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Gordon Teskey

Biographic Data

ID1077255
NAMEGordon Teskey
GIVEN NAMESGordon
FAMILY NAMETeskey
SIGNATURETESKEY G
AFFILIATIONSCornell University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS1
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2016
H-INDEX1
  • The Poetry of John Milton

    Gordon Teskey, Nicholas Von Maltzahn•ARTICLE•Renaissance and Reformation•2016

    John Milton is regarded as the greatest English poet after Shakespeare. Yet for sublimity and philosophical grandeur, Milton stands almost alone in world literature. His peers are Homer, Virgil, Dante, Wordsworth, and Goethe: poets who achieve a total ethical and spiritual vision of the world. In this panoramic interpretation, the distinguished Milton scholar Gordon Teskey shows how the poet s changing commitments are subordinated to an aesthetic…

  • The Poetry of John Milton

    Gordon Teskey•BOOK•Poetry of John Milton•2015

  • Poetry of John Milton

    Gordon Teskey•BOOK•Poetry of John Milton•2015

  • Milton's Warring Angels: A Study of Critical Engagement

    Open Access•Gordon Teskey•ARTICLE•Renaissance Quarterly•1999

    William Kolbrener, Milton's Warring Angels: A Study of Critical Engagement Cambridge: Cambridge University Press, 1997. $54.95. ISBN: 05-215-8104-4. - John Mulryan, "Through a Glass Darkly": Milton's Reinvention of the Mythological Tradition Pittsburgh: Duquesne University Press, 1996. $48. ISBN: 08-207-0267-6. - Volume 52 Issue 2

  • Mutability, Genealogy, and the Authority of Forms

    Gordon Teskey•ARTICLE•Representations•1993•Cited by: 1•References: 1

    Research Article| January 01 1993 Mutability, Genealogy, and the Authority of Forms Gordon Teskey Gordon Teskey Search for other works by this author on: This Site PubMed Google Scholar Representations (1993) 41: 104–122. https://doi.org/10.2307/2928679 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Sear…

  • The Writing

    David L Miller, Jaime Goldberg et al.•ARTICLE•diacritics•1990

  • Milton and Modernity

    Gordon Teskey, Christopher Kendrick et al.•ARTICLE•diacritics•1988

  • Milton's Choice of Subject in the Context of Renaissance Critical Theory

    Gordon Teskey•ARTICLE•ELH•1986

  • Endlesse Worke: Spenser and the Structures of Discourse

    Jaime Goldberg, Jonathan Goldberg et al.•ARTICLE•Renaissance and Reformation•1969

    Renaissance et Réforme / 1 2 1 for ''Canzoniere'' (p.6), "provde" for "provide" (p.39), "condemmed" for "condemned" (p. 45),"Ruggerio" for"Ruggiero" (p. 48),"noms" for"mons" (p.68, 1. 5), "lascai" for"lasciai" (p. 128,n. 39), "Aristo" for"Ariosto" (p.165), "moveover" for "moreover" (p.178), "scritte" for "scritto" (p.186), "né" for "ne" (p.191, 1. 1) and an italicization problem on p. 34, n. 22. Notwithstanding these minor problems, the author's …

  • Mutability, Genealogy, and the Authority of Forms

    Gordon Teskey•ARTICLE•Representations•1993•Cited by: 1•References: 1

    Research Article| January 01 1993 Mutability, Genealogy, and the Authority of Forms Gordon Teskey Gordon Teskey Search for other works by this author on: This Site PubMed Google Scholar Representations (1993) 41: 104–122. https://doi.org/10.2307/2928679 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Sear…

  • Endlesse Worke: Spenser and the Structures of Discourse

    Jaime Goldberg, Jonathan Goldberg et al.•ARTICLE•Renaissance and Reformation•1969

    Renaissance et Réforme / 1 2 1 for ''Canzoniere'' (p.6), "provde" for "provide" (p.39), "condemmed" for "condemned" (p. 45),"Ruggerio" for"Ruggiero" (p. 48),"noms" for"mons" (p.68, 1. 5), "lascai" for"lasciai" (p. 128,n. 39), "Aristo" for"Ariosto" (p.165), "moveover" for "moreover" (p.178), "scritte" for "scritto" (p.186), "né" for "ne" (p.191, 1. 1) and an italicization problem on p. 34, n. 22. Notwithstanding these minor problems, the author's …

  • Milton's Choice of Subject in the Context of Renaissance Critical Theory

    Gordon Teskey•ARTICLE•ELH•1986

  • Milton and Modernity

    Gordon Teskey, Christopher Kendrick et al.•ARTICLE•diacritics•1988

  • The Writing

    David L Miller, Jaime Goldberg et al.•ARTICLE•diacritics•1990

  • Mutability, Genealogy, and the Authority of Forms

    Gordon Teskey•ARTICLE•Representations•1993•Cited by: 1•References: 1

    Research Article| January 01 1993 Mutability, Genealogy, and the Authority of Forms Gordon Teskey Gordon Teskey Search for other works by this author on: This Site PubMed Google Scholar Representations (1993) 41: 104–122. https://doi.org/10.2307/2928679 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Sear…

  • Milton's Warring Angels: A Study of Critical Engagement

    Open Access•Gordon Teskey•ARTICLE•Renaissance Quarterly•1999

    William Kolbrener, Milton's Warring Angels: A Study of Critical Engagement Cambridge: Cambridge University Press, 1997. $54.95. ISBN: 05-215-8104-4. - John Mulryan, "Through a Glass Darkly": Milton's Reinvention of the Mythological Tradition Pittsburgh: Duquesne University Press, 1996. $48. ISBN: 08-207-0267-6. - Volume 52 Issue 2

  • The Poetry of John Milton

    Gordon Teskey•BOOK•Poetry of John Milton•2015

  • Poetry of John Milton

    Gordon Teskey•BOOK•Poetry of John Milton•2015

  • The Poetry of John Milton

    Gordon Teskey, Nicholas Von Maltzahn•ARTICLE•Renaissance and Reformation•2016

    John Milton is regarded as the greatest English poet after Shakespeare. Yet for sublimity and philosophical grandeur, Milton stands almost alone in world literature. His peers are Homer, Virgil, Dante, Wordsworth, and Goethe: poets who achieve a total ethical and spiritual vision of the world. In this panoramic interpretation, the distinguished Milton scholar Gordon Teskey shows how the poet s changing commitments are subordinated to an aesthetic…

Philosophy (6 works) · Art (5 works) · Philosophy (4 works) · History (3 works) · Sociology (3 works) · Art history (2 works) · Computer Science (2 works) · Epistemology (2 works) · Historical and Literary Studies (2 works) · Historical Philosophy and Science (2 works)

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