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Amy K Stillman

Biographic Data

ID108067
NAMEAmy K Stillman
GIVEN NAMESAmy K
FAMILY NAMEStillman
SIGNATURESTILLMAN A K
AFFILIATIONSUniversity of Michigan
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS11
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2013
H-INDEX2
  • Hula

    Amy K Stillman, Amy Stillman•CHAPTER•The new Grove dictionary of music…•2013

  • The Hawaiianhulaand legacies of institutionalization

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Comparative American Studies An…•2007•Cited by: 1•References: 2

    Using the Hawaiian hula tradition as a case study, this article explores archival institutionalization of knowledge and contents necessary for performance. The fact that the performance skills of hula remained in continuous practice is what allowed a successful revival in the late 20th century of poetic repertoire that had become entombed in archival sources by the end of the 19th century. I consider the role of archives as a form of memory, part…

  • Pacific-ing Asian Pacific American History

    Amy K Stillman•ARTICLE•Journal of Asian American Studies•2004•Cited by: 3•References: 2

    The positioning of the Pacific Islands and Pacific Islander Americans within the disciplinary arena called Asian American Studies can best be described as vexed. Heated debates between Pacific Islander members around a proposal to change the name of the Association for Asian American Studies in 2003–2004, by adding "Pacific" or "Pacific Islander" between "Asian" and "American," represent only the latest periodic recurrence of ongoing negotiations…

  • Polynesia

    Barbara B Smith, Adrienne L Kaeppler et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Globalizing Hula

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Yearbook for Traditional Music•1999•Cited by: 2

  • Hawaiian Hula Competitions: Event, Repertoire, Performance, Tradition

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Journal of American Folklore•1996•Cited by: 5•References: 6

    While competitions have been significant in stimulating perpetuation of the hula since the cultural resurgence of the early 1970s, these very events have provided the stage for creativity that has transformed the tradition. I describe the competition events and examine how their circumstances have impacted repertoire, performance, and presentation. Understanding how genre conventions have changed in the context of competition structures is fundam…

  • The Tahitian Choir--Rapa Iti

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Ethnomusicology•1996

  • Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Yearbook for Traditional Music•1995

    Les chants hula hawaiens illustrent l'interdependance du repertoire et de l'action sociale. L'A. considere les questions de chronologie, de temporalite et d'interdependance dans les domaines de la poesie, de la musique et de la danse. La temporalite est fixee dans ces trois domaines. Lire la nature historique des chants hula rend explicite les multiples temporalites. Les textes poetiques font reference a une succession lineaire de circonstances h…

  • Hula Pahu: Hawaiian Drum Dances

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Yearbook for Traditional Music•1991

  • Hawaiian Rainbow

    Amy K Stillman, Robert Mugge et al.•ARTICLE•Ethnomusicology•1991

  • Ka Po'e Hula Kahiko

    Amy K Stillman•ARTICLE•Ethnomusicology•1985

  • George Kuo: Nahenahe, Hawaiian Slack Key Guitar

    Amy K Stillman, Don Mcdiarmid et al.•ARTICLE•Ethnomusicology•1984

  • Na Leo Hawai'i Kahiko: Voices of Old Hawai'i

    Amy K Stillman, Mary Kawena Pukui•ARTICLE•Ethnomusicology•1983

  • The Melelani Serenaders: Kaulana 'O Ni'ihau

    Amy K Stillman, Don Mcdiarmid et al.•ARTICLE•Ethnomusicology•1983

  • Hawaiian Dance Terminology: More on Hibiscus HLS-71

    Amy K Stillman•ARTICLE•Ethnomusicology•1981

  • Hawaiian Hula Competitions: Event, Repertoire, Performance, Tradition

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Journal of American Folklore•1996•Cited by: 5•References: 6

    While competitions have been significant in stimulating perpetuation of the hula since the cultural resurgence of the early 1970s, these very events have provided the stage for creativity that has transformed the tradition. I describe the competition events and examine how their circumstances have impacted repertoire, performance, and presentation. Understanding how genre conventions have changed in the context of competition structures is fundam…

  • Pacific-ing Asian Pacific American History

    Amy K Stillman•ARTICLE•Journal of Asian American Studies•2004•Cited by: 3•References: 2

    The positioning of the Pacific Islands and Pacific Islander Americans within the disciplinary arena called Asian American Studies can best be described as vexed. Heated debates between Pacific Islander members around a proposal to change the name of the Association for Asian American Studies in 2003–2004, by adding "Pacific" or "Pacific Islander" between "Asian" and "American," represent only the latest periodic recurrence of ongoing negotiations…

  • Globalizing Hula

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Yearbook for Traditional Music•1999•Cited by: 2

  • The Hawaiianhulaand legacies of institutionalization

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Comparative American Studies An…•2007•Cited by: 1•References: 2

    Using the Hawaiian hula tradition as a case study, this article explores archival institutionalization of knowledge and contents necessary for performance. The fact that the performance skills of hula remained in continuous practice is what allowed a successful revival in the late 20th century of poetic repertoire that had become entombed in archival sources by the end of the 19th century. I consider the role of archives as a form of memory, part…

  • Hawaiian Dance Terminology: More on Hibiscus HLS-71

    Amy K Stillman•ARTICLE•Ethnomusicology•1981

  • Na Leo Hawai'i Kahiko: Voices of Old Hawai'i

    Amy K Stillman, Mary Kawena Pukui•ARTICLE•Ethnomusicology•1983

  • The Melelani Serenaders: Kaulana 'O Ni'ihau

    Amy K Stillman, Don Mcdiarmid et al.•ARTICLE•Ethnomusicology•1983

  • George Kuo: Nahenahe, Hawaiian Slack Key Guitar

    Amy K Stillman, Don Mcdiarmid et al.•ARTICLE•Ethnomusicology•1984

  • Ka Po'e Hula Kahiko

    Amy K Stillman•ARTICLE•Ethnomusicology•1985

  • Hula Pahu: Hawaiian Drum Dances

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Yearbook for Traditional Music•1991

  • Hawaiian Rainbow

    Amy K Stillman, Robert Mugge et al.•ARTICLE•Ethnomusicology•1991

  • Not All Hula Songs Are Created Equal: Reading the Historical Nature of Repertoire in Polynesia

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Yearbook for Traditional Music•1995

    Les chants hula hawaiens illustrent l'interdependance du repertoire et de l'action sociale. L'A. considere les questions de chronologie, de temporalite et d'interdependance dans les domaines de la poesie, de la musique et de la danse. La temporalite est fixee dans ces trois domaines. Lire la nature historique des chants hula rend explicite les multiples temporalites. Les textes poetiques font reference a une succession lineaire de circonstances h…

  • Hawaiian Hula Competitions: Event, Repertoire, Performance, Tradition

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Journal of American Folklore•1996•Cited by: 5•References: 6

    While competitions have been significant in stimulating perpetuation of the hula since the cultural resurgence of the early 1970s, these very events have provided the stage for creativity that has transformed the tradition. I describe the competition events and examine how their circumstances have impacted repertoire, performance, and presentation. Understanding how genre conventions have changed in the context of competition structures is fundam…

  • The Tahitian Choir--Rapa Iti

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Ethnomusicology•1996

  • Globalizing Hula

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Yearbook for Traditional Music•1999•Cited by: 2

  • Polynesia

    Barbara B Smith, Adrienne L Kaeppler et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Pacific-ing Asian Pacific American History

    Amy K Stillman•ARTICLE•Journal of Asian American Studies•2004•Cited by: 3•References: 2

    The positioning of the Pacific Islands and Pacific Islander Americans within the disciplinary arena called Asian American Studies can best be described as vexed. Heated debates between Pacific Islander members around a proposal to change the name of the Association for Asian American Studies in 2003–2004, by adding "Pacific" or "Pacific Islander" between "Asian" and "American," represent only the latest periodic recurrence of ongoing negotiations…

  • The Hawaiianhulaand legacies of institutionalization

    Amy K Stillman, Amy Ku''Uleialoha Stillman et al.•ARTICLE•Comparative American Studies An…•2007•Cited by: 1•References: 2

    Using the Hawaiian hula tradition as a case study, this article explores archival institutionalization of knowledge and contents necessary for performance. The fact that the performance skills of hula remained in continuous practice is what allowed a successful revival in the late 20th century of poetic repertoire that had become entombed in archival sources by the end of the 19th century. I consider the role of archives as a form of memory, part…

  • Hula

    Amy K Stillman, Amy Stillman•CHAPTER•The new Grove dictionary of music…•2013

Art (7 works) · History (7 works) · Geography (6 works) · Asian American and Pacific Histories (4 works) · Island Studies and Pacific Affairs (3 works) · Literature (3 works) · Pacific and Southeast Asian Studies (3 works) · Philippine History and Culture (3 works) · Repertoire (3 works) · Visual arts (3 works)

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