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Linda Gertner Zatlin

Biographic Data

ID1078292
NAMELinda Gertner Zatlin
GIVEN NAMESLinda Gertner
FAMILY NAMEZatlin
SIGNATUREZATLIN L G
AFFILIATIONSMorehouse College
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2000
H-INDEX0
  • Wilde, Beardsley, and the Making of Salome

    Linda Gertner Zatlin•ARTICLE•Journal of Victorian Culture•2000•References: 1

    (2000). Wilde, Beardsley, and the Making of Salome. Journal of Victorian Culture: Vol. 5, No. 2, pp. 341-357

  • Beardsley, Japonisme, and the Perversion of the Victorian Ideal

    Karl Beckson, Linda Gertner Zatlin•ARTICLE•South Atlantic Review•1999

  • Aubrey Beardsley's “Japanese” Grotesques

    Open Access•Linda Gertner Zatlin•ARTICLE•Victorian Literature and Culture•1997•References: 5

    Aubrey Beardsley made major contributions to the art of the grotesque. Initially, he probably learned the theory as well as the technique of creating designs in this mode from the work of medieval European artists. His own development of the grotesque, however, rests on his treatment of subject matter, a treatment which was influenced by Japanese woodblock artists. The double viewpoint, both expressing an author's point of view and critiquing one…

  • Aubrey Beardsley, Dandy of the Grotesque

    Linda Gertner Zatlin, Chris Snodgrass et al.•ARTICLE•South Atlantic Review•1996

  • Ragussis, Michael. Figures of Conversion

    Linda Gertner Zatlin•ARTICLE•ANQ A Quarterly Journal of Short…•1996

  • The Invention of Pornography

    Linda Gertner Zatlin•ARTICLE•The Journal of Modern History•1995

  • Drawing Conclusions

    Linda Gertner Zatlin•ARTICLE•Biography•1992

    The life of Aubrey Beardsley (1872-1898), as described by his four biographers, leaves unanswered some tantalizing questions about his theory of art as well as his relationships with late Victorian artists and writers. As material comes up at auction, it affords an opportunity to tease out some answers. While providing no striking answers, a recently sold cache of photographs, drawings, and two letters-one previously unpublished in full-adds to o…

  • Aubrey Beardsley and Victorian Sexual Politics

    Margaret D Stetz, Linda Gertner Zatlin•ARTICLE•South Atlantic Review•1990

    Sexual politics of the 1890s Beardsley and male supremacy the Beardsley woman Beardsley redresses Venus drawing the lines

  • The Nineteenth-Century Anglo-Jewish Novel

    Max F Schulz, Linda Gertner Zatlin•ARTICLE•The Modern Language Review•1986

No prominent works on this page.

  • The Nineteenth-Century Anglo-Jewish Novel

    Max F Schulz, Linda Gertner Zatlin•ARTICLE•The Modern Language Review•1986

  • Aubrey Beardsley and Victorian Sexual Politics

    Margaret D Stetz, Linda Gertner Zatlin•ARTICLE•South Atlantic Review•1990

    Sexual politics of the 1890s Beardsley and male supremacy the Beardsley woman Beardsley redresses Venus drawing the lines

  • Drawing Conclusions

    Linda Gertner Zatlin•ARTICLE•Biography•1992

    The life of Aubrey Beardsley (1872-1898), as described by his four biographers, leaves unanswered some tantalizing questions about his theory of art as well as his relationships with late Victorian artists and writers. As material comes up at auction, it affords an opportunity to tease out some answers. While providing no striking answers, a recently sold cache of photographs, drawings, and two letters-one previously unpublished in full-adds to o…

  • The Invention of Pornography

    Linda Gertner Zatlin•ARTICLE•The Journal of Modern History•1995

  • Aubrey Beardsley, Dandy of the Grotesque

    Linda Gertner Zatlin, Chris Snodgrass et al.•ARTICLE•South Atlantic Review•1996

  • Ragussis, Michael. Figures of Conversion

    Linda Gertner Zatlin•ARTICLE•ANQ A Quarterly Journal of Short…•1996

  • Aubrey Beardsley's “Japanese” Grotesques

    Open Access•Linda Gertner Zatlin•ARTICLE•Victorian Literature and Culture•1997•References: 5

    Aubrey Beardsley made major contributions to the art of the grotesque. Initially, he probably learned the theory as well as the technique of creating designs in this mode from the work of medieval European artists. His own development of the grotesque, however, rests on his treatment of subject matter, a treatment which was influenced by Japanese woodblock artists. The double viewpoint, both expressing an author's point of view and critiquing one…

  • Beardsley, Japonisme, and the Perversion of the Victorian Ideal

    Karl Beckson, Linda Gertner Zatlin•ARTICLE•South Atlantic Review•1999

  • Wilde, Beardsley, and the Making of Salome

    Linda Gertner Zatlin•ARTICLE•Journal of Victorian Culture•2000•References: 1

    (2000). Wilde, Beardsley, and the Making of Salome. Journal of Victorian Culture: Vol. 5, No. 2, pp. 341-357

Art (9 works) · Art history (4 works) · Historical Art and Culture Studies (4 works) · Literature (4 works) · Computer Science (3 works) · History (3 works) · Law (3 works) · Literature: history, themes, analysis (3 works) · Political science (3 works) · Sociology (3 works)

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