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Kyle Dargan

Biographic Data

ID1079486
NAMEKyle Dargan
GIVEN NAMESKyle
FAMILY NAMEDargan
SIGNATUREDARGAN K
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS1
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2013
H-INDEX1
  • The Robots Are Coming

    Kyle Dargan•ARTICLE•The Baffler•2013

  • A Burden of Flame: An Interview with Amanda Johnston

    Kyle G Dargan, Kyle Dargan et al.•ARTICLE•Callaloo•2007

    A Burden of Flame:An Interview with Amanda Johnston Kyle G. Dargan and Amanda Johnston (bio) This interview was conducted via e-mail in August, 2007, between Washington, D.C. and Austin, Texas. KYLE G. DARGAN: Would you say Torch grew out of a greater need or a more personal desire to disseminate and spotlight the work of women who are writing? AMANDA JOHNSTON: As a writer, I continually look for work by authors like myself—contemporary black wom…

  • Moderation: A Moderate Reflection on Callaloo / Callaloo as Food and Text

    Kyle Dargan•ARTICLE•Callaloo•2007

    Moderation A Moderate Reflection on Callaloo / Callaloo As Food and Text Kyle G. Dargan One of the later markers of the ethnic transformation occurring in my county was the expansion of the exotic food aisles in the supermarkets—most tellingly at the "nice Shoprite" up the hill in West Orange. The Brick Church Shoprite, four lights up the street from my mother's house, had its ear to the ground, as far as the Caribbean influence is concerned, muc…

  • Future Imperfect: An Introduction

    Keith D Leonard, Kyle Dargan•ARTICLE•Callaloo•2007

    Future Imperfect:An Introduction Keith D. Leonard (bio) and Kyle Dargan The Changing Same Again Being asked to name the future—I originally thought that this was the strange privilege and humbling burden inherent in serving as guest editors of "The Next Thirty" issue of Callaloo. I thought that our task would be to name and claim the voices in African-American and Africana studies and literature that were most fully pushing the boundaries of the …

  • Everything We Can Imagine: An Interview with Harryette Mullen

    Kyle G Dargan, Kyle Dargan et al.•ARTICLE•Callaloo•2007

    Everything We Can Imagine:An Interview with Harryette Mullen Kyle G. Dargan and Harryette Romell Mullen (bio) This interview was conducted via e-mail in July, 2007. KYLE G. DARGAN: Growing up on, as you say, "the edge of Southern black culture," has Callaloo's evolution from a journal of black Southern literature to the broader Black Diaspora surprised you in any way? HARRYETTE MULLEN: I'm definitely a southerner. I was born in Alabama and grew u…

  • Bx Worldwide: An Interview with Miles Marshall Lewis

    Kyle G Dargan, Kyle Dargan et al.•ARTICLE•Callaloo•2007

    "Bx Worldwide":An Interview with Miles Marshall Lewis Kyle G. Dargan and Miles Marshall Lewis (bio) This interview was conducted via e-mail during July, 2007, between College Station, Texas and Paris, France. KYLE G. DARGAN: Though black culture, and other cultures of the African Diaspora, has always been complex—even if it has been a historically subcutaneous complexity—it seems like the collective post-modern black experience has provided the s…

  • Ars Poetica

    Peter Cooley, Kyle Dargan•ARTICLE•Callaloo•2006

    Adam After the Hurricanes Peter Cooley Between winds, while the hurricane decides if it will answer prayers or go its way through my neighborhood, chimneys, roofs a whim it can lift off and deposit across town, I'm in this moment I call contentment. St. Paul found his, remember, in prison. Surely this gray cage Katrina has built entrapping me within my house, the bars rain impossible for the naked eye rains here to teach me something like those p…

  • Jerry W. Ward, Jr

    Kyle Dargan, Jerry W Ward•ARTICLE•Callaloo•2006

    Jerry W. Ward, Jr. Jerry Washington Ward (bio) and Kyle G. Dargan DARGAN: Were you able to evacuate New Orleans before Hurricane Katrina hit the city? WARD: Yes, I was able to evacuate. I left the Sunday before the hurricane hit. I left because I got urgent messages from friends who said, "You must leave," and I was very resistant. And then I heard the reports of Mayor Nagin's very impassioned plea for people to leave, as he issued a mandatory ev…

  • Phat: A Meta-Discourse on the Value of Canonizing The Round (Spheropygian), Broad (Platypygous), and Bulging (Pleopygian) Buttocks (with a resistance to such speech)

    Kyle Dargan•ARTICLE•Callaloo•2006

    1. Mammy is her own Madonna/whore complex, so please don't ask if she needs help carrying all that. Brother Slim, you've been rapt inside her phonetic shape for ages—save all that R&B about wanting into them jeans, those drawers, those boots, that— 2. America's history is of not asking before helping itself to cuts of scapedonkeyass—the strung up, disembodied curvature a struck sieve spilling black men who burn like phosphorous on the way down, m…

  • Excursions: A Conversation with Yusef Komunyakaa

    Kyle Dargan, Yusef Komunyakaa•ARTICLE•Callaloo•2006

    "Excursions" A Conversation with Yusef Komunyakaa Kyle G. Dargan This conversation took place August 24, 2005 during the Bread Loaf Writers' Conference, Ripton, VT. Back in the days when I was a teenager Before I had status and before I had a pager You could find the Abstract listening to hip-hop My pops used to say it reminded him of be-bop I said, "Well daddy don't you know that things go in cycles" The way that Bobby Brown is just amping like …

  • Ahboo

    Kyle Dargan•ARTICLE•Callaloo•2004

    Sometimes, high pitched like dolphin talk. I wonder, if you sang off San Juan's bay would the porpoises understand and spout saltwater in agreement

  • Rap Video: Chandelier (World Premier)

    Kyle Dargan•ARTICLE•Callaloo•2003

    Kyle Dargan, who recently graduated from the University of Virginia, is currently enrolled in Indiana University's MFA program, where he also serves as a poetry editor for the Indiana Review. His work has also appeared in the Denver Quarterly and the Carnegie-Mellon Poetry Review. He is currently working on a manuscript of Hip Hop inspired poems entitled T.H.U.G.: A Truncated History of Urban Griots

  • Newark Boy Assesses Tornado Damage, Weeks Removed: Martinsville, In

    Kyle Dargan•ARTICLE•Callaloo•2003

    Kyle Dargan, who recently graduated from the University of Virginia, is currently enrolled in Indiana University's MFA program, where he also serves as a poetry editor for the Indiana Review. His work has also appeared in the Denver Quarterly and the Carnegie-Mellon Poetry Review. He is currently working on a manuscript of Hip Hop inspired poems entitled T.H.U.G.: A Truncated History of Urban Griots

  • Melody Forensic

    Kyle Dargan•ARTICLE•Callaloo•2003•Cited by: 1

    Kyle Dargan, who recently graduated from the University of Virginia, is currently enrolled in Indiana University's MFA program, where he also serves as a poetry editor for the Indiana Review. His work has also appeared in the Denver Quarterly and the Carnegie-Mellon Poetry Review. He is currently working on a manuscript of Hip Hop inspired poems entitled T.H.U.G.: A Truncated History of Urban Griots

  • Old Ways

    Kyle G Dargan, Kyle Dargan•ARTICLE•Callaloo•2002

  • Melody Forensic

    Kyle Dargan•ARTICLE•Callaloo•2003•Cited by: 1

    Kyle Dargan, who recently graduated from the University of Virginia, is currently enrolled in Indiana University's MFA program, where he also serves as a poetry editor for the Indiana Review. His work has also appeared in the Denver Quarterly and the Carnegie-Mellon Poetry Review. He is currently working on a manuscript of Hip Hop inspired poems entitled T.H.U.G.: A Truncated History of Urban Griots

  • Old Ways

    Kyle G Dargan, Kyle Dargan•ARTICLE•Callaloo•2002

  • Rap Video: Chandelier (World Premier)

    Kyle Dargan•ARTICLE•Callaloo•2003

    Kyle Dargan, who recently graduated from the University of Virginia, is currently enrolled in Indiana University's MFA program, where he also serves as a poetry editor for the Indiana Review. His work has also appeared in the Denver Quarterly and the Carnegie-Mellon Poetry Review. He is currently working on a manuscript of Hip Hop inspired poems entitled T.H.U.G.: A Truncated History of Urban Griots

  • Newark Boy Assesses Tornado Damage, Weeks Removed: Martinsville, In

    Kyle Dargan•ARTICLE•Callaloo•2003

    Kyle Dargan, who recently graduated from the University of Virginia, is currently enrolled in Indiana University's MFA program, where he also serves as a poetry editor for the Indiana Review. His work has also appeared in the Denver Quarterly and the Carnegie-Mellon Poetry Review. He is currently working on a manuscript of Hip Hop inspired poems entitled T.H.U.G.: A Truncated History of Urban Griots

  • Melody Forensic

    Kyle Dargan•ARTICLE•Callaloo•2003•Cited by: 1

    Kyle Dargan, who recently graduated from the University of Virginia, is currently enrolled in Indiana University's MFA program, where he also serves as a poetry editor for the Indiana Review. His work has also appeared in the Denver Quarterly and the Carnegie-Mellon Poetry Review. He is currently working on a manuscript of Hip Hop inspired poems entitled T.H.U.G.: A Truncated History of Urban Griots

  • Ahboo

    Kyle Dargan•ARTICLE•Callaloo•2004

    Sometimes, high pitched like dolphin talk. I wonder, if you sang off San Juan's bay would the porpoises understand and spout saltwater in agreement

  • Ars Poetica

    Peter Cooley, Kyle Dargan•ARTICLE•Callaloo•2006

    Adam After the Hurricanes Peter Cooley Between winds, while the hurricane decides if it will answer prayers or go its way through my neighborhood, chimneys, roofs a whim it can lift off and deposit across town, I'm in this moment I call contentment. St. Paul found his, remember, in prison. Surely this gray cage Katrina has built entrapping me within my house, the bars rain impossible for the naked eye rains here to teach me something like those p…

  • Jerry W. Ward, Jr

    Kyle Dargan, Jerry W Ward•ARTICLE•Callaloo•2006

    Jerry W. Ward, Jr. Jerry Washington Ward (bio) and Kyle G. Dargan DARGAN: Were you able to evacuate New Orleans before Hurricane Katrina hit the city? WARD: Yes, I was able to evacuate. I left the Sunday before the hurricane hit. I left because I got urgent messages from friends who said, "You must leave," and I was very resistant. And then I heard the reports of Mayor Nagin's very impassioned plea for people to leave, as he issued a mandatory ev…

  • Phat: A Meta-Discourse on the Value of Canonizing The Round (Spheropygian), Broad (Platypygous), and Bulging (Pleopygian) Buttocks (with a resistance to such speech)

    Kyle Dargan•ARTICLE•Callaloo•2006

    1. Mammy is her own Madonna/whore complex, so please don't ask if she needs help carrying all that. Brother Slim, you've been rapt inside her phonetic shape for ages—save all that R&B about wanting into them jeans, those drawers, those boots, that— 2. America's history is of not asking before helping itself to cuts of scapedonkeyass—the strung up, disembodied curvature a struck sieve spilling black men who burn like phosphorous on the way down, m…

  • Excursions: A Conversation with Yusef Komunyakaa

    Kyle Dargan, Yusef Komunyakaa•ARTICLE•Callaloo•2006

    "Excursions" A Conversation with Yusef Komunyakaa Kyle G. Dargan This conversation took place August 24, 2005 during the Bread Loaf Writers' Conference, Ripton, VT. Back in the days when I was a teenager Before I had status and before I had a pager You could find the Abstract listening to hip-hop My pops used to say it reminded him of be-bop I said, "Well daddy don't you know that things go in cycles" The way that Bobby Brown is just amping like …

  • A Burden of Flame: An Interview with Amanda Johnston

    Kyle G Dargan, Kyle Dargan et al.•ARTICLE•Callaloo•2007

    A Burden of Flame:An Interview with Amanda Johnston Kyle G. Dargan and Amanda Johnston (bio) This interview was conducted via e-mail in August, 2007, between Washington, D.C. and Austin, Texas. KYLE G. DARGAN: Would you say Torch grew out of a greater need or a more personal desire to disseminate and spotlight the work of women who are writing? AMANDA JOHNSTON: As a writer, I continually look for work by authors like myself—contemporary black wom…

  • Moderation: A Moderate Reflection on Callaloo / Callaloo as Food and Text

    Kyle Dargan•ARTICLE•Callaloo•2007

    Moderation A Moderate Reflection on Callaloo / Callaloo As Food and Text Kyle G. Dargan One of the later markers of the ethnic transformation occurring in my county was the expansion of the exotic food aisles in the supermarkets—most tellingly at the "nice Shoprite" up the hill in West Orange. The Brick Church Shoprite, four lights up the street from my mother's house, had its ear to the ground, as far as the Caribbean influence is concerned, muc…

  • Future Imperfect: An Introduction

    Keith D Leonard, Kyle Dargan•ARTICLE•Callaloo•2007

    Future Imperfect:An Introduction Keith D. Leonard (bio) and Kyle Dargan The Changing Same Again Being asked to name the future—I originally thought that this was the strange privilege and humbling burden inherent in serving as guest editors of "The Next Thirty" issue of Callaloo. I thought that our task would be to name and claim the voices in African-American and Africana studies and literature that were most fully pushing the boundaries of the …

  • Everything We Can Imagine: An Interview with Harryette Mullen

    Kyle G Dargan, Kyle Dargan et al.•ARTICLE•Callaloo•2007

    Everything We Can Imagine:An Interview with Harryette Mullen Kyle G. Dargan and Harryette Romell Mullen (bio) This interview was conducted via e-mail in July, 2007. KYLE G. DARGAN: Growing up on, as you say, "the edge of Southern black culture," has Callaloo's evolution from a journal of black Southern literature to the broader Black Diaspora surprised you in any way? HARRYETTE MULLEN: I'm definitely a southerner. I was born in Alabama and grew u…

  • Bx Worldwide: An Interview with Miles Marshall Lewis

    Kyle G Dargan, Kyle Dargan et al.•ARTICLE•Callaloo•2007

    "Bx Worldwide":An Interview with Miles Marshall Lewis Kyle G. Dargan and Miles Marshall Lewis (bio) This interview was conducted via e-mail during July, 2007, between College Station, Texas and Paris, France. KYLE G. DARGAN: Though black culture, and other cultures of the African Diaspora, has always been complex—even if it has been a historically subcutaneous complexity—it seems like the collective post-modern black experience has provided the s…

  • The Robots Are Coming

    Kyle Dargan•ARTICLE•The Baffler•2013

History (11 works) · Art (9 works) · Art history (7 works) · Literature (7 works) · Sociology (7 works) · Poetry (6 works) · Law (4 works) · Media studies (4 works) · Political science (4 works) · Computer Science (3 works)

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