Tomas Kulka
Biographic Data
| ID | 1069978 |
|---|---|
| NAME | Tomas Kulka |
| GIVEN NAMES | Tomas |
| FAMILY NAME | Kulka |
| SIGNATURE | KULKA T |
| AFFILIATIONS | Tel Aviv University |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 11 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
On the Relative Unimportance of Aesthetic Value in Evaluating Visual Arts
Contrary to the received view according to which the value of works of art consists exclusively or primarily in their aesthetic value I argue that the importance of aesthetic value has been grossly overrated. In earlier publications I have shown that the assumption stipulating that the value of artworks consists exclusively in their aesthetic value is demonstrably wrong. I have suggested a conceptual distinction between the aesthetic and the arti…
False Metaphors and Nonsense
In my criticism of Professor Goodman's theory of metaphor (see How Metaphor Makes Its Wonders [this volume]), I have tried to show it doesn't give an account of metaphorical falsity (i.e., conditions under which a sentence, taken metaphorically, is false) and it also doesn't leave room for metaphorical falsehood. I don't think, as Professor Goodman's reply (see Contraverting a Contradiction [this volume]) seems to suggest, there is a conflict in …
How Metaphor Makes Its Wonders
The purpose of this paper to examine what Donald Davidson (1984 [1978]) calls of together with radical alternative which he proposes. The central idea of view that metaphor has a sense or meaning which differs from its literal meaning and that metaphor says true or false things about world, although its message might be more exotic, profound, or concealed than that of plain prose. This idea, as Davidson says, is found in works of literary critics…
Reconceptions in Philosophy and Other Arts and Sciences
Art and Science
Journal Article ART AND SCIENCE: AN OUTLINE OF A POPPERIAN AESTHETICS Get access Tomas Kulka Tomas Kulka Department of Philosophy, Gilman Building, Tel Aviv UniversityRamat Aviv 69 978, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 29, Issue 3, SUMMER 1989, Pages 197–212, https://doi.org/10.1093/bjaesthetics/29.3.197 Published: 01 March 1989
Kitsch
Journal Article KITSCH Get access Tomas Kulka Tomas Kulka Dept. of Philosophy, The Hebrew University of JerusalemJerusalem, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 28, Issue 1, WINTER 1988, Pages 18–27, https://doi.org/10.1093/bjaesthetics/28.1.18 Published: 01 January 1988
The Artistic and Aesthetic Status of Forgeries
In the philosophy of art the following question is posed: Can there be any aesthetic value difference between an original painting and a forgery if they cannot be told apart, and, if so, what does it consist in? The author critically examines three currently held views in response to this question, including those of Nelson Goodman. He then turns his attention to both the aesthetic value and the artistic art-historical value of a painting, both o…
The Artistic and the Aesthetic Value of Art
Journal Article THE ARTISTIC AND THE AESTHETIC VALUE OF ART Get access Tomas Kulka Tomas Kulka Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 21, Issue 4, AUTUMN 1981, Pages 336–350, https://doi.org/10.1093/bjaesthetics/21.4.336 Published: 01 April 1981
II How Far Does Anything Go? Comments on Feyerabend's Epistemological Anarchism
Some Problems Concerning Rational Reconstruction
Some Problems Concerning Rational Reconstruction
Kitsch
Journal Article KITSCH Get access Tomas Kulka Tomas Kulka Dept. of Philosophy, The Hebrew University of JerusalemJerusalem, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 28, Issue 1, WINTER 1988, Pages 18–27, https://doi.org/10.1093/bjaesthetics/28.1.18 Published: 01 January 1988
The Artistic and the Aesthetic Value of Art
Journal Article THE ARTISTIC AND THE AESTHETIC VALUE OF ART Get access Tomas Kulka Tomas Kulka Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 21, Issue 4, AUTUMN 1981, Pages 336–350, https://doi.org/10.1093/bjaesthetics/21.4.336 Published: 01 April 1981
Art and Science
Journal Article ART AND SCIENCE: AN OUTLINE OF A POPPERIAN AESTHETICS Get access Tomas Kulka Tomas Kulka Department of Philosophy, Gilman Building, Tel Aviv UniversityRamat Aviv 69 978, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 29, Issue 3, SUMMER 1989, Pages 197–212, https://doi.org/10.1093/bjaesthetics/29.3.197 Published: 01 March 1989
II How Far Does Anything Go? Comments on Feyerabend's Epistemological Anarchism
Some Problems Concerning Rational Reconstruction
The Artistic and the Aesthetic Value of Art
Journal Article THE ARTISTIC AND THE AESTHETIC VALUE OF ART Get access Tomas Kulka Tomas Kulka Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 21, Issue 4, AUTUMN 1981, Pages 336–350, https://doi.org/10.1093/bjaesthetics/21.4.336 Published: 01 April 1981
The Artistic and Aesthetic Status of Forgeries
In the philosophy of art the following question is posed: Can there be any aesthetic value difference between an original painting and a forgery if they cannot be told apart, and, if so, what does it consist in? The author critically examines three currently held views in response to this question, including those of Nelson Goodman. He then turns his attention to both the aesthetic value and the artistic art-historical value of a painting, both o…
Kitsch
Journal Article KITSCH Get access Tomas Kulka Tomas Kulka Dept. of Philosophy, The Hebrew University of JerusalemJerusalem, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 28, Issue 1, WINTER 1988, Pages 18–27, https://doi.org/10.1093/bjaesthetics/28.1.18 Published: 01 January 1988
Reconceptions in Philosophy and Other Arts and Sciences
Art and Science
Journal Article ART AND SCIENCE: AN OUTLINE OF A POPPERIAN AESTHETICS Get access Tomas Kulka Tomas Kulka Department of Philosophy, Gilman Building, Tel Aviv UniversityRamat Aviv 69 978, Israel Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 29, Issue 3, SUMMER 1989, Pages 197–212, https://doi.org/10.1093/bjaesthetics/29.3.197 Published: 01 March 1989
False Metaphors and Nonsense
In my criticism of Professor Goodman's theory of metaphor (see How Metaphor Makes Its Wonders [this volume]), I have tried to show it doesn't give an account of metaphorical falsity (i.e., conditions under which a sentence, taken metaphorically, is false) and it also doesn't leave room for metaphorical falsehood. I don't think, as Professor Goodman's reply (see Contraverting a Contradiction [this volume]) seems to suggest, there is a conflict in …
How Metaphor Makes Its Wonders
The purpose of this paper to examine what Donald Davidson (1984 [1978]) calls of together with radical alternative which he proposes. The central idea of view that metaphor has a sense or meaning which differs from its literal meaning and that metaphor says true or false things about world, although its message might be more exotic, profound, or concealed than that of plain prose. This idea, as Davidson says, is found in works of literary critics…
On the Relative Unimportance of Aesthetic Value in Evaluating Visual Arts
Contrary to the received view according to which the value of works of art consists exclusively or primarily in their aesthetic value I argue that the importance of aesthetic value has been grossly overrated. In earlier publications I have shown that the assumption stipulating that the value of artworks consists exclusively in their aesthetic value is demonstrably wrong. I have suggested a conceptual distinction between the aesthetic and the arti…
Art (7 works) · Philosophy (7 works) · Aesthetics (6 works) · Aesthetic Perception and Analysis (5 works) · Art history (4 works) · Visual arts (4 works) · Computer Science (3 works) · Philosophy (3 works) · Aesthetic value (2 works) · Art History and Market Analysis (2 works)