Véronique Chagnon-Burke
Biographic Data
| ID | 10770719 |
|---|---|
| NAME | Véronique Chagnon-Burke |
| GIVEN NAMES | Véronique |
| FAMILY NAME | Chagnon-Burke |
| SIGNATURE | CHAGNON-BURKE V |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Women Art Dealers
Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market. Part 1 focuses on the women gallerists behind the promotion of modern …
Ethnographic Collecting and African Agency in Early Colonial West Africa
The early collections from Africa in Liverpool’s World Museum reflect the city’s longstanding shipping and commercial links with Africa’s Atlantic coast. A principal component of these collections is an assemblage of several thousand artefacts from western Africa that were transported to institutions in northwest England between 1894 and 1916 by the Liverpool steam ship engineer Arnold Ridyard. While Ridyard’s collecting efforts can be seen to ha…
Global market for contemporary art
No prominent works on this page.
Global market for contemporary art
Ethnographic Collecting and African Agency in Early Colonial West Africa
The early collections from Africa in Liverpool’s World Museum reflect the city’s longstanding shipping and commercial links with Africa’s Atlantic coast. A principal component of these collections is an assemblage of several thousand artefacts from western Africa that were transported to institutions in northwest England between 1894 and 1916 by the Liverpool steam ship engineer Arnold Ridyard. While Ridyard’s collecting efforts can be seen to ha…
Women Art Dealers
Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market. Part 1 focuses on the women gallerists behind the promotion of modern …
Art (3 works) · Art history (2 works) · Visual arts (2 works) · African history and culture studies (1 work) · Agency (philosophy) (1 work) · Anthropology (1 work) · Archaeology (1 work) · Art History and Market Analysis (1 work) · Art market (1 work) · Art world (1 work)