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Sharon Marie Carnicke

Biographic Data

ID1076163
NAMESharon Marie Carnicke
GIVEN NAMESSharon Marie
FAMILY NAMECarnicke
SIGNATURECARNICKE S M
ORCID0000-0002-8238-2959
VERIFIEDYes
TOTAL WORKS19
TOTAL CITATIONS3
AUTHOR COUNT19
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2010
H-INDEX1
  • School for Citizens: Theatre and Civil Society in Imperial Russia

    Sharon Marie Carnicke•ARTICLE•Canadian-American Slavic Studies•2010

  • Your Murderer

    Sharon Marie Carnicke, Vassily Aksyonov et al.•ARTICLE•The Slavic and East European…•2002

  • A History of Russian Theatre

    Sharon Marie Carnicke, Robert Leach et al.•ARTICLE•The Slavic and East European…•2001

    The origins of the Russian theatre Catriona Kelly 2. The organisation of the Russian theatre, 1645-1763 Victor Borovsky 3. The emergence of the Russian theatre, 1763-1800 Victor Borovsky 4. Writers and repertoires, 1800-1850 A. D. P. Briggs 5. Actors and acting, 1820-1850 Anatoly Altschuller 6. Popular, provincial and amateur theatres, 1820-1900 Catriona Kelly 7. Realism in the Russian theatre, 1850-1882 Cynthia Marsh 8. Aleksandr Ostrovsky - dra…

  • Lear's Daughters: The Studios of the Moscow Art Theatre 1905-1927

    Sharon Marie Carnicke, Rebecca B Gauss•ARTICLE•The Slavic and East European…•2000

  • Stanislavsky in Focus

    Nicholas Rzhevsky, Sharon Marie Carnicke et al.•ARTICLE•The Slavic and East European…•2000

    Introduction to the series. List of plates. A Note on Transliteration and Translation. Introduction. Part I Transmission. Chapter 1 From Moscow to New York. Chapter 2 New York Adopts Stanislavsky. Part II Translation . Chapter 3 The Classroom Circuit. Chapter 4 The Publication Maze. Part III Chapter 5 Stanislavsky's Lost Term. Chapter 6 Emotion and the Human Spirit of the Role. Chapter 7 Action and the Human Body in the Role. Afterword. The Syste…

  • The Chekhov Theatre: A Century of the Plays in Performance

    Sharon Marie Carnicke, Laurence Senelick•ARTICLE•The Slavic and East European…•1998

  • Chekhov's Three Sisters

    Sharon Marie Carnicke, Gordon McVay et al.•ARTICLE•The Slavic and East European…•1996

  • Pierrot in Petrograd: The Commedia dell'Arte/Balagan in Twentieth-Century Russian Theatre and Drama

    Sharon Marie Carnicke, J Douglas Clayton•ARTICLE•The Russian Review•1995

  • Pis'ma Mikhaila Chekhova Mstislavu Dobuzhinskomu (gody emigratsii, 1938-1951)

    Sharon Marie Carnicke, Liisa Biukling•ARTICLE•The Slavic and East European…•1994

  • "From "The Actor: Work on Oneself

    Konstantin Stanislavsky, Jean Benedetti et al.•ARTICLE•TDR/The Drama Review•1993

  • Stanislavsky: Uncensored and Unabridged

    Sharon Marie Carnicke•ARTICLE•TDR/The Drama Review•1993

  • The Theatrical Instinct: Nikolai Evreinov and the Russian Theatre of the Early Twentieth Century

    Cheyanne Boyd, Sharon Marie Carnicke•ARTICLE•The Slavic and East European…•1991

  • The Theatrical Instinct: Nikolai Evreinov and the Russian Theatre of the Early Twentieth Century

    George Kalbouss, Sharon Marie Carnicke•ARTICLE•The Russian Review•1991

  • Stanislavski: A Biography

    Sharon Marie Carnicke, Jean Benedetti•ARTICLE•Theatre Journal•1990

    is the most complete description yet available in English of Stanislavski's real life in art (New York Times) Jean Benedetti's critical biography of Konstantin Stanislavski, one of the towering figures of twentieth-century theatre, has been fully revised and expanded offering new facts and insights into Stanislavski's life and arts. This new edition, written with unprecedented access to original Russian material including letters and production n…

  • Chekhov and Women: Women in the Life and Work of Chekhov

    Sharon Marie Carnicke, Carolina De Maegd-Soep•ARTICLE•The Russian Review•1989•Cited by: 1

  • Stanislavski's Encounter with Shakespeare: The Evolution of a Method

    Sharon Marie Carnicke, J Morgan et al.•ARTICLE•The Slavic and East European…•1985

  • An Actor Prepares/Rabota aktera nad soboǐ, Chast' I: A Comparison of the English with the Russian Stanislavsky

    Sharon Marie Carnicke•ARTICLE•Theatre Journal•1984•Cited by: 2

  • Russian Dramatic Theory from Pushkin to the Symbolists: An Anthology

    Sharon Marie Carnicke, Laurence Senelick•ARTICLE•The Slavic and East European…•1982

  • Chekhov: The Critical Heritage

    Sharon Marie Carnicke, Victor Emeljanow et al.•ARTICLE•Theatre Journal•1982

  • An Actor Prepares/Rabota aktera nad soboǐ, Chast' I: A Comparison of the English with the Russian Stanislavsky

    Sharon Marie Carnicke•ARTICLE•Theatre Journal•1984•Cited by: 2

  • Chekhov and Women: Women in the Life and Work of Chekhov

    Sharon Marie Carnicke, Carolina De Maegd-Soep•ARTICLE•The Russian Review•1989•Cited by: 1

  • Russian Dramatic Theory from Pushkin to the Symbolists: An Anthology

    Sharon Marie Carnicke, Laurence Senelick•ARTICLE•The Slavic and East European…•1982

  • Chekhov: The Critical Heritage

    Sharon Marie Carnicke, Victor Emeljanow et al.•ARTICLE•Theatre Journal•1982

  • An Actor Prepares/Rabota aktera nad soboǐ, Chast' I: A Comparison of the English with the Russian Stanislavsky

    Sharon Marie Carnicke•ARTICLE•Theatre Journal•1984•Cited by: 2

  • Stanislavski's Encounter with Shakespeare: The Evolution of a Method

    Sharon Marie Carnicke, J Morgan et al.•ARTICLE•The Slavic and East European…•1985

  • Chekhov and Women: Women in the Life and Work of Chekhov

    Sharon Marie Carnicke, Carolina De Maegd-Soep•ARTICLE•The Russian Review•1989•Cited by: 1

  • Stanislavski: A Biography

    Sharon Marie Carnicke, Jean Benedetti•ARTICLE•Theatre Journal•1990

    is the most complete description yet available in English of Stanislavski's real life in art (New York Times) Jean Benedetti's critical biography of Konstantin Stanislavski, one of the towering figures of twentieth-century theatre, has been fully revised and expanded offering new facts and insights into Stanislavski's life and arts. This new edition, written with unprecedented access to original Russian material including letters and production n…

  • The Theatrical Instinct: Nikolai Evreinov and the Russian Theatre of the Early Twentieth Century

    Cheyanne Boyd, Sharon Marie Carnicke•ARTICLE•The Slavic and East European…•1991

  • The Theatrical Instinct: Nikolai Evreinov and the Russian Theatre of the Early Twentieth Century

    George Kalbouss, Sharon Marie Carnicke•ARTICLE•The Russian Review•1991

  • "From "The Actor: Work on Oneself

    Konstantin Stanislavsky, Jean Benedetti et al.•ARTICLE•TDR/The Drama Review•1993

  • Stanislavsky: Uncensored and Unabridged

    Sharon Marie Carnicke•ARTICLE•TDR/The Drama Review•1993

  • Pis'ma Mikhaila Chekhova Mstislavu Dobuzhinskomu (gody emigratsii, 1938-1951)

    Sharon Marie Carnicke, Liisa Biukling•ARTICLE•The Slavic and East European…•1994

  • Pierrot in Petrograd: The Commedia dell'Arte/Balagan in Twentieth-Century Russian Theatre and Drama

    Sharon Marie Carnicke, J Douglas Clayton•ARTICLE•The Russian Review•1995

  • Chekhov's Three Sisters

    Sharon Marie Carnicke, Gordon McVay et al.•ARTICLE•The Slavic and East European…•1996

  • The Chekhov Theatre: A Century of the Plays in Performance

    Sharon Marie Carnicke, Laurence Senelick•ARTICLE•The Slavic and East European…•1998

  • Lear's Daughters: The Studios of the Moscow Art Theatre 1905-1927

    Sharon Marie Carnicke, Rebecca B Gauss•ARTICLE•The Slavic and East European…•2000

  • Stanislavsky in Focus

    Nicholas Rzhevsky, Sharon Marie Carnicke et al.•ARTICLE•The Slavic and East European…•2000

    Introduction to the series. List of plates. A Note on Transliteration and Translation. Introduction. Part I Transmission. Chapter 1 From Moscow to New York. Chapter 2 New York Adopts Stanislavsky. Part II Translation . Chapter 3 The Classroom Circuit. Chapter 4 The Publication Maze. Part III Chapter 5 Stanislavsky's Lost Term. Chapter 6 Emotion and the Human Spirit of the Role. Chapter 7 Action and the Human Body in the Role. Afterword. The Syste…

  • A History of Russian Theatre

    Sharon Marie Carnicke, Robert Leach et al.•ARTICLE•The Slavic and East European…•2001

    The origins of the Russian theatre Catriona Kelly 2. The organisation of the Russian theatre, 1645-1763 Victor Borovsky 3. The emergence of the Russian theatre, 1763-1800 Victor Borovsky 4. Writers and repertoires, 1800-1850 A. D. P. Briggs 5. Actors and acting, 1820-1850 Anatoly Altschuller 6. Popular, provincial and amateur theatres, 1820-1900 Catriona Kelly 7. Realism in the Russian theatre, 1850-1882 Cynthia Marsh 8. Aleksandr Ostrovsky - dra…

  • Your Murderer

    Sharon Marie Carnicke, Vassily Aksyonov et al.•ARTICLE•The Slavic and East European…•2002

  • School for Citizens: Theatre and Civil Society in Imperial Russia

    Sharon Marie Carnicke•ARTICLE•Canadian-American Slavic Studies•2010

Art (16 works) · Theatre and Performance Studies (14 works) · History (9 works) · Literature (8 works) · Stanislavski's system (5 works) · Art history (4 works) · Drama (3 works) · Folklore, Mythology, and Literature Studies (3 works) · History (3 works) · Psychology (3 works)

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