Ulli Beier
Biographic Data
| ID | 107759 |
|---|---|
| NAME | Ulli Beier |
| GIVEN NAMES | Ulli |
| FAMILY NAME | Beier |
| SIGNATURE | BEIER U |
| AFFILIATIONS | Bayreuth Medical Center |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 18 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1960 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 2 |
Pacific history bibliography 2003
The Journal o f Pacific H istory serves historians, prehistorians, anthropologists and others interested in the study o f man in the Pacific Islands, including Hawaii and New Guinea. It publishes articles, an n o tated previously unpublished m anuscripts, notes on source m aterial and com m ent on current affairs, and is concerned generally w ith political, econom ic, religious and cultural history. It also welcomes articles related to oth er geo…
L opold S dar Senghor: A Personal Memoir
Léopold Sédar Senghor played an important role in my life long before I met him. I had come to Nigeria in 1950 and had spent my first frustrating year in the English Department of the University College, Ibadan. It was a very colonial institution. The English Department insisted on teaching the students Anglo-Saxon and then they had to work through the canonized masterpieces of English literature, from Chaucer's Canterbury Tales to Spencer's Fair…
Ulli Beier and the Oshogbo Artists of Nigeria
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Oodgeroo as Friend and Artist
I first came across Oodgeroo's writing in 1965. I was living in Nigeria at the time, where Australia hardly entered one's consciousness. The slim volume of poems We Are Going shocked me into an awareness of the plight of the Australian Aborigines. Kath Walker, as she was then called, was the first Aborigine I had ever heard of, and by some curious set of circumstances she also became the first Aborigine I was to meet in person a few years later
The right to claim the world: Conversation with Ibrahim El Salahi
(1993). The right to claim the world: Conversation with Ibrahim El Salahi. Third Text: Vol. 7, No. 23, pp. 23-30
Nigerian Art Patrons
Yoruba Beaded Crowns: Sacred Regalia of the Olokuku of Okuku
Yoruba Myths
Yoruba Myths
The Position of the Artist in Traditional Society
The Return of the Gods: The Sacred Art of Susanne Wenger
Middle Art: The Paintings of War
Contemporary Art in Africa
Signwriters Art in Nigeria
Hohao: The Uneasy Survival of an Art Form in the Papuan Gulf
The Moon Cannot Fight: Yoruba Children's Poems
Inventory of Nigerian Artistic Achievement
Quelques poètes nigériens
Ulli Beier and the Oshogbo Artists of Nigeria
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Signwriters Art in Nigeria
Hohao: The Uneasy Survival of an Art Form in the Papuan Gulf
Quelques poètes nigériens
Inventory of Nigerian Artistic Achievement
The Moon Cannot Fight: Yoruba Children's Poems
Signwriters Art in Nigeria
Hohao: The Uneasy Survival of an Art Form in the Papuan Gulf
Contemporary Art in Africa
Middle Art: The Paintings of War
The Return of the Gods: The Sacred Art of Susanne Wenger
The Position of the Artist in Traditional Society
Yoruba Beaded Crowns: Sacred Regalia of the Olokuku of Okuku
Yoruba Myths
Yoruba Myths
Nigerian Art Patrons
The right to claim the world: Conversation with Ibrahim El Salahi
(1993). The right to claim the world: Conversation with Ibrahim El Salahi. Third Text: Vol. 7, No. 23, pp. 23-30
Oodgeroo as Friend and Artist
I first came across Oodgeroo's writing in 1965. I was living in Nigeria at the time, where Australia hardly entered one's consciousness. The slim volume of poems We Are Going shocked me into an awareness of the plight of the Australian Aborigines. Kath Walker, as she was then called, was the first Aborigine I had ever heard of, and by some curious set of circumstances she also became the first Aborigine I was to meet in person a few years later
L opold S dar Senghor: A Personal Memoir
Léopold Sédar Senghor played an important role in my life long before I met him. I had come to Nigeria in 1950 and had spent my first frustrating year in the English Department of the University College, Ibadan. It was a very colonial institution. The English Department insisted on teaching the students Anglo-Saxon and then they had to work through the canonized masterpieces of English literature, from Chaucer's Canterbury Tales to Spencer's Fair…
Ulli Beier and the Oshogbo Artists of Nigeria
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Pacific history bibliography 2003
The Journal o f Pacific H istory serves historians, prehistorians, anthropologists and others interested in the study o f man in the Pacific Islands, including Hawaii and New Guinea. It publishes articles, an n o tated previously unpublished m anuscripts, notes on source m aterial and com m ent on current affairs, and is concerned generally w ith political, econom ic, religious and cultural history. It also welcomes articles related to oth er geo…
Art (13 works) · History (7 works) · Philosophy (6 works) · Visual arts (6 works) · Linguistics (5 works) · Sociology (5 works) · Geography (4 works) · Literature (4 works) · Yoruba (4 works) · African history and culture studies (3 works)