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Diana Lewis Burgin

Biographic Data

ID1073257
NAMEDiana Lewis Burgin
GIVEN NAMESDiana Lewis
FAMILY NAMEBurgin
SIGNATUREBURGIN D L
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1974
LATEST PUBLICATION YEAR1995
H-INDEX1
  • Sophia Parnok

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1995•Cited by: 1

  • Sophia Parnok and the Writing of a Lesbian Poet's Life

    Open Access•Diana Lewis Burgin•ARTICLE•Slavic Review•1992•References: 1

    In a footnote to her detailed commentary on the poems of Sophia Parnok (1885-1933) Sophia Poliakova states that the poet "did not make a secret of" her lesbianism and that "many of her poems are incomprehensible without knowledge of this [...] extremely personal [fact]." Yet, in her otherwise excellent discussion of the poet's creative development, Poliakova does not treat the crucially important relationship between Parnok's affectional preferen…

  • After the Ball is Over

    Diana Lewis Burgin•ARTICLE•The Russian Review•1988

    The love affair between Sophia Parok and Marina Tsvetaeva, which consumed the two poets from late October 1914 until February 1916, seems to have been one of those passions fueled by an attraction to its own doom. Yet, as Sofiia Poliakova has demonstrated, the creative potential and fruits of this love affair were substantial.1 It inspired Tsvetaeva's magnificent lyrical cycle Podruga (Girlfriend), arguably her most mature work so far, as well as…

  • The Reprieve of Nastasja

    Diana Lewis Burgin•ARTICLE•The Slavic and East European…•1985

  • The Reprieve of Nastasja

    Diana Lewis Burgin•ARTICLE•The Slavic and East European…•1985

  • The fate of modern man

    Diana Lewis Burgin•ARTICLE•Soviet Studies•1974•References: 1

    UNLIMITED technological violence', as expressed in the Stalinist labour camp experience, and 'absurd death', symbolized by the disease of cancer-these are the two interrelated givens of modern life with which Solzhenitsyn grapples in Cancer Ward. The author's insistence that violence and death are today the main determinants of a man's 'fate' and 'happiness' constitutes the enormous contemporary appeal of this novel and answers effectively the of…

  • Sophia Parnok

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1995•Cited by: 1

  • The fate of modern man

    Diana Lewis Burgin•ARTICLE•Soviet Studies•1974•References: 1

    UNLIMITED technological violence', as expressed in the Stalinist labour camp experience, and 'absurd death', symbolized by the disease of cancer-these are the two interrelated givens of modern life with which Solzhenitsyn grapples in Cancer Ward. The author's insistence that violence and death are today the main determinants of a man's 'fate' and 'happiness' constitutes the enormous contemporary appeal of this novel and answers effectively the of…

  • The Reprieve of Nastasja

    Diana Lewis Burgin•ARTICLE•The Slavic and East European…•1985

  • The Reprieve of Nastasja

    Diana Lewis Burgin•ARTICLE•The Slavic and East European…•1985

  • After the Ball is Over

    Diana Lewis Burgin•ARTICLE•The Russian Review•1988

    The love affair between Sophia Parok and Marina Tsvetaeva, which consumed the two poets from late October 1914 until February 1916, seems to have been one of those passions fueled by an attraction to its own doom. Yet, as Sofiia Poliakova has demonstrated, the creative potential and fruits of this love affair were substantial.1 It inspired Tsvetaeva's magnificent lyrical cycle Podruga (Girlfriend), arguably her most mature work so far, as well as…

  • Sophia Parnok and the Writing of a Lesbian Poet's Life

    Open Access•Diana Lewis Burgin•ARTICLE•Slavic Review•1992•References: 1

    In a footnote to her detailed commentary on the poems of Sophia Parnok (1885-1933) Sophia Poliakova states that the poet "did not make a secret of" her lesbianism and that "many of her poems are incomprehensible without knowledge of this [...] extremely personal [fact]." Yet, in her otherwise excellent discussion of the poet's creative development, Poliakova does not treat the crucially important relationship between Parnok's affectional preferen…

  • Sophia Parnok

    Nadya L Peterson, Nadya Peterson et al.•ARTICLE•The Russian Review•1995•Cited by: 1

Art (6 works) · Eastern European Communism and Reforms (3 works) · Literature (3 works) · Philosophy (3 works) · Psychoanalysis (3 works) · Psychology (3 works) · Aesthetics (2 works) · History (2 works) · History (2 works) · Law (2 works)

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