Trevor Ponech
Biographic Data
| ID | 1079489 |
|---|---|
| NAME | Trevor Ponech |
| GIVEN NAMES | Trevor |
| FAMILY NAME | Ponech |
| SIGNATURE | PONECH T |
| AFFILIATIONS | McGill University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Cinema, displayed
This essay details that which is arguably the essential nature of a ubiquitous kind of visual display prominently involved in a great many phenomena that people have in mind when they think and talk about the cinema. My argument begins with a summary and critique of an important precedent, Noël Carroll’s essentialist definition of the detached moving image display. The remainder of my discussion concentrates on the structure and dynamics of a par…
Berys Gaut's A Philosophy of Cinematic Art
Astute and wide-ranging, Berys Gaut’s A Philosophy of Cinematic Art is a standout amidst the cohort of recent monographs and anthologies devoted to a now solidly established subfield of philosophical aesthetics. Readers conversant with the author’s numerous essays on cinema will find many of his previous insights and arguments refined and elaborated in this book; those unacquainted with his contributions in this area can look forward to discoveri…
External Realism about Cinematic Motion
Journal Article External Realism about Cinematic Motion Get access Trevor Ponech Trevor Ponech Trevor Ponech, Department of English, McGill University, 853 Sherbrooke Street West, Montréal, Québec, Canada H3A 2T6 Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 46, Issue 4, October 2006, Pages 349–368, https://doi.org/10.1093/aesthj/ayl020 Published: 01 October 2006
Visual Perception and Motion Picture Spectatorship
Watching his parents' home video, I see Erik, who is capering happily at his second birthday party. Gazing at a Polaroid snapshot, I look at Julie, who looks ravishing in a royal blue dress. Screening the documentary Unzipped (Douglas Keeves, 1995), I see fashion designer Isaac Mizrahi, who is getting a haircut in his studio. While perfectly ordinary, these sentences seem to have the philosophically troubling implication that I, the viewer, am ha…
No prominent works on this page.
Visual Perception and Motion Picture Spectatorship
Watching his parents' home video, I see Erik, who is capering happily at his second birthday party. Gazing at a Polaroid snapshot, I look at Julie, who looks ravishing in a royal blue dress. Screening the documentary Unzipped (Douglas Keeves, 1995), I see fashion designer Isaac Mizrahi, who is getting a haircut in his studio. While perfectly ordinary, these sentences seem to have the philosophically troubling implication that I, the viewer, am ha…
External Realism about Cinematic Motion
Journal Article External Realism about Cinematic Motion Get access Trevor Ponech Trevor Ponech Trevor Ponech, Department of English, McGill University, 853 Sherbrooke Street West, Montréal, Québec, Canada H3A 2T6 Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 46, Issue 4, October 2006, Pages 349–368, https://doi.org/10.1093/aesthj/ayl020 Published: 01 October 2006
Berys Gaut's A Philosophy of Cinematic Art
Astute and wide-ranging, Berys Gaut’s A Philosophy of Cinematic Art is a standout amidst the cohort of recent monographs and anthologies devoted to a now solidly established subfield of philosophical aesthetics. Readers conversant with the author’s numerous essays on cinema will find many of his previous insights and arguments refined and elaborated in this book; those unacquainted with his contributions in this area can look forward to discoveri…
Cinema, displayed
This essay details that which is arguably the essential nature of a ubiquitous kind of visual display prominently involved in a great many phenomena that people have in mind when they think and talk about the cinema. My argument begins with a summary and critique of an important precedent, Noël Carroll’s essentialist definition of the detached moving image display. The remainder of my discussion concentrates on the structure and dynamics of a par…
Art (4 works) · Aesthetics (3 works) · Cinema and Media Studies (3 works) · Computer Science (2 works) · Computer vision (2 works) · Motion (physics (2 works) · Movie theater (2 works) · Visual arts (2 works) · Art history (1 works) · Digital Games and Media (1 works)