Frank A D’Accone

Biographic Data

ID10802256
NAMEFrank A D’Accone
GIVEN NAMESFrank A
FAMILY NAMED’Accone
SIGNATURED’ACCONE F A
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS0
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2001
H-INDEX0

  • Pisano [Pagoli], Bernardo

    Frank A D’AcconeCHAPTERThe new Grove dictionary of music…2001

  • Coppini [Coppinus, Copinus], Alessandro

    Frank A D’AcconeCHAPTERThe new Grove dictionary of music…2001

  • Layolle, Francesco de

    Frank A D’AcconeCHAPTERThe new Grove dictionary of music…2001

  • Malvezzi, Cristofano

    Frank A D’Accone, Tim CarterCHAPTERThe new Grove dictionary of music…2001

  • Corteccia, (Pier) Francesco

    Frank A D’AcconeCHAPTERThe new Grove dictionary of music…2001

  • Florence

    Frank A D’Accone, John W Hill et al.CHAPTERThe new Grove dictionary of music…2001

  • Bartolomeo degli Organi

    Frank A D’AcconeCHAPTERThe new Grove dictionary of music…2001

  • Medici

    Frank A D’AcconeCHAPTERThe new Grove dictionary of music…2001

  • Canti carnascialeschi

    Frank A D’AcconeCHAPTERThe new Grove dictionary of music…2001

  • The Civic Muse. Music and Musicians in Siena during the Middle Age and the Renaissance

    Philippe Canguilhem, Frank A D''Accone et al.ARTICLERevue de musicologie1999

  • The History of a Baroque Opera

    Sylvie Mamy, Frank A D''Accone et al.ARTICLERevue de musicologie1986

    This study of Scarlatti's first and most-performed opera investigates the reasons for its popularity, initially political, but subsequently musical. Among the details inspected are the social and political situation in Rome; an analysis of the music and libretto; the earliest Roman performances using hitherto unpublished contemporary documents and comparisons with other works performed-during the Carnival of 1679; Queen Christina's early patronag…