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Tomas Kulka

Biographic Data

ID1069978
NAMETomas Kulka
GIVEN NAMESTomas
FAMILY NAMEKulka
SIGNATUREKULKA T
AFFILIATIONSTel Aviv University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS11
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2021
H-INDEX2
  • On the Relative Unimportance of Aesthetic Value in Evaluating Visual Arts

    Open Access•Tomas Kulka•ARTICLE•The British Journal of Aesthetics•2021•References: 9

    Contrary to the received view according to which the value of works of art consists exclusively or primarily in their aesthetic value I argue that the importance of aesthetic value has been grossly overrated. In earlier publications I have shown that the assumption stipulating that the value of artworks consists exclusively in their aesthetic value is demonstrably wrong. I have suggested a conceptual distinction between the aesthetic and the arti…

  • False Metaphors and Nonsense

    Tomas Kulka•ARTICLE•Poetics Today•1992

    In my criticism of Professor Goodman's theory of metaphor (see How Metaphor Makes Its Wonders [this volume]), I have tried to show it doesn't give an account of metaphorical falsity (i.e., conditions under which a sentence, taken metaphorically, is false) and it also doesn't leave room for metaphorical falsehood. I don't think, as Professor Goodman's reply (see Contraverting a Contradiction [this volume]) seems to suggest, there is a conflict in …

  • How Metaphor Makes Its Wonders

    Tomas Kulka•ARTICLE•Poetics Today•1992

    The purpose of this paper to examine what Donald Davidson (1984 [1978]) calls of together with radical alternative which he proposes. The central idea of view that metaphor has a sense or meaning which differs from its literal meaning and that metaphor says true or false things about world, although its message might be more exotic, profound, or concealed than that of plain prose. This idea, as Davidson says, is found in works of literary critics…

  • Reconceptions in Philosophy and Other Arts and Sciences

    Tomas Kulka, Nelson Goodman et al.•ARTICLE•Poetics Today•1989

  • Art and Science

    Tomas Kulka•ARTICLE•The British Journal of Aesthetics•1989•Cited by: 1

    Journal Article ART AND SCIENCE: AN OUTLINE OF A POPPERIAN AESTHETICS Get access Tomas Kulka Tomas Kulka Department of Philosophy, Gilman Building, Tel Aviv UniversityRamat Aviv 69 978, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 29, Issue 3, SUMMER 1989, Pages 197–212, https://doi.org/10.1093/bjaesthetics/29.3.197 Published: 01 March 1989

  • Kitsch

    Tomas Kulka•ARTICLE•The British Journal of Aesthetics•1988•Cited by: 2

    Journal Article KITSCH Get access Tomas Kulka Tomas Kulka Dept. of Philosophy, The Hebrew University of JerusalemJerusalem, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 28, Issue 1, WINTER 1988, Pages 18–27, https://doi.org/10.1093/bjaesthetics/28.1.18 Published: 01 January 1988

  • The Artistic and Aesthetic Status of Forgeries

    Tomas Kulka, Nelson Goodman•ARTICLE•Leonardo•1982

    In the philosophy of art the following question is posed: Can there be any aesthetic value difference between an original painting and a forgery if they cannot be told apart, and, if so, what does it consist in? The author critically examines three currently held views in response to this question, including those of Nelson Goodman. He then turns his attention to both the aesthetic value and the artistic art-historical value of a painting, both o…

  • The Artistic and the Aesthetic Value of Art

    Tomas Kulka•ARTICLE•The British Journal of Aesthetics•1981•Cited by: 2

    Journal Article THE ARTISTIC AND THE AESTHETIC VALUE OF ART Get access Tomas Kulka Tomas Kulka Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 21, Issue 4, AUTUMN 1981, Pages 336–350, https://doi.org/10.1093/bjaesthetics/21.4.336 Published: 01 April 1981

  • II How Far Does Anything Go? Comments on Feyerabend's Epistemological Anarchism

    Open Access•Tomas Kulka•ARTICLE•Philosophy of the Social Sciences•1977

  • Some Problems Concerning Rational Reconstruction

    Tomas Kulka•ARTICLE•The British Journal for the…•1977•Cited by: 6

  • Some Problems Concerning Rational Reconstruction

    Tomas Kulka•ARTICLE•The British Journal for the…•1977•Cited by: 6

  • Kitsch

    Tomas Kulka•ARTICLE•The British Journal of Aesthetics•1988•Cited by: 2

    Journal Article KITSCH Get access Tomas Kulka Tomas Kulka Dept. of Philosophy, The Hebrew University of JerusalemJerusalem, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 28, Issue 1, WINTER 1988, Pages 18–27, https://doi.org/10.1093/bjaesthetics/28.1.18 Published: 01 January 1988

  • The Artistic and the Aesthetic Value of Art

    Tomas Kulka•ARTICLE•The British Journal of Aesthetics•1981•Cited by: 2

    Journal Article THE ARTISTIC AND THE AESTHETIC VALUE OF ART Get access Tomas Kulka Tomas Kulka Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 21, Issue 4, AUTUMN 1981, Pages 336–350, https://doi.org/10.1093/bjaesthetics/21.4.336 Published: 01 April 1981

  • Art and Science

    Tomas Kulka•ARTICLE•The British Journal of Aesthetics•1989•Cited by: 1

    Journal Article ART AND SCIENCE: AN OUTLINE OF A POPPERIAN AESTHETICS Get access Tomas Kulka Tomas Kulka Department of Philosophy, Gilman Building, Tel Aviv UniversityRamat Aviv 69 978, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 29, Issue 3, SUMMER 1989, Pages 197–212, https://doi.org/10.1093/bjaesthetics/29.3.197 Published: 01 March 1989

  • II How Far Does Anything Go? Comments on Feyerabend's Epistemological Anarchism

    Open Access•Tomas Kulka•ARTICLE•Philosophy of the Social Sciences•1977

  • Some Problems Concerning Rational Reconstruction

    Tomas Kulka•ARTICLE•The British Journal for the…•1977•Cited by: 6

  • The Artistic and the Aesthetic Value of Art

    Tomas Kulka•ARTICLE•The British Journal of Aesthetics•1981•Cited by: 2

    Journal Article THE ARTISTIC AND THE AESTHETIC VALUE OF ART Get access Tomas Kulka Tomas Kulka Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 21, Issue 4, AUTUMN 1981, Pages 336–350, https://doi.org/10.1093/bjaesthetics/21.4.336 Published: 01 April 1981

  • The Artistic and Aesthetic Status of Forgeries

    Tomas Kulka, Nelson Goodman•ARTICLE•Leonardo•1982

    In the philosophy of art the following question is posed: Can there be any aesthetic value difference between an original painting and a forgery if they cannot be told apart, and, if so, what does it consist in? The author critically examines three currently held views in response to this question, including those of Nelson Goodman. He then turns his attention to both the aesthetic value and the artistic art-historical value of a painting, both o…

  • Kitsch

    Tomas Kulka•ARTICLE•The British Journal of Aesthetics•1988•Cited by: 2

    Journal Article KITSCH Get access Tomas Kulka Tomas Kulka Dept. of Philosophy, The Hebrew University of JerusalemJerusalem, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 28, Issue 1, WINTER 1988, Pages 18–27, https://doi.org/10.1093/bjaesthetics/28.1.18 Published: 01 January 1988

  • Reconceptions in Philosophy and Other Arts and Sciences

    Tomas Kulka, Nelson Goodman et al.•ARTICLE•Poetics Today•1989

  • Art and Science

    Tomas Kulka•ARTICLE•The British Journal of Aesthetics•1989•Cited by: 1

    Journal Article ART AND SCIENCE: AN OUTLINE OF A POPPERIAN AESTHETICS Get access Tomas Kulka Tomas Kulka Department of Philosophy, Gilman Building, Tel Aviv UniversityRamat Aviv 69 978, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 29, Issue 3, SUMMER 1989, Pages 197–212, https://doi.org/10.1093/bjaesthetics/29.3.197 Published: 01 March 1989

  • False Metaphors and Nonsense

    Tomas Kulka•ARTICLE•Poetics Today•1992

    In my criticism of Professor Goodman's theory of metaphor (see How Metaphor Makes Its Wonders [this volume]), I have tried to show it doesn't give an account of metaphorical falsity (i.e., conditions under which a sentence, taken metaphorically, is false) and it also doesn't leave room for metaphorical falsehood. I don't think, as Professor Goodman's reply (see Contraverting a Contradiction [this volume]) seems to suggest, there is a conflict in …

  • How Metaphor Makes Its Wonders

    Tomas Kulka•ARTICLE•Poetics Today•1992

    The purpose of this paper to examine what Donald Davidson (1984 [1978]) calls of together with radical alternative which he proposes. The central idea of view that metaphor has a sense or meaning which differs from its literal meaning and that metaphor says true or false things about world, although its message might be more exotic, profound, or concealed than that of plain prose. This idea, as Davidson says, is found in works of literary critics…

  • On the Relative Unimportance of Aesthetic Value in Evaluating Visual Arts

    Open Access•Tomas Kulka•ARTICLE•The British Journal of Aesthetics•2021•References: 9

    Contrary to the received view according to which the value of works of art consists exclusively or primarily in their aesthetic value I argue that the importance of aesthetic value has been grossly overrated. In earlier publications I have shown that the assumption stipulating that the value of artworks consists exclusively in their aesthetic value is demonstrably wrong. I have suggested a conceptual distinction between the aesthetic and the arti…

Art (7 works) · Philosophy (7 works) · Aesthetics (6 works) · Aesthetic Perception and Analysis (5 works) · Art history (4 works) · Visual arts (4 works) · Computer Science (3 works) · Philosophy (3 works) · Aesthetic value (2 works) · Art History and Market Analysis (2 works)

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