Sarah K Balstrup
Biographic Data
| ID | 1077465 |
|---|---|
| NAME | Sarah K Balstrup |
| GIVEN NAMES | Sarah K |
| FAMILY NAME | Balstrup |
| SIGNATURE | BALSTRUP S K |
| AFFILIATIONS | IP Australia |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Religion, Creative Practice and Aestheticisation in Nick Cave's The Red Hand Files
In 2018, Nick Cave launched The Red Hand Files website, where fans ask personal questions and the artist responds. This ongoing dialogue presents a unique iteration of religious visibility at the nexus of religion and the arts. Here, Cave articulates his personal religiosity in the wake of his son's death, detailing the role of creative practice, performance and communication. Cave's personal spirituality engages processes of aestheticisation tha…
Doctor Who
This article investigates the religious worldview presented by the television program Doctor Who between 2005 and 2009, when outspoken atheist Russell T. Davies worked as head writer. It is argued that in the Davies period, Doctor Who is religiously significant in three ways. Symbolically, it is deeply concerned with Christianity and the function of the Christ figure, while ideologically the program is aligned with New Atheism. At a subtler level…
No prominent works on this page.
Doctor Who
This article investigates the religious worldview presented by the television program Doctor Who between 2005 and 2009, when outspoken atheist Russell T. Davies worked as head writer. It is argued that in the Davies period, Doctor Who is religiously significant in three ways. Symbolically, it is deeply concerned with Christianity and the function of the Christ figure, while ideologically the program is aligned with New Atheism. At a subtler level…
Religion, Creative Practice and Aestheticisation in Nick Cave's The Red Hand Files
In 2018, Nick Cave launched The Red Hand Files website, where fans ask personal questions and the artist responds. This ongoing dialogue presents a unique iteration of religious visibility at the nexus of religion and the arts. Here, Cave articulates his personal religiosity in the wake of his son's death, detailing the role of creative practice, performance and communication. Cave's personal spirituality engages processes of aestheticisation tha…
Art (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropological Studies and Insights (1 work) · Atheism (1 work) · Christianity (1 work) · Friendship (1 work) · Ideology (1 work) · Law (1 work) · Law (1 work)