Hanna Brinkmann
Biographic Data
| ID | 1075477 |
|---|---|
| NAME | Hanna Brinkmann |
| GIVEN NAMES | Hanna |
| FAMILY NAME | Brinkmann |
| SIGNATURE | BRINKMANN H |
| AFFILIATIONS | University of Vienna |
| ORCID | 0000-0002-2841-9327 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Psyche and Provocation
The article argues that Austrian Expressionism, exemplified by the works in the Psyche and Provocation exhibition room at the Österreichische Galerie Belvedere (The Austrian Gallery) in Vienna, provides a compelling case for studying art experience due to its emotional intensity and radical aesthetics. By integrating Walter Benjamin’s concept of aura with Eric Kandel’s insights from brain and cognitive sciences, the study explores how the experie…
The kitsch switch—or (when) do experts dislike Thomas Kinkade art? A study of time-based evaluation changes in top-down versus bottom-up assessment
Cultural diversity in oculometric parameters when viewing art and non-art
The Vienna Art Interest and Art Knowledge Questionnaire (Vaiak)
Art as a Universal Language
The concept of abstract art as "world language" became famous after documenta II (1959). Abstract art was considered as universally comprehensible and independent of cultural, political or historical contexts. However, this was never explicitly tested empirically. If these assumptions were true, there should be higher intersubjective coherence in perceiving abstract paintings compared to representational art. In order to test this hypothesis, the…
Art as a Universal Language
The concept of abstract art as "world language" became famous after documenta II (1959). Abstract art was considered as universally comprehensible and independent of cultural, political or historical contexts. However, this was never explicitly tested empirically. If these assumptions were true, there should be higher intersubjective coherence in perceiving abstract paintings compared to representational art. In order to test this hypothesis, the…
Art as a Universal Language
The concept of abstract art as "world language" became famous after documenta II (1959). Abstract art was considered as universally comprehensible and independent of cultural, political or historical contexts. However, this was never explicitly tested empirically. If these assumptions were true, there should be higher intersubjective coherence in perceiving abstract paintings compared to representational art. In order to test this hypothesis, the…
The Vienna Art Interest and Art Knowledge Questionnaire (Vaiak)
Cultural diversity in oculometric parameters when viewing art and non-art
The kitsch switch—or (when) do experts dislike Thomas Kinkade art? A study of time-based evaluation changes in top-down versus bottom-up assessment
Psyche and Provocation
The article argues that Austrian Expressionism, exemplified by the works in the Psyche and Provocation exhibition room at the Österreichische Galerie Belvedere (The Austrian Gallery) in Vienna, provides a compelling case for studying art experience due to its emotional intensity and radical aesthetics. By integrating Walter Benjamin’s concept of aura with Eric Kandel’s insights from brain and cognitive sciences, the study explores how the experie…
Aesthetic Perception and Analysis (4 works) · Art (3 works) · Aesthetics (2 works) · Cognition (2 works) · Computer Science (2 works) · Creativity in Education and Neuroscience (2 works) · Visual arts (2 works) · Abstract art (1 work) · Anthropology (1 work) · Art Education and Development (1 work)