Seth Stewart Williams
Biographic Data
| ID | 10799074 |
|---|---|
| NAME | Seth Stewart Williams |
| GIVEN NAMES | Seth Stewart |
| FAMILY NAME | Williams |
| SIGNATURE | WILLIAMS S S |
| AFFILIATIONS | Columbia University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
[They Dance]
This chapter argues that in early modern England, dance scenes were among the most radically collaborative components of a play’s text, prone to complicating questions of authorship and attribution. Arguing that dances rarely circulated between contemporaneous plays without significant alteration, it also takes a long view of collaboration, noting the successive alterations to the play made by Shakespeare, Thomas Middleton, and William Davenant, …
Aisthesis
By many recent accounts, dance and theory are natural bedfellows—an art form and a form of critique that are inherently unstable, difficult to discuss. Both are notoriously impervious to systematic accounts because they are in states of physical and conceptual motion, perpetually underdetermined
Aisthesis
By many recent accounts, dance and theory are natural bedfellows—an art form and a form of critique that are inherently unstable, difficult to discuss. Both are notoriously impervious to systematic accounts because they are in states of physical and conceptual motion, perpetually underdetermined
Aisthesis
By many recent accounts, dance and theory are natural bedfellows—an art form and a form of critique that are inherently unstable, difficult to discuss. Both are notoriously impervious to systematic accounts because they are in states of physical and conceptual motion, perpetually underdetermined
[They Dance]
This chapter argues that in early modern England, dance scenes were among the most radically collaborative components of a play’s text, prone to complicating questions of authorship and attribution. Arguing that dances rarely circulated between contemporaneous plays without significant alteration, it also takes a long view of collaboration, noting the successive alterations to the play made by Shakespeare, Thomas Middleton, and William Davenant, …
Aesthetics (2 works) · Art (2 works) · Dance (2 works) · History (2 works) · Visual arts (2 works) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work) · Ballet (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work)