Adam Smyth
Biographic Data
| ID | 1070479 |
|---|---|
| NAME | Adam Smyth |
| GIVEN NAMES | Adam |
| FAMILY NAME | Smyth |
| SIGNATURE | SMYTH A |
| AFFILIATIONS | University of Reading |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
The Oxford Handbook of the History of the Book in Early Modern England
How were books in early modern England made, circulated, sold, stored, read, marked, altered, preserved, and destroyed? The Oxford Handbook of the History of the Book in Early Modern England provides a stimulating account of the very newest work in the field, and an exploration of how new thinking might develop. Written by scholars working at the cutting-edge of the subject, from the United Kingdom and North America, the volume combines lucidity,…
Oxford Handbook of the History of the Early Modern Book in England
Little Clippings
This article explores the production of Gospel harmonies at Little Gidding in the 1630s. By drawing on rarely examined archival letters, documents, and drafts contained in the Ferrar Papers at Magdalene College, Cambridge, the article examines the production processes behind the biblical harmonies, and in particular the cutting up of text and images and the remnant tatters and drafts left behind as the finished Gospel harmonies that have previous…
Introduction
Women and Writing, c.1340-c.1650
Essays offering a gendered approach to the study of the move from manuscript to early printed book show how much women were involved in the process. The transition from medieval manuscript to early printed book is currently a major topic of academic interest, but has received very little attention in terms of women's involvement, a gap which the essays in this volume address.They add female names to the list of authors who participated in the cre…
Women and Writing, C. 1340-C. 1650
Textual Transmission, Reception and the Editing of Early Modern Texts 1
Beginning with one particularly compelling Civil War manuscript – a collage of manuscript notes and printed pages torn from books, assembled by Sir John Gibson in Durham Castle in the 1650s – this article examines the circulation of texts in seventeenth-century England. In particular, it explores the malleability of early modern texts in both manuscript and print, in order to suggest that certain entrenched ideas about early modern print, manuscr…
Rend and teare in peeces’
One discernable trend in early modern studies of the last decade has been a shift towards considerations of the reception of texts and, in particular, of readership. As part of this growing interest in consumption, several scholars have turned their attention to handwritten additions to printed books, considering moments when an early modern reader has altered a printed text or, more frequently, added a cross, a tick, a pointing hand, or, in the …
Rend and teare in peeces’
One discernable trend in early modern studies of the last decade has been a shift towards considerations of the reception of texts and, in particular, of readership. As part of this growing interest in consumption, several scholars have turned their attention to handwritten additions to printed books, considering moments when an early modern reader has altered a printed text or, more frequently, added a cross, a tick, a pointing hand, or, in the …
Textual Transmission, Reception and the Editing of Early Modern Texts 1
Beginning with one particularly compelling Civil War manuscript – a collage of manuscript notes and printed pages torn from books, assembled by Sir John Gibson in Durham Castle in the 1650s – this article examines the circulation of texts in seventeenth-century England. In particular, it explores the malleability of early modern texts in both manuscript and print, in order to suggest that certain entrenched ideas about early modern print, manuscr…
Little Clippings
This article explores the production of Gospel harmonies at Little Gidding in the 1630s. By drawing on rarely examined archival letters, documents, and drafts contained in the Ferrar Papers at Magdalene College, Cambridge, the article examines the production processes behind the biblical harmonies, and in particular the cutting up of text and images and the remnant tatters and drafts left behind as the finished Gospel harmonies that have previous…
Textual Transmission, Reception and the Editing of Early Modern Texts 1
Beginning with one particularly compelling Civil War manuscript – a collage of manuscript notes and printed pages torn from books, assembled by Sir John Gibson in Durham Castle in the 1650s – this article examines the circulation of texts in seventeenth-century England. In particular, it explores the malleability of early modern texts in both manuscript and print, in order to suggest that certain entrenched ideas about early modern print, manuscr…
Rend and teare in peeces’
One discernable trend in early modern studies of the last decade has been a shift towards considerations of the reception of texts and, in particular, of readership. As part of this growing interest in consumption, several scholars have turned their attention to handwritten additions to printed books, considering moments when an early modern reader has altered a printed text or, more frequently, added a cross, a tick, a pointing hand, or, in the …
Women and Writing, c.1340-c.1650
Essays offering a gendered approach to the study of the move from manuscript to early printed book show how much women were involved in the process. The transition from medieval manuscript to early printed book is currently a major topic of academic interest, but has received very little attention in terms of women's involvement, a gap which the essays in this volume address.They add female names to the list of authors who participated in the cre…
Women and Writing, C. 1340-C. 1650
Introduction
Little Clippings
This article explores the production of Gospel harmonies at Little Gidding in the 1630s. By drawing on rarely examined archival letters, documents, and drafts contained in the Ferrar Papers at Magdalene College, Cambridge, the article examines the production processes behind the biblical harmonies, and in particular the cutting up of text and images and the remnant tatters and drafts left behind as the finished Gospel harmonies that have previous…
The Oxford Handbook of the History of the Book in Early Modern England
How were books in early modern England made, circulated, sold, stored, read, marked, altered, preserved, and destroyed? The Oxford Handbook of the History of the Book in Early Modern England provides a stimulating account of the very newest work in the field, and an exploration of how new thinking might develop. Written by scholars working at the cutting-edge of the subject, from the United Kingdom and North America, the volume combines lucidity,…
Oxford Handbook of the History of the Early Modern Book in England
History (5 works) · Classics (4 works) · Reformation and Early Modern Christianity (4 works) · Art (3 works) · Computer Science (3 works) · History (3 works) · Literature (3 works) · Medieval Literature and History (3 works) · Classics (2 works) · Historical Studies of British Isles (2 works)