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F David Hoeniger

Biographic Data

ID1078727
NAMEF David Hoeniger
GIVEN NAMESF David
FAMILY NAMEHoeniger
SIGNATUREHOENIGER F D
AFFILIATIONSUniversity of Toronto
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS0
AUTHOR COUNT20
EDITOR COUNT0
FIRST PUBLICATION YEAR1939
LATEST PUBLICATION YEAR2009
H-INDEX0
  • The Medical Mind of Shakespeare

    Aubrey C Kail, F David Hoeniger•ARTICLE•Renaissance and Reformation•2009

    Finally, but perhaps serving as a fitting conclusion, Amy R

  • Medicine and Shakespeare in the English Renaissance

    F David Hoeniger, Richard Spacek•ARTICLE•Renaissance and Reformation•2009

    What precisely does Falstaff mean when he speaks of "inland petty spirits" in his monologue on the advantages of alcohol (sack) in Henry IV Part 2? What does Lear mean when he exclaims, "hysterica passio . . . down, thou climbing sorrow"? What were the associations likely evoked by Parolles' reference to the artists "both of Galen and Paracelsus," when All's Well That Ends Well was first staged around 1604, and how did Shakespeare's audience resp…

  • The Renaissance Print: 1470-1550 . David Landau , Peter W. Parshall

    F David Hoeniger•ARTICLE•Isis•1995

  • Gower and Shakespeare in Pericles

    F David Hoeniger•ARTICLE•Shakespeare Quarterly•1982

    Journal Article Gower and Shakespeare in Pericles Get access F. David Hoeniger F. David Hoeniger F. David Hoeniger, Professor of English at the University of Toronto, is a general editor of the Revels Plays, and is working on Shakespeare and the History of Medicine. Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 33, Issue 4, Winter 1982, Pages 461–479, https://doi.org/10.2307/2870126 Publish…

  • Faith and Folly in Shakespeare's Romantic Comedies

    Open Access•F David Hoeniger•ARTICLE•Renaissance Quarterly•1981

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Origins of Shakespeare

    Open Access•F David Hoeniger•ARTICLE•Renaissance Quarterly•1978

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Tragic Form in Shakespeare

    Open Access•F David Hoeniger•ARTICLE•Renaissance Quarterly•1974

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Science and the Arts in the Renaissance

    John W Shirley, F David Hoeniger et al.•ARTICLE•Renaissance and Reformation•1969

    viewed as the narrative frame within which Shakespeare weaves a number of tales "of resistance and discord," the most problematical being the mechanicals' parody of Pyramus and Thisby,' a "counter-model" of "the reconciliation and accom- modation" (p. 172)proposed by the play's typical comic conclusion.Similarly, Shakespeare's utilization in Hamlet of the festive ritual of "charivari" or " 'mirth in funerals'" (p. 161)reveals how the elements of …

  • Man and Nature in the Renaissance

    Allen G Debus, F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

    Preface 1. Tradition and reform 2. The chemical key 3. The study of nature in a changing world 4. The study of man 5. A new world system 6. New methods and a new science 7. The new philosophy - a chemical debate 8. Epilogue and indecision Suggestions for further reading Sources of quotations Index

  • Centre for Reformation and Renaissance Studies: Report and News

    F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

  • The Original Collector: James Andrew Bell, A Classical Scholar

    F David Hoeniger, Douglas Bush•ARTICLE•Renaissance and Reformation•1969

    On an afternoon a decade ago a rather unusual spectacle might have been observed on lowe Yonge Street.Two figures emerged from Britnell's old bookshop and strode northward.I say 'strode', but the word applies to only one of the two, a tall and more than substantial man of about sixty, with a full, ruddy face and bright blue eyes, who progressed with long and stately steps, verus incessu patuit deus.He carried his massive head a little on one side…

  • Additions to the Survey of Renaissance Biological Books

    F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

  • Second Report on the Reformation and Renaissance Centre at the Victoria University

    F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

  • Center of Reformation and Renaissance Studies at Victoria University

    F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

  • News From the Centre for Reformation and Renaissance Studies

    F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

  • A Survey of Early Biological Books in Toronto, 1450-1700

    F David Hoeniger, Joel Kaplan•ARTICLE•Renaissance and Reformation•1969

  • The Fowles of Heauen or History of Birdes

    Thomas P Harrison, F David Hoeniger et al.•ARTICLE•Renaissance and Reformation•1969

  • Lear's Self-Discovery

    Open Access•F David Hoeniger•ARTICLE•Renaissance Quarterly•1968

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Three Amusing References to More in Peter Heylyn

    Open Access•F David Hoeniger•ARTICLE•Moreana•1966

  • Symbolism and Pattern in Rilke's Duino Elegies

    Open Access•F David Hoeniger•ARTICLE•German Life and Letters•1950

No prominent works on this page.

  • Symbolism and Pattern in Rilke's Duino Elegies

    Open Access•F David Hoeniger•ARTICLE•German Life and Letters•1950

  • Three Amusing References to More in Peter Heylyn

    Open Access•F David Hoeniger•ARTICLE•Moreana•1966

  • Lear's Self-Discovery

    Open Access•F David Hoeniger•ARTICLE•Renaissance Quarterly•1968

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Science and the Arts in the Renaissance

    John W Shirley, F David Hoeniger et al.•ARTICLE•Renaissance and Reformation•1969

    viewed as the narrative frame within which Shakespeare weaves a number of tales "of resistance and discord," the most problematical being the mechanicals' parody of Pyramus and Thisby,' a "counter-model" of "the reconciliation and accom- modation" (p. 172)proposed by the play's typical comic conclusion.Similarly, Shakespeare's utilization in Hamlet of the festive ritual of "charivari" or " 'mirth in funerals'" (p. 161)reveals how the elements of …

  • Man and Nature in the Renaissance

    Allen G Debus, F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

    Preface 1. Tradition and reform 2. The chemical key 3. The study of nature in a changing world 4. The study of man 5. A new world system 6. New methods and a new science 7. The new philosophy - a chemical debate 8. Epilogue and indecision Suggestions for further reading Sources of quotations Index

  • Centre for Reformation and Renaissance Studies: Report and News

    F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

  • The Original Collector: James Andrew Bell, A Classical Scholar

    F David Hoeniger, Douglas Bush•ARTICLE•Renaissance and Reformation•1969

    On an afternoon a decade ago a rather unusual spectacle might have been observed on lowe Yonge Street.Two figures emerged from Britnell's old bookshop and strode northward.I say 'strode', but the word applies to only one of the two, a tall and more than substantial man of about sixty, with a full, ruddy face and bright blue eyes, who progressed with long and stately steps, verus incessu patuit deus.He carried his massive head a little on one side…

  • Additions to the Survey of Renaissance Biological Books

    F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

  • Second Report on the Reformation and Renaissance Centre at the Victoria University

    F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

  • Center of Reformation and Renaissance Studies at Victoria University

    F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

  • News From the Centre for Reformation and Renaissance Studies

    F David Hoeniger•ARTICLE•Renaissance and Reformation•1969

  • A Survey of Early Biological Books in Toronto, 1450-1700

    F David Hoeniger, Joel Kaplan•ARTICLE•Renaissance and Reformation•1969

  • The Fowles of Heauen or History of Birdes

    Thomas P Harrison, F David Hoeniger et al.•ARTICLE•Renaissance and Reformation•1969

  • Tragic Form in Shakespeare

    Open Access•F David Hoeniger•ARTICLE•Renaissance Quarterly•1974

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Origins of Shakespeare

    Open Access•F David Hoeniger•ARTICLE•Renaissance Quarterly•1978

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Faith and Folly in Shakespeare's Romantic Comedies

    Open Access•F David Hoeniger•ARTICLE•Renaissance Quarterly•1981

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Gower and Shakespeare in Pericles

    F David Hoeniger•ARTICLE•Shakespeare Quarterly•1982

    Journal Article Gower and Shakespeare in Pericles Get access F. David Hoeniger F. David Hoeniger F. David Hoeniger, Professor of English at the University of Toronto, is a general editor of the Revels Plays, and is working on Shakespeare and the History of Medicine. Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 33, Issue 4, Winter 1982, Pages 461–479, https://doi.org/10.2307/2870126 Publish…

  • The Renaissance Print: 1470-1550 . David Landau , Peter W. Parshall

    F David Hoeniger•ARTICLE•Isis•1995

  • The Medical Mind of Shakespeare

    Aubrey C Kail, F David Hoeniger•ARTICLE•Renaissance and Reformation•2009

    Finally, but perhaps serving as a fitting conclusion, Amy R

  • Medicine and Shakespeare in the English Renaissance

    F David Hoeniger, Richard Spacek•ARTICLE•Renaissance and Reformation•2009

    What precisely does Falstaff mean when he speaks of "inland petty spirits" in his monologue on the advantages of alcohol (sack) in Henry IV Part 2? What does Lear mean when he exclaims, "hysterica passio . . . down, thou climbing sorrow"? What were the associations likely evoked by Parolles' reference to the artists "both of Galen and Paracelsus," when All's Well That Ends Well was first staged around 1604, and how did Shakespeare's audience resp…

Art (19 works) · Art history (16 works) · History (14 works) · History (12 works) · The Renaissance (9 works) · Philosophy (8 works) · Philosophy (8 works) · Literature (6 works) · Computer Science (4 works) · Renaissance Literature and Culture (4 works)

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