Helen Westgeest
Biographic Data
| ID | 106883 |
|---|---|
| NAME | Helen Westgeest |
| GIVEN NAMES | Helen |
| FAMILY NAME | Westgeest |
| SIGNATURE | WESTGEEST H |
| AFFILIATIONS | Leiden University |
| ORCID | 0000-0001-9882-6182 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Intermedialities as Sociopolitical Assemblages in Contemporary Art
This article is an introductory essay to the Special Issue “A Comparative Study of Media in Contemporary Visual Art”. It starts with a short overview of the terminological discussion about intermediality as a concept and its relationship with medialities with other prefixes—such as mixed, intra-, multi-, and transmedialities. So far, intermediality has been discussed less by art historians than by literary scholars. This introductory essay argues…
Insufficient projections” in video installation art about skin tone bias: Parasitism in Tau Lewis’ flesh-tone mask
This essay revolves around the question of how parasitism as fate of video’s insufficiency may metaphorically contribute to the contents of a video, as well as to the meanings of the installation in which it is included. A case study of Tau Lewis’ Flesh-tone Mask will serve as basis for addressing this concern. From the perspective of haptic visuality, it is clear that this video parasitizes on the surface of the masks included. At the same time,…
“Insufficient Projections” in Video Installation Art about Skin Tone Bias: Parasitism in Tau Lewis’ Flesh-Tone Mask
This essay revolves around the question of how parasitism as fate of video’s insufficiency may metaphorically contribute to the contents of a video, as well as to the meanings of the installation in which it is included. A case study of Tau Lewis’ Flesh-tone Mask will serve as basis for addressing this concern. From the perspective of haptic visuality, it is clear that this video parasitizes on the surface of the masks included. At the same time,…
Preservando a performatividade de performances e respeitando sua efemeridade
Esta pesquisa explora os conflitos que surgem ao serem aplicadas práticas documentais a arte performática. Embora a efemeridade das ações seja percebida como essencial para esse gênero artístico, profissionais e artistas, frequentemente, não são favoráveis ao desaparecimento de todos os aspectos dessas obras de arte. Os estudos de caso neste artigo demonstram que a efemeridade da obra de arte da performance original torna-se ainda mais considerad…
Photography and painting in multi-mediating pictures
status: Published
No prominent works on this page.
Photography and painting in multi-mediating pictures
status: Published
Preservando a performatividade de performances e respeitando sua efemeridade
Esta pesquisa explora os conflitos que surgem ao serem aplicadas práticas documentais a arte performática. Embora a efemeridade das ações seja percebida como essencial para esse gênero artístico, profissionais e artistas, frequentemente, não são favoráveis ao desaparecimento de todos os aspectos dessas obras de arte. Os estudos de caso neste artigo demonstram que a efemeridade da obra de arte da performance original torna-se ainda mais considerad…
Insufficient projections” in video installation art about skin tone bias: Parasitism in Tau Lewis’ flesh-tone mask
This essay revolves around the question of how parasitism as fate of video’s insufficiency may metaphorically contribute to the contents of a video, as well as to the meanings of the installation in which it is included. A case study of Tau Lewis’ Flesh-tone Mask will serve as basis for addressing this concern. From the perspective of haptic visuality, it is clear that this video parasitizes on the surface of the masks included. At the same time,…
“Insufficient Projections” in Video Installation Art about Skin Tone Bias: Parasitism in Tau Lewis’ Flesh-Tone Mask
This essay revolves around the question of how parasitism as fate of video’s insufficiency may metaphorically contribute to the contents of a video, as well as to the meanings of the installation in which it is included. A case study of Tau Lewis’ Flesh-tone Mask will serve as basis for addressing this concern. From the perspective of haptic visuality, it is clear that this video parasitizes on the surface of the masks included. At the same time,…
Intermedialities as Sociopolitical Assemblages in Contemporary Art
This article is an introductory essay to the Special Issue “A Comparative Study of Media in Contemporary Visual Art”. It starts with a short overview of the terminological discussion about intermediality as a concept and its relationship with medialities with other prefixes—such as mixed, intra-, multi-, and transmedialities. So far, intermediality has been discussed less by art historians than by literary scholars. This introductory essay argues…
Art (5 works) · Aesthetics (4 works) · Visual arts (3 works) · Biology (2 works) · Cinema and Media Studies (2 works) · Flesh (2 works) · Geographies of human-animal interactions (2 works) · History (2 works) · Literature (2 works) · Medicine (2 works)