Leonard J Leff
Biographic Data
| ID | 1073772 |
|---|---|
| NAME | Leonard J Leff |
| GIVEN NAMES | Leonard J |
| FAMILY NAME | Leff |
| SIGNATURE | LEFF L J |
| AFFILIATIONS | Oklahoma State University Oklahoma City |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1972 |
| LATEST PUBLICATION YEAR | 1999 |
| H-INDEX | 1 |
Reading Kane
Hemingway and His Conspirators: Hollywood, Scribners, and the Making of American Celebrity Culture
Journal Article Hemingway and His Conspirators: Hollywood, Scribners, and the Making of American Celebrity Culture. By Leonard J. Leff. (Lanham: Rowman & Littlefield, 1997. xviii, 255 pp. $24.95, ISBN 0-8476-8544-6.) Get access Richard Fine Richard Fine Virginia Commonwealth University, Richmond, Virginia Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 85, Issue 4, March 1999, Pages 164…
Hemingway's Genders: Rereading the Hemingway Text
Film Censorship: Beyond the Heroic Interpretation
The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s
Journal Article The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s. By Leonard J. Leflf and Jerold L. Simmons. (New York: Weidenfeld & Nicolson, 1990. xiv + 350 pp. $22.50.) Get access Stephen Vaughn Stephen Vaughn University of Wisconsin, Madison Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 4, March 1991, Page 1397, https://d…
The Dame in the Kimono: Hollywood, Censorship, and the Production Code
The new edition of this seminal work takes the story of the Production Code and motion picture censorship into the present, including the creation of the PG-13 and NC-17 ratings in the 1990s
Making Movies Safe for Democracy
Hitchcock and Selznick: The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood
and is the story of one of the oddest partnerships in Hollywood history, the union of a reticent, overweight Englishman with a flair for striking detail and a penchant for the perverse, and a dynamic movie mogul with a keen eye for successful entertainment on the grand scale. It began in 1938, when producer David O. Selznick agreed to bring director Alfred Hitchcock from England, where he was already gaining widespread acclaim for his 'little thr…
United Artists and Hollywood
Leonard Leff Responds to Robin Bates
Irrespective of 'meaning,' [final] shot of sled gives many viewers a rush, I wrote in Reading (Film Quarterly, Fall 1985); does something to them. Those who study Citizen Kane must have been as delighted as I to learn what near-end of this picture did to college freshman Scott Bates in 1941: It was flaming consummation of sex and politics that had been looking for in movie theatres all our young lives. Robin Bates aptly concludes-and I agree-that…
Wilson: Hollywood propaganda for world peace
(1983). Wilson: Hollywood propaganda for world peace. Historical Journal of Film, Radio and Television: Vol. 3, No. 1, pp. 3-18
Instant Movies: The Short Unhappy Life of William Sargent's Electronovision (1964-65)
Play into Film: "Warner Brothers' "Who's Afraid of Virginia Woolf
A Test of American Film Censorship: Who's Afraid of Virginia Woolf
American film censorship is almost as old as American film itself. Not until the inception of the Production Code Administration and the Legion of Decency, however, was the content of motion pictures effectively controlled. Offsprings of the Motion Picture Association of America (MPAA) and the Catholic Church, these regulatory agencies influenced the language, tone, and themes of American cinema from the mid-1930s to the mid-1950s. Complaints aga…
The Drama's Patrons: A Study of the Eighteenth-Century London Audience
The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s
Journal Article The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s. By Leonard J. Leflf and Jerold L. Simmons. (New York: Weidenfeld & Nicolson, 1990. xiv + 350 pp. $22.50.) Get access Stephen Vaughn Stephen Vaughn University of Wisconsin, Madison Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 4, March 1991, Page 1397, https://d…
Hemingway and His Conspirators: Hollywood, Scribners, and the Making of American Celebrity Culture
Journal Article Hemingway and His Conspirators: Hollywood, Scribners, and the Making of American Celebrity Culture. By Leonard J. Leff. (Lanham: Rowman & Littlefield, 1997. xviii, 255 pp. $24.95, ISBN 0-8476-8544-6.) Get access Richard Fine Richard Fine Virginia Commonwealth University, Richmond, Virginia Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 85, Issue 4, March 1999, Pages 164…
Play into Film: "Warner Brothers' "Who's Afraid of Virginia Woolf
The Drama's Patrons: A Study of the Eighteenth-Century London Audience
A Test of American Film Censorship: Who's Afraid of Virginia Woolf
American film censorship is almost as old as American film itself. Not until the inception of the Production Code Administration and the Legion of Decency, however, was the content of motion pictures effectively controlled. Offsprings of the Motion Picture Association of America (MPAA) and the Catholic Church, these regulatory agencies influenced the language, tone, and themes of American cinema from the mid-1930s to the mid-1950s. Complaints aga…
Instant Movies: The Short Unhappy Life of William Sargent's Electronovision (1964-65)
Play into Film: "Warner Brothers' "Who's Afraid of Virginia Woolf
Wilson: Hollywood propaganda for world peace
(1983). Wilson: Hollywood propaganda for world peace. Historical Journal of Film, Radio and Television: Vol. 3, No. 1, pp. 3-18
Leonard Leff Responds to Robin Bates
Irrespective of 'meaning,' [final] shot of sled gives many viewers a rush, I wrote in Reading (Film Quarterly, Fall 1985); does something to them. Those who study Citizen Kane must have been as delighted as I to learn what near-end of this picture did to college freshman Scott Bates in 1941: It was flaming consummation of sex and politics that had been looking for in movie theatres all our young lives. Robin Bates aptly concludes-and I agree-that…
United Artists and Hollywood
Hitchcock and Selznick: The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood
and is the story of one of the oddest partnerships in Hollywood history, the union of a reticent, overweight Englishman with a flair for striking detail and a penchant for the perverse, and a dynamic movie mogul with a keen eye for successful entertainment on the grand scale. It began in 1938, when producer David O. Selznick agreed to bring director Alfred Hitchcock from England, where he was already gaining widespread acclaim for his 'little thr…
The Dame in the Kimono: Hollywood, Censorship, and the Production Code
The new edition of this seminal work takes the story of the Production Code and motion picture censorship into the present, including the creation of the PG-13 and NC-17 ratings in the 1990s
Making Movies Safe for Democracy
The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s
Journal Article The Dame in the Kimono: Hollywood, Censorship, and the Production Code from the 1920s to the 1960s. By Leonard J. Leflf and Jerold L. Simmons. (New York: Weidenfeld & Nicolson, 1990. xiv + 350 pp. $22.50.) Get access Stephen Vaughn Stephen Vaughn University of Wisconsin, Madison Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 77, Issue 4, March 1991, Page 1397, https://d…
Film Censorship: Beyond the Heroic Interpretation
Hemingway's Genders: Rereading the Hemingway Text
Reading Kane
Hemingway and His Conspirators: Hollywood, Scribners, and the Making of American Celebrity Culture
Journal Article Hemingway and His Conspirators: Hollywood, Scribners, and the Making of American Celebrity Culture. By Leonard J. Leff. (Lanham: Rowman & Littlefield, 1997. xviii, 255 pp. $24.95, ISBN 0-8476-8544-6.) Get access Richard Fine Richard Fine Virginia Commonwealth University, Richmond, Virginia Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 85, Issue 4, March 1999, Pages 164…
Art (13 works) · Art history (8 works) · Cinema and Media Studies (7 works) · History (6 works) · Hollywood (6 works) · Sociology (6 works) · Media studies (5 works) · Political science (5 works) · Censorship (4 works) · Computer Science (4 works)