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Adam Smyth

Biographic Data

ID1070479
NAMEAdam Smyth
GIVEN NAMESAdam
FAMILY NAMESmyth
SIGNATURESMYTH A
AFFILIATIONSUniversity of Reading
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS6
WORKS AS AUTHOR6
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2023
H-INDEX2
  • The Oxford Handbook of the History of the Book in Early Modern England

    Adam Smyth•EDITOR•BOOK•Oxford Handbook of the History of…•2023

    How were books in early modern England made, circulated, sold, stored, read, marked, altered, preserved, and destroyed? The Oxford Handbook of the History of the Book in Early Modern England provides a stimulating account of the very newest work in the field, and an exploration of how new thinking might develop. Written by scholars working at the cutting-edge of the subject, from the United Kingdom and North America, the volume combines lucidity,…

  • Oxford Handbook of the History of the Early Modern Book in England

    Adam Smyth•BOOK•Oxford Handbook of the History of…•2023

  • Little Clippings

    Adam Smyth•ARTICLE•Journal of Medieval and Early…•2015•Cited by: 1

    This article explores the production of Gospel harmonies at Little Gidding in the 1630s. By drawing on rarely examined archival letters, documents, and drafts contained in the Ferrar Papers at Magdalene College, Cambridge, the article examines the production processes behind the biblical harmonies, and in particular the cutting up of text and images and the remnant tatters and drafts left behind as the finished Gospel harmonies that have previous…

  • Introduction

    Open Access•Adam Smyth, Gill Partington•ARTICLE•Critical Quarterly•2013

  • Women and Writing, c.1340-c.1650

    Anne Lawrence-Mathers, Phillipa Hardman et al.•EDITOR•BOOK•Women and Writing, C. 1340-C. 1650•2010

    Essays offering a gendered approach to the study of the move from manuscript to early printed book show how much women were involved in the process. The transition from medieval manuscript to early printed book is currently a major topic of academic interest, but has received very little attention in terms of women's involvement, a gap which the essays in this volume address.They add female names to the list of authors who participated in the cre…

  • Women and Writing, C. 1340-C. 1650

    Adam Smyth, Gemma Allen et al.•BOOK•Women and Writing, C. 1340-C. 1650•2010

  • Textual Transmission, Reception and the Editing of Early Modern Texts 1

    Open Access•Adam Smyth•ARTICLE•Literature Compass•2004•Cited by: 2

    Beginning with one particularly compelling Civil War manuscript – a collage of manuscript notes and printed pages torn from books, assembled by Sir John Gibson in Durham Castle in the 1650s – this article examines the circulation of texts in seventeenth-century England. In particular, it explores the malleability of early modern texts in both manuscript and print, in order to suggest that certain entrenched ideas about early modern print, manuscr…

  • Rend and teare in peeces’

    Adam Smyth•ARTICLE•The Seventeenth Century•2004•Cited by: 3•References: 1

    One discernable trend in early modern studies of the last decade has been a shift towards considerations of the reception of texts and, in particular, of readership. As part of this growing interest in consumption, several scholars have turned their attention to handwritten additions to printed books, considering moments when an early modern reader has altered a printed text or, more frequently, added a cross, a tick, a pointing hand, or, in the …

  • Rend and teare in peeces’

    Adam Smyth•ARTICLE•The Seventeenth Century•2004•Cited by: 3•References: 1

    One discernable trend in early modern studies of the last decade has been a shift towards considerations of the reception of texts and, in particular, of readership. As part of this growing interest in consumption, several scholars have turned their attention to handwritten additions to printed books, considering moments when an early modern reader has altered a printed text or, more frequently, added a cross, a tick, a pointing hand, or, in the …

  • Textual Transmission, Reception and the Editing of Early Modern Texts 1

    Open Access•Adam Smyth•ARTICLE•Literature Compass•2004•Cited by: 2

    Beginning with one particularly compelling Civil War manuscript – a collage of manuscript notes and printed pages torn from books, assembled by Sir John Gibson in Durham Castle in the 1650s – this article examines the circulation of texts in seventeenth-century England. In particular, it explores the malleability of early modern texts in both manuscript and print, in order to suggest that certain entrenched ideas about early modern print, manuscr…

  • Little Clippings

    Adam Smyth•ARTICLE•Journal of Medieval and Early…•2015•Cited by: 1

    This article explores the production of Gospel harmonies at Little Gidding in the 1630s. By drawing on rarely examined archival letters, documents, and drafts contained in the Ferrar Papers at Magdalene College, Cambridge, the article examines the production processes behind the biblical harmonies, and in particular the cutting up of text and images and the remnant tatters and drafts left behind as the finished Gospel harmonies that have previous…

  • Textual Transmission, Reception and the Editing of Early Modern Texts 1

    Open Access•Adam Smyth•ARTICLE•Literature Compass•2004•Cited by: 2

    Beginning with one particularly compelling Civil War manuscript – a collage of manuscript notes and printed pages torn from books, assembled by Sir John Gibson in Durham Castle in the 1650s – this article examines the circulation of texts in seventeenth-century England. In particular, it explores the malleability of early modern texts in both manuscript and print, in order to suggest that certain entrenched ideas about early modern print, manuscr…

  • Rend and teare in peeces’

    Adam Smyth•ARTICLE•The Seventeenth Century•2004•Cited by: 3•References: 1

    One discernable trend in early modern studies of the last decade has been a shift towards considerations of the reception of texts and, in particular, of readership. As part of this growing interest in consumption, several scholars have turned their attention to handwritten additions to printed books, considering moments when an early modern reader has altered a printed text or, more frequently, added a cross, a tick, a pointing hand, or, in the …

  • Women and Writing, c.1340-c.1650

    Anne Lawrence-Mathers, Phillipa Hardman et al.•EDITOR•BOOK•Women and Writing, C. 1340-C. 1650•2010

    Essays offering a gendered approach to the study of the move from manuscript to early printed book show how much women were involved in the process. The transition from medieval manuscript to early printed book is currently a major topic of academic interest, but has received very little attention in terms of women's involvement, a gap which the essays in this volume address.They add female names to the list of authors who participated in the cre…

  • Women and Writing, C. 1340-C. 1650

    Adam Smyth, Gemma Allen et al.•BOOK•Women and Writing, C. 1340-C. 1650•2010

  • Introduction

    Open Access•Adam Smyth, Gill Partington•ARTICLE•Critical Quarterly•2013

  • Little Clippings

    Adam Smyth•ARTICLE•Journal of Medieval and Early…•2015•Cited by: 1

    This article explores the production of Gospel harmonies at Little Gidding in the 1630s. By drawing on rarely examined archival letters, documents, and drafts contained in the Ferrar Papers at Magdalene College, Cambridge, the article examines the production processes behind the biblical harmonies, and in particular the cutting up of text and images and the remnant tatters and drafts left behind as the finished Gospel harmonies that have previous…

  • The Oxford Handbook of the History of the Book in Early Modern England

    Adam Smyth•EDITOR•BOOK•Oxford Handbook of the History of…•2023

    How were books in early modern England made, circulated, sold, stored, read, marked, altered, preserved, and destroyed? The Oxford Handbook of the History of the Book in Early Modern England provides a stimulating account of the very newest work in the field, and an exploration of how new thinking might develop. Written by scholars working at the cutting-edge of the subject, from the United Kingdom and North America, the volume combines lucidity,…

  • Oxford Handbook of the History of the Early Modern Book in England

    Adam Smyth•BOOK•Oxford Handbook of the History of…•2023

History (5 works) · Classics (4 works) · Reformation and Early Modern Christianity (4 works) · Art (3 works) · Computer Science (3 works) · History (3 works) · Literature (3 works) · Medieval Literature and History (3 works) · Classics (2 works) · Historical Studies of British Isles (2 works)

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