K E Gover
Biographic Data
| ID | 1077775 |
|---|---|
| NAME | K E Gover |
| GIVEN NAMES | K E |
| FAMILY NAME | Gover |
| SIGNATURE | GOVER K E |
| AFFILIATIONS | Bennington College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
You stole my work! And you stole it poorly!” Choreography, Copyright, and the Problem of Inexpert Iterations
Dance theorists and legal scholars argue that choreography is by nature ill-suited to the conceptual framework provided by copyright, even as there is widespread agreement that works of dance deserve the legal protection and cultural endorsement that its inclusion represents. I reexamine the factors that are often cited as barriers to choreography's suitability for copyright. I argue that choreography is better suited to the copyright regime than…
What is Humpty-Dumptyism in Contemporary Visual Art? A Reply to Maes
In a recent article, Hans Maes argues that examples drawn from contemporary visual art shed new light on the long-standing and seemingly intractable debate between Hypothetical Intentionalism (HI) and Moderate Actual Intentionalism (AI). He presents two test cases that, he argues, tilt the scale in favour of AI. In this paper I re-examine Maes's two test cases, and argue that neither succeeds as a test case. The first case fails because it confus…
Tragedy and Metaphysics in Heidegger's ‘The Anaximander Fragment’
(2009). Tragedy and Metaphysics in Heidegger's ‘The Anaximander Fragment’. Journal of the British Society for Phenomenology: Vol. 40, Tradition, Art & Sexuality, pp. 37-53
You stole my work! And you stole it poorly!” Choreography, Copyright, and the Problem of Inexpert Iterations
Dance theorists and legal scholars argue that choreography is by nature ill-suited to the conceptual framework provided by copyright, even as there is widespread agreement that works of dance deserve the legal protection and cultural endorsement that its inclusion represents. I reexamine the factors that are often cited as barriers to choreography's suitability for copyright. I argue that choreography is better suited to the copyright regime than…
Tragedy and Metaphysics in Heidegger's ‘The Anaximander Fragment’
(2009). Tragedy and Metaphysics in Heidegger's ‘The Anaximander Fragment’. Journal of the British Society for Phenomenology: Vol. 40, Tradition, Art & Sexuality, pp. 37-53
What is Humpty-Dumptyism in Contemporary Visual Art? A Reply to Maes
In a recent article, Hans Maes argues that examples drawn from contemporary visual art shed new light on the long-standing and seemingly intractable debate between Hypothetical Intentionalism (HI) and Moderate Actual Intentionalism (AI). He presents two test cases that, he argues, tilt the scale in favour of AI. In this paper I re-examine Maes's two test cases, and argue that neither succeeds as a test case. The first case fails because it confus…
You stole my work! And you stole it poorly!” Choreography, Copyright, and the Problem of Inexpert Iterations
Dance theorists and legal scholars argue that choreography is by nature ill-suited to the conceptual framework provided by copyright, even as there is widespread agreement that works of dance deserve the legal protection and cultural endorsement that its inclusion represents. I reexamine the factors that are often cited as barriers to choreography's suitability for copyright. I argue that choreography is better suited to the copyright regime than…
Art (3 works) · Aesthetics (2 works) · Law (2 works) · Law in Society and Culture (2 works) · Philosophy (2 works) · Political science (2 works) · Aesthetic Perception and Analysis (1 work) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work) · Choreography (1 work)