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Miranda Lawry

Biographic Data

ID1068728
NAMEMiranda Lawry
GIVEN NAMESMiranda
FAMILY NAMELawry
SIGNATURELAWRY M
AFFILIATIONSUniversity of Newcastle Australia
ORCID0000-0001-9430-028X
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS4
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Creative industries careers

    Open Access•Susan Kerrigan, Kathryn Grushka et al.•ARTICLE•The Australian Educational…•2023

    Creative careers are responding rapidly to new creative practices, new audiences, emerging digital platforms and technologies. These careers are well paid, resistant to automation and permeate all aspects of society. Yet students’ and teachers’ perceptions and attitudes are not in alignment with the reality of a job in Australia’s Creative Industries. Research exploring the perceptions of a creative career in high schools showed there was a signi…

  • A Virtual Choir Ecology and the Zoom-machinic

    Open Access•Kathryn Grushka, Miranda Lawry et al.•ARTICLE•Video Journal of Education and…•2021

    covid -19 has changed the way we sing in choirs and has seen the extraordinary uptake of Zoom as a video chat platform across society. This is a reflective tale of four choirs members and their insights into how they improvised with traditional choir singing in a Zoom space. It consideres how zoom pedagogies allowed them to bridge social isolation during the pandemic. It includes the voices of the conductor; music teacher/technician; the voice of…

  • Changes in emotions and perceived stress following time spent in an artistically designed multisensory environment

    Beverley Cavanagh, Bliss Cavanagh et al.•ARTICLE•Medical Humanities•2021•References: 9

    Self-management strategies that enhance positive emotions are considered most effective to cope with stress and maintain good mental health and well-being. An artistically designed multisensory environment, The Sensory-Art Space (SAS), was installed in a university in NSW Australia as a new self-management intervention. The design of the SAS was informed by evidence regarding the benefits of viewing art, experiencing nature and accessing sensory …

  • Visual borderlands

    Kathryn Grushka, Miranda Lawry et al.•ARTICLE•Educational Philosophy and Theory•2021•References: 6

    The image is the raw material of the twenty-first century. Images infiltrate all social and cultural spaces. Its digital-mediated realities drive communication, industry and knowledge. Images saturate life and adolescent learners are familiar with the participatory nature of image production and its social, educational and personal communicative realities. Vision and visibility, seeing and being now dominate how we inter-subjectively recognise ou…

  • Receptive Arts Engagement for Health

    Open Access•Beverley Cavanagh, Kirsti Haracz et al.•ARTICLE•SAGE Open•2020

    Multisensory environments are increasingly being used in health care settings with reported benefits including relaxation, supporting self-regulation, enhancing mood, and reducing chronic pain. However, limited research exists that explores the impact of multisensory environment design on engagement. In response, this article presents a qualitative study exploring the creative design attributes that cultivated participant engagement and shaped th…

  • It’s like another world

    Beverley Cavanagh, Bliss Cavanagh et al.•ARTICLE•Medical Humanities•2018•Cited by: 2•References: 5

    Self-management strategies have been identified as having a key role in supporting mental health and preventing mental illness. Evidence suggests that spending time in nature, experiencing or viewing artwork and accessing sensory rooms all support self-management and positive mental health among varied clinical populations. This evidence informed the design of the sensory-art space (SAS), an artistically designed multisensory environment, which d…

  • New Visuality in Art/Science

    Kathryn Grushka, Alice Hope et al.•ARTICLE•Peabody Journal of Education•2018•Cited by: 1•References: 32

    New visuality in art/science pedagogies challenges teachers to rethink their curriculum and the role of digital new media in facilitating conceptual thinking and the role of the creative representation of knowledge. Recent neuroscientific research on cognition, perception, memory, and emotion inform and provoke implications for 21st-century learning. Analysis of student artwork uncovers pedagogical challenges for teachers. Teachers use visual lea…

  • Model & Metaphor

    Nola Farman, Matt Barr et al.•ARTICLE•Leonardo•2015•References: 1

    Traditional artist-in-science-residency schemes have tended to focus on artists using scientific tools and technology as a medium for their art. What kind and quality of work might occur, however, between scientists working on cutting-edge solar energy research and a visual artist (a sculptor) when they are integrated in a truly collaborative environment? Is it good for the art? Is it good for the science? The authors describe a new methodology f…

  • Assessment Practice in Fine Art Higher Degrees

    Open Access•Allyson Holbrook, Jennifer St George et al.•ARTICLE•Media International Australia•2006•Cited by: 1•References: 4

    The study reported in this paper investigates the examination of fine art doctorates, and specifically how fine art examiners convey their assessment of the exegesis and exhibition in their written reports, drawing on 42 PhD fine art reports. Fine art examiners provided significant amounts of negative appraisal overall, little formative comment, and frequently wrote about the process of examination. Poor candidate engagement with relevant literat…

  • It’s like another world

    Beverley Cavanagh, Bliss Cavanagh et al.•ARTICLE•Medical Humanities•2018•Cited by: 2•References: 5

    Self-management strategies have been identified as having a key role in supporting mental health and preventing mental illness. Evidence suggests that spending time in nature, experiencing or viewing artwork and accessing sensory rooms all support self-management and positive mental health among varied clinical populations. This evidence informed the design of the sensory-art space (SAS), an artistically designed multisensory environment, which d…

  • New Visuality in Art/Science

    Kathryn Grushka, Alice Hope et al.•ARTICLE•Peabody Journal of Education•2018•Cited by: 1•References: 32

    New visuality in art/science pedagogies challenges teachers to rethink their curriculum and the role of digital new media in facilitating conceptual thinking and the role of the creative representation of knowledge. Recent neuroscientific research on cognition, perception, memory, and emotion inform and provoke implications for 21st-century learning. Analysis of student artwork uncovers pedagogical challenges for teachers. Teachers use visual lea…

  • Assessment Practice in Fine Art Higher Degrees

    Open Access•Allyson Holbrook, Jennifer St George et al.•ARTICLE•Media International Australia•2006•Cited by: 1•References: 4

    The study reported in this paper investigates the examination of fine art doctorates, and specifically how fine art examiners convey their assessment of the exegesis and exhibition in their written reports, drawing on 42 PhD fine art reports. Fine art examiners provided significant amounts of negative appraisal overall, little formative comment, and frequently wrote about the process of examination. Poor candidate engagement with relevant literat…

  • Assessment Practice in Fine Art Higher Degrees

    Open Access•Allyson Holbrook, Jennifer St George et al.•ARTICLE•Media International Australia•2006•Cited by: 1•References: 4

    The study reported in this paper investigates the examination of fine art doctorates, and specifically how fine art examiners convey their assessment of the exegesis and exhibition in their written reports, drawing on 42 PhD fine art reports. Fine art examiners provided significant amounts of negative appraisal overall, little formative comment, and frequently wrote about the process of examination. Poor candidate engagement with relevant literat…

  • Model & Metaphor

    Nola Farman, Matt Barr et al.•ARTICLE•Leonardo•2015•References: 1

    Traditional artist-in-science-residency schemes have tended to focus on artists using scientific tools and technology as a medium for their art. What kind and quality of work might occur, however, between scientists working on cutting-edge solar energy research and a visual artist (a sculptor) when they are integrated in a truly collaborative environment? Is it good for the art? Is it good for the science? The authors describe a new methodology f…

  • It’s like another world

    Beverley Cavanagh, Bliss Cavanagh et al.•ARTICLE•Medical Humanities•2018•Cited by: 2•References: 5

    Self-management strategies have been identified as having a key role in supporting mental health and preventing mental illness. Evidence suggests that spending time in nature, experiencing or viewing artwork and accessing sensory rooms all support self-management and positive mental health among varied clinical populations. This evidence informed the design of the sensory-art space (SAS), an artistically designed multisensory environment, which d…

  • New Visuality in Art/Science

    Kathryn Grushka, Alice Hope et al.•ARTICLE•Peabody Journal of Education•2018•Cited by: 1•References: 32

    New visuality in art/science pedagogies challenges teachers to rethink their curriculum and the role of digital new media in facilitating conceptual thinking and the role of the creative representation of knowledge. Recent neuroscientific research on cognition, perception, memory, and emotion inform and provoke implications for 21st-century learning. Analysis of student artwork uncovers pedagogical challenges for teachers. Teachers use visual lea…

  • Receptive Arts Engagement for Health

    Open Access•Beverley Cavanagh, Kirsti Haracz et al.•ARTICLE•SAGE Open•2020

    Multisensory environments are increasingly being used in health care settings with reported benefits including relaxation, supporting self-regulation, enhancing mood, and reducing chronic pain. However, limited research exists that explores the impact of multisensory environment design on engagement. In response, this article presents a qualitative study exploring the creative design attributes that cultivated participant engagement and shaped th…

  • A Virtual Choir Ecology and the Zoom-machinic

    Open Access•Kathryn Grushka, Miranda Lawry et al.•ARTICLE•Video Journal of Education and…•2021

    covid -19 has changed the way we sing in choirs and has seen the extraordinary uptake of Zoom as a video chat platform across society. This is a reflective tale of four choirs members and their insights into how they improvised with traditional choir singing in a Zoom space. It consideres how zoom pedagogies allowed them to bridge social isolation during the pandemic. It includes the voices of the conductor; music teacher/technician; the voice of…

  • Changes in emotions and perceived stress following time spent in an artistically designed multisensory environment

    Beverley Cavanagh, Bliss Cavanagh et al.•ARTICLE•Medical Humanities•2021•References: 9

    Self-management strategies that enhance positive emotions are considered most effective to cope with stress and maintain good mental health and well-being. An artistically designed multisensory environment, The Sensory-Art Space (SAS), was installed in a university in NSW Australia as a new self-management intervention. The design of the SAS was informed by evidence regarding the benefits of viewing art, experiencing nature and accessing sensory …

  • Visual borderlands

    Kathryn Grushka, Miranda Lawry et al.•ARTICLE•Educational Philosophy and Theory•2021•References: 6

    The image is the raw material of the twenty-first century. Images infiltrate all social and cultural spaces. Its digital-mediated realities drive communication, industry and knowledge. Images saturate life and adolescent learners are familiar with the participatory nature of image production and its social, educational and personal communicative realities. Vision and visibility, seeing and being now dominate how we inter-subjectively recognise ou…

  • Creative industries careers

    Open Access•Susan Kerrigan, Kathryn Grushka et al.•ARTICLE•The Australian Educational…•2023

    Creative careers are responding rapidly to new creative practices, new audiences, emerging digital platforms and technologies. These careers are well paid, resistant to automation and permeate all aspects of society. Yet students’ and teachers’ perceptions and attitudes are not in alignment with the reality of a job in Australia’s Creative Industries. Research exploring the perceptions of a creative career in high schools showed there was a signi…

Psychology (6 works) · Sociology (6 works) · Art (5 works) · Visual arts (5 works) · Computer Science (4 works) · Creativity in Education and Neuroscience (4 works) · Pedagogy (4 works) · Social Psychology (4 works) · The arts (4 works) · Applied Psychology (3 works)

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