drums, court musicians, and student choirs were to fill the city with an abundance of sounds. The elaboration of this …
The Production and Reading of Music Sources
‘[T]here is no text apart from the physical support that offers it for reading (or hearing), hence there is no comprehension of any written piece that does not at least in part depend upon the forms in which it reaches its readers.’ When Rogier Chartier wrote this in the early 1990s (The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries, trans. Lydia G. Cochrane (Cambridge and Oxford, 1994),…
Encoding the Users
English Abstract: The research project DORMEME develops a database that encodes interactions with music books that happened (primarily) after the books left the printshop: bindings, inscriptions, annotations, additions, which are then used to tell the story of who owned, read, and performed from music books printed in the first half of the sixteenth century. Using a copy-based approach to assessing individual interactions, this database sits at t…
Notation in Early Modern Language Teaching
This article examines the use of musical notation as a pedagogical tool in early modern language teaching, focusing on Latin, Greek, Hebrew, and briefly, Turkish. While musical notation is typically associated with performance and composition, the sources discussed here demonstrate its broader application as a visual and conceptual system for representing sound—specifically pronunciation, rhythm, accentuation and metre. Drawing on a wide range of…
Art (2 works) · History (2 works) · Humanism (2 works) · Literature (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Ancient history (1 work) · Archaeology (1 work)