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Salvatore Giusto

Biographic Data

ID108075
NAMESalvatore Giusto
GIVEN NAMESSalvatore
FAMILY NAMEGiusto
SIGNATUREGIUSTO S
AFFILIATIONSUniversity of Amsterdam
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS7
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Borghesia Mafiosa

    Open Access•Salvatore Giusto•ARTICLE•Ethnos•2025•References: 34

  • Statement of Removal

    Open Access•Salvatore Giusto•ARTICLE•History and Anthropology•2023•References: 10

    Despite the processes of capitalist ‘modernization’ that have increasingly characterized Italy since its political unification in 1861, dynastically inherited conditions of neo-aristocratic class privilege still permeate the public sphere of the country, especially in its Southern regions. Neo-aristocratic class privilege co-involves very diverse groups of current Italian upper-class subjects, including wealthy families of ancient aristocratic an…

  • Dalla Vostra Parte

    Salvatore Giusto, Morganne Blais-Mcpherson•ARTICLE•Journal of Modern Italian Studies•2022•Cited by: 1•References: 7

    Alongside the highly mediatized life of recent Italian politics, populism as a mode of social expression has permeated Italian public discourse since the mid-1990s. This trend has become even more apparent in the aftermath of the so-called Mediterranean refugee crisis in the 2010s. Since then, the Italian popular classes’ increasing engagement with online social media has contributed to the electoral success of anti-immigration leaders and Facebo…

  • Through the Looking Glass

    Open Access•Salvatore Giusto•ARTICLE•PoLAR Political and Legal…•2020•Cited by: 3•References: 20

    This article evaluates the role of political mediation played by national and local television networks within the social peripheries of Naples, Southern Italy. In the context of contemporary Italian populism, the management of this medium by simultaneously public and private -as well as formal and informal- power-holders, such as the neoliberal state and the Camorra (a powerful criminal organization) have increasingly replaced civil society's hi…

  • One of us”

    Salvatore Giusto•ARTICLE•Global Crime•2019•Cited by: 3•References: 9

    The term ‘neomelodic’ defines a pop-folk music genre featuring the mediascape of Naples, Southern Italy, since the late 1980s. Neomelodic songs depict the experiences of lower-class Neapolitan subjects with a preference for those engaging with the Camorra, a powerful criminal organisation that is also a major investor in the local media industries. This article constitutes an exploration of the Camorra-mediated neomelodic milieu of cultural produ…

  • La Fabbrica dei Sogni

    Salvatore Giusto•ARTICLE•Visual Anthropology•2011•References: 1

    Italian cinematography is not a culturally and politically neutral means of artistic communication. A web of historical, political and sociocultural instances, as well as the technical features characterizing cinematography itself, configured the production of national visual narratives and their fruition in the Italian movie theaters as the two generative poles of a constantly reiterated ritualistic process. This form of social drama aims at a s…

  • Through the Looking Glass

    Open Access•Salvatore Giusto•ARTICLE•PoLAR Political and Legal…•2020•Cited by: 3•References: 20

    This article evaluates the role of political mediation played by national and local television networks within the social peripheries of Naples, Southern Italy. In the context of contemporary Italian populism, the management of this medium by simultaneously public and private -as well as formal and informal- power-holders, such as the neoliberal state and the Camorra (a powerful criminal organization) have increasingly replaced civil society's hi…

  • One of us”

    Salvatore Giusto•ARTICLE•Global Crime•2019•Cited by: 3•References: 9

    The term ‘neomelodic’ defines a pop-folk music genre featuring the mediascape of Naples, Southern Italy, since the late 1980s. Neomelodic songs depict the experiences of lower-class Neapolitan subjects with a preference for those engaging with the Camorra, a powerful criminal organisation that is also a major investor in the local media industries. This article constitutes an exploration of the Camorra-mediated neomelodic milieu of cultural produ…

  • Dalla Vostra Parte

    Salvatore Giusto, Morganne Blais-Mcpherson•ARTICLE•Journal of Modern Italian Studies•2022•Cited by: 1•References: 7

    Alongside the highly mediatized life of recent Italian politics, populism as a mode of social expression has permeated Italian public discourse since the mid-1990s. This trend has become even more apparent in the aftermath of the so-called Mediterranean refugee crisis in the 2010s. Since then, the Italian popular classes’ increasing engagement with online social media has contributed to the electoral success of anti-immigration leaders and Facebo…

  • La Fabbrica dei Sogni

    Salvatore Giusto•ARTICLE•Visual Anthropology•2011•References: 1

    Italian cinematography is not a culturally and politically neutral means of artistic communication. A web of historical, political and sociocultural instances, as well as the technical features characterizing cinematography itself, configured the production of national visual narratives and their fruition in the Italian movie theaters as the two generative poles of a constantly reiterated ritualistic process. This form of social drama aims at a s…

  • One of us”

    Salvatore Giusto•ARTICLE•Global Crime•2019•Cited by: 3•References: 9

    The term ‘neomelodic’ defines a pop-folk music genre featuring the mediascape of Naples, Southern Italy, since the late 1980s. Neomelodic songs depict the experiences of lower-class Neapolitan subjects with a preference for those engaging with the Camorra, a powerful criminal organisation that is also a major investor in the local media industries. This article constitutes an exploration of the Camorra-mediated neomelodic milieu of cultural produ…

  • Through the Looking Glass

    Open Access•Salvatore Giusto•ARTICLE•PoLAR Political and Legal…•2020•Cited by: 3•References: 20

    This article evaluates the role of political mediation played by national and local television networks within the social peripheries of Naples, Southern Italy. In the context of contemporary Italian populism, the management of this medium by simultaneously public and private -as well as formal and informal- power-holders, such as the neoliberal state and the Camorra (a powerful criminal organization) have increasingly replaced civil society's hi…

  • Dalla Vostra Parte

    Salvatore Giusto, Morganne Blais-Mcpherson•ARTICLE•Journal of Modern Italian Studies•2022•Cited by: 1•References: 7

    Alongside the highly mediatized life of recent Italian politics, populism as a mode of social expression has permeated Italian public discourse since the mid-1990s. This trend has become even more apparent in the aftermath of the so-called Mediterranean refugee crisis in the 2010s. Since then, the Italian popular classes’ increasing engagement with online social media has contributed to the electoral success of anti-immigration leaders and Facebo…

  • Statement of Removal

    Open Access•Salvatore Giusto•ARTICLE•History and Anthropology•2023•References: 10

    Despite the processes of capitalist ‘modernization’ that have increasingly characterized Italy since its political unification in 1861, dynastically inherited conditions of neo-aristocratic class privilege still permeate the public sphere of the country, especially in its Southern regions. Neo-aristocratic class privilege co-involves very diverse groups of current Italian upper-class subjects, including wealthy families of ancient aristocratic an…

  • Borghesia Mafiosa

    Open Access•Salvatore Giusto•ARTICLE•Ethnos•2025•References: 34

Italian Fascism and Post-war Society (6 works) · Law (5 works) · Law (5 works) · Political science (5 works) · Sociology (5 works) · Politics (4 works) · Gender Studies (3 works) · Gender Studies (3 works) · Media studies (3 works) · Political economy (3 works)

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