George Legrady
Biographic Data
| ID | 1074910 |
|---|---|
| NAME | George Legrady |
| GIVEN NAMES | George |
| FAMILY NAME | Legrady |
| SIGNATURE | LEGRADY G |
| AFFILIATIONS | University of California, Santa Barbara |
| ORCID | 0000-0002-9177-257X |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Spatial Distance as an Indicator of Semantic Variances in the “Pockets Full of Memories” Installation
Pockets Full of Memories premiered at the Centre Pompidou in 2001 as an art installation that invited the public to digitally scan an object in their possession and describe it through a touch-screen questionnaire. Images of the objects were projected on a large screen, spatially organized by an Artificial Intelligence neural-network algorithm so that each object’s distance from every other was determined by the semantic information collected thr…
Data in Context
Site-specific data visualization installations have distinct conditions of data collection, data analysis, audience interaction and data archiving. This article describes features of five data visualization projects related to their successful staging within different contexts
Swarm Vision
August 01 2013 Swarm Vision George Legrady, George Legrady Search for other works by this author on: This Site Google Scholar Marco Pinter, Marco Pinter Search for other works by this author on: This Site Google Scholar Danny Bazo Danny Bazo Search for other works by this author on: This Site Google Scholar Author and Article Information George Legrady Marco Pinter Danny Bazo Online Issn: 1530-9282 Print Issn: 0024-094X © 2013 George Legrady, Mar…
Culture, Data and Algorithmic Organization
The author presents his interactive digital installations of the past decade, featured in museums, media arts festivals and galleries, that engage the audience to contribute data that is then transformed into content and visually projected large scale in the exhibition space. Collected over time, the data occasions further data-mining, algorithmic processing, with visualization of the results
Perspectives on Collaborative Research and Education in Media Arts
Digital arts is by nature a hybrid practice, integrating the poetics, aesthetics and conceptual strategies of art with the logical, systematic methods of technological processes from engineering and the sciences. This article reviews the development of interdisciplinary, collaborative arts-engineering research and education at the University of California at Santa Barbara, focusing on the Media Arts & Technology graduate program from a visual/spa…
Interdisciplinary Collaboration in Digital Media Arts
The complexity of digital media technologies requires artists to form teams of specialized experts integrating their contributions. Studies on interdisciplinary collaborations in organizational and scientific research-and-development teams have revealed that three processes-communication, coordination and knowledge-sharing-significantly influence their efficiency and effectiveness. This model was applied to an international and interdisciplinary …
Pockets Full of Memories
Conceived as an installation on the topic of the archive and memory, Pockets Full of Memories was exhibited on the main floor of the Centre Pompidou National Museum of Modern Art, Paris from 10 April to 3 September 2001. During this time, approximately 20,000 visitors came to view the installation and contributed over 3300 objects in their possession, digitally scanning and describing them. This information was stored in a database and organized …
Interdisciplinary Collaboration in Digital Media Arts
The complexity of digital media technologies requires artists to form teams of specialized experts integrating their contributions. Studies on interdisciplinary collaborations in organizational and scientific research-and-development teams have revealed that three processes-communication, coordination and knowledge-sharing-significantly influence their efficiency and effectiveness. This model was applied to an international and interdisciplinary …
Pockets Full of Memories
Conceived as an installation on the topic of the archive and memory, Pockets Full of Memories was exhibited on the main floor of the Centre Pompidou National Museum of Modern Art, Paris from 10 April to 3 September 2001. During this time, approximately 20,000 visitors came to view the installation and contributed over 3300 objects in their possession, digitally scanning and describing them. This information was stored in a database and organized …
Culture, Data and Algorithmic Organization
The author presents his interactive digital installations of the past decade, featured in museums, media arts festivals and galleries, that engage the audience to contribute data that is then transformed into content and visually projected large scale in the exhibition space. Collected over time, the data occasions further data-mining, algorithmic processing, with visualization of the results
Pockets Full of Memories
Conceived as an installation on the topic of the archive and memory, Pockets Full of Memories was exhibited on the main floor of the Centre Pompidou National Museum of Modern Art, Paris from 10 April to 3 September 2001. During this time, approximately 20,000 visitors came to view the installation and contributed over 3300 objects in their possession, digitally scanning and describing them. This information was stored in a database and organized …
Interdisciplinary Collaboration in Digital Media Arts
The complexity of digital media technologies requires artists to form teams of specialized experts integrating their contributions. Studies on interdisciplinary collaborations in organizational and scientific research-and-development teams have revealed that three processes-communication, coordination and knowledge-sharing-significantly influence their efficiency and effectiveness. This model was applied to an international and interdisciplinary …
Perspectives on Collaborative Research and Education in Media Arts
Digital arts is by nature a hybrid practice, integrating the poetics, aesthetics and conceptual strategies of art with the logical, systematic methods of technological processes from engineering and the sciences. This article reviews the development of interdisciplinary, collaborative arts-engineering research and education at the University of California at Santa Barbara, focusing on the Media Arts & Technology graduate program from a visual/spa…
Culture, Data and Algorithmic Organization
The author presents his interactive digital installations of the past decade, featured in museums, media arts festivals and galleries, that engage the audience to contribute data that is then transformed into content and visually projected large scale in the exhibition space. Collected over time, the data occasions further data-mining, algorithmic processing, with visualization of the results
Swarm Vision
August 01 2013 Swarm Vision George Legrady, George Legrady Search for other works by this author on: This Site Google Scholar Marco Pinter, Marco Pinter Search for other works by this author on: This Site Google Scholar Danny Bazo Danny Bazo Search for other works by this author on: This Site Google Scholar Author and Article Information George Legrady Marco Pinter Danny Bazo Online Issn: 1530-9282 Print Issn: 0024-094X © 2013 George Legrady, Mar…
Data in Context
Site-specific data visualization installations have distinct conditions of data collection, data analysis, audience interaction and data archiving. This article describes features of five data visualization projects related to their successful staging within different contexts
Spatial Distance as an Indicator of Semantic Variances in the “Pockets Full of Memories” Installation
Pockets Full of Memories premiered at the Centre Pompidou in 2001 as an art installation that invited the public to digitally scan an object in their possession and describe it through a touch-screen questionnaire. Images of the objects were projected on a large screen, spatially organized by an Artificial Intelligence neural-network algorithm so that each object’s distance from every other was determined by the semantic information collected thr…
Computer Science (6 works) · World Wide Web (6 works) · Art (5 works) · Visual arts (4 works) · Digital media (3 works) · Sociology (3 works) · The arts (3 works) · Data mining (2 works) · Data science (2 works) · Data visualization (2 works)