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Nandini B Pandey

Biographic Data

ID1072220
NAMENandini B Pandey
GIVEN NAMESNandini B
FAMILY NAMEPandey
SIGNATUREPANDEY N B
AFFILIATIONSUniversity of Wisconsin–Madison
ORCID0000-0003-1133-5757
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS28
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Antiquity Beyond Borders

    Open Access•Nandini B Pandey, Nandini Pandey•ARTICLE•The Classical Review•2026

  • Publica numina

    Open Access•Nandini B Pandey•CHAPTER•Social Dynamics of Roman Imperial…•2020

    Ovid’s Epistulae ex Ponto 2.8 commemorates the exiled poet’s receipt of a gift of silver images of the Caesars from Rome. This paper argues, with reference to Augustan coinage and Marx’s theory of commodity fetishism, that the poem deconstructs Romans’ self-subjugation to imperial iconography and highlights their role in vesting it with power. Through comic deployment of the pathetic fallacy via a naïve narrative persona, Ovid shows how, from a p…

  • Shovels Out

    Nandini B Pandey, Nandini Pandey•ARTICLE•Mnemosyne•2020•References: 4

    Review of: T.P. Wiseman, The House of Augustus: A Historical Detective Story . This engaging and accessible book conclusively puts to rest the longstanding misidentification of grand ruins on Rome’s Palatine Hill as the ‘House of Augustus’. Wiseman defends the view that Augustus’ buildings on the Palatine carefully differentiated between private modesty and public munificence while aligning the princeps with Romulus through their various imprints…

  • The Cultural History of Augustan Rome

    Nandini B Pandey•ARTICLE•The Classical World•2020

    Reviewed by: The Cultural History of Augustan Rome: Texts, Monuments, and Topography ed. by Matthew P. Loar et al. Nandini B. Pandey Matthew P. Loar, Sarah C. Murray and Stefano Rebeggiani (eds.). The Cultural History of Augustan Rome: Texts, Monuments, and Topography. Cambridge: Cambridge University Press, 2019. Pp. xiv, 192. $99.99. ISBN 978-1-108-48060-4. Publishers are invited to submit new books to be reviewed to Professor Michael Arnush, 53…

  • Ovid, the Res Publica, and the ‘Imperial Presidency

    Nandini B Pandey•ARTICLE•Polis The Journal for Ancient…•2020

    How did Romans perceive the changing relationships among leaders, the people, and the public sphere as their commonwealth (res publica) fell under the control of an emperor? This paper examines Ovid’s uses of the Latin adjective publicus, ‘public, common, open’, to explore strands of implicitly ‘republican’ political thought behind his poetic corpus. Ovid first celebrates Augustus’ material benefactions as common goods for private consumption; th…

  • Augustus as Visionary

    Kerry Boeye, Nandini B Pandey•CHAPTER•Afterlives of Augustus, AD 14-2014•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Blood beneath the Laurels

    Nandini B Pandey•ARTICLE•Classical Philology•2018•Cited by: 1•References: 21

  • The Poetics of Power in Augustan Rome

    Open Access•Nandini B Pandey•BOOK•Poetics of Power in Augustan Rome•2018•Cited by: 11•References: 57

    Augustus' success in implementing monarchical rule at Rome is often attributed to innovations in the symbolic language of power, from the star marking Julius Caesar's deification to buildings like the Palatine complex and the Forum Augustum to rituals including triumphs and funerals

  • Caput mundi

    Nandini B Pandey•ARTICLE•The Classical Journal•2017•Cited by: 2

    This paper suggests some far-reaching symbolic implications for women's hair in Latin love elegy. Hairdressing, hairdressers and hair loss provided a metaphorical vehicle by which Tibullus (1.8), Propertius (2.18), and above all Ovid (Ars Amatoria 3; Amores 1.11–12, 2.7–8, 1.7, and 1.14) interrogate the power relationships that underpin Roman society: between master and slave, women and men, Rome and her provinces. In my analysis, elegiac hair be…

  • Sowing the Seeds of War

    Nandini B Pandey•ARTICLE•The Classical World•2017•Cited by: 14

    Long before the Harvard School, the earliest audiences of Vergil's Aeneid were conditioned to hear "two voices" in the epic. Vergil's Eclogues had already illustrated and evoked dialogic interpretations; the epic's ekphrases, including the Trojan War frieze at Carthage, show the subjective nature of all aesthetic response; and the ancient vita tradition framed the text of the Aeneid, like Pallas' baldric, as an object of political contestation. I…

  • Sowing the Seeds of War

    Nandini B Pandey•ARTICLE•The Classical World•2017•Cited by: 14

    Long before the Harvard School, the earliest audiences of Vergil's Aeneid were conditioned to hear "two voices" in the epic. Vergil's Eclogues had already illustrated and evoked dialogic interpretations; the epic's ekphrases, including the Trojan War frieze at Carthage, show the subjective nature of all aesthetic response; and the ancient vita tradition framed the text of the Aeneid, like Pallas' baldric, as an object of political contestation. I…

  • The Poetics of Power in Augustan Rome

    Open Access•Nandini B Pandey•BOOK•Poetics of Power in Augustan Rome•2018•Cited by: 11•References: 57

    Augustus' success in implementing monarchical rule at Rome is often attributed to innovations in the symbolic language of power, from the star marking Julius Caesar's deification to buildings like the Palatine complex and the Forum Augustum to rituals including triumphs and funerals

  • Caput mundi

    Nandini B Pandey•ARTICLE•The Classical Journal•2017•Cited by: 2

    This paper suggests some far-reaching symbolic implications for women's hair in Latin love elegy. Hairdressing, hairdressers and hair loss provided a metaphorical vehicle by which Tibullus (1.8), Propertius (2.18), and above all Ovid (Ars Amatoria 3; Amores 1.11–12, 2.7–8, 1.7, and 1.14) interrogate the power relationships that underpin Roman society: between master and slave, women and men, Rome and her provinces. In my analysis, elegiac hair be…

  • Blood beneath the Laurels

    Nandini B Pandey•ARTICLE•Classical Philology•2018•Cited by: 1•References: 21

  • Caput mundi

    Nandini B Pandey•ARTICLE•The Classical Journal•2017•Cited by: 2

    This paper suggests some far-reaching symbolic implications for women's hair in Latin love elegy. Hairdressing, hairdressers and hair loss provided a metaphorical vehicle by which Tibullus (1.8), Propertius (2.18), and above all Ovid (Ars Amatoria 3; Amores 1.11–12, 2.7–8, 1.7, and 1.14) interrogate the power relationships that underpin Roman society: between master and slave, women and men, Rome and her provinces. In my analysis, elegiac hair be…

  • Sowing the Seeds of War

    Nandini B Pandey•ARTICLE•The Classical World•2017•Cited by: 14

    Long before the Harvard School, the earliest audiences of Vergil's Aeneid were conditioned to hear "two voices" in the epic. Vergil's Eclogues had already illustrated and evoked dialogic interpretations; the epic's ekphrases, including the Trojan War frieze at Carthage, show the subjective nature of all aesthetic response; and the ancient vita tradition framed the text of the Aeneid, like Pallas' baldric, as an object of political contestation. I…

  • Augustus as Visionary

    Kerry Boeye, Nandini B Pandey•CHAPTER•Afterlives of Augustus, AD 14-2014•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Blood beneath the Laurels

    Nandini B Pandey•ARTICLE•Classical Philology•2018•Cited by: 1•References: 21

  • The Poetics of Power in Augustan Rome

    Open Access•Nandini B Pandey•BOOK•Poetics of Power in Augustan Rome•2018•Cited by: 11•References: 57

    Augustus' success in implementing monarchical rule at Rome is often attributed to innovations in the symbolic language of power, from the star marking Julius Caesar's deification to buildings like the Palatine complex and the Forum Augustum to rituals including triumphs and funerals

  • Publica numina

    Open Access•Nandini B Pandey•CHAPTER•Social Dynamics of Roman Imperial…•2020

    Ovid’s Epistulae ex Ponto 2.8 commemorates the exiled poet’s receipt of a gift of silver images of the Caesars from Rome. This paper argues, with reference to Augustan coinage and Marx’s theory of commodity fetishism, that the poem deconstructs Romans’ self-subjugation to imperial iconography and highlights their role in vesting it with power. Through comic deployment of the pathetic fallacy via a naïve narrative persona, Ovid shows how, from a p…

  • Shovels Out

    Nandini B Pandey, Nandini Pandey•ARTICLE•Mnemosyne•2020•References: 4

    Review of: T.P. Wiseman, The House of Augustus: A Historical Detective Story . This engaging and accessible book conclusively puts to rest the longstanding misidentification of grand ruins on Rome’s Palatine Hill as the ‘House of Augustus’. Wiseman defends the view that Augustus’ buildings on the Palatine carefully differentiated between private modesty and public munificence while aligning the princeps with Romulus through their various imprints…

  • The Cultural History of Augustan Rome

    Nandini B Pandey•ARTICLE•The Classical World•2020

    Reviewed by: The Cultural History of Augustan Rome: Texts, Monuments, and Topography ed. by Matthew P. Loar et al. Nandini B. Pandey Matthew P. Loar, Sarah C. Murray and Stefano Rebeggiani (eds.). The Cultural History of Augustan Rome: Texts, Monuments, and Topography. Cambridge: Cambridge University Press, 2019. Pp. xiv, 192. $99.99. ISBN 978-1-108-48060-4. Publishers are invited to submit new books to be reviewed to Professor Michael Arnush, 53…

  • Ovid, the Res Publica, and the ‘Imperial Presidency

    Nandini B Pandey•ARTICLE•Polis The Journal for Ancient…•2020

    How did Romans perceive the changing relationships among leaders, the people, and the public sphere as their commonwealth (res publica) fell under the control of an emperor? This paper examines Ovid’s uses of the Latin adjective publicus, ‘public, common, open’, to explore strands of implicitly ‘republican’ political thought behind his poetic corpus. Ovid first celebrates Augustus’ material benefactions as common goods for private consumption; th…

  • Antiquity Beyond Borders

    Open Access•Nandini B Pandey, Nandini Pandey•ARTICLE•The Classical Review•2026

Classical Antiquity Studies (9 works) · History (7 works) · Art (6 works) · History (5 works) · Literature (5 works) · Classics (4 works) · Law (4 works) · Law (4 works) · Political science (4 works) · Classics (3 works)

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