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Gustavo Pellón

Datos Biográficos

ID1082050
NOMBREGustavo Pellón
NOMBRESGustavo
APELLIDOPellón
FIRMAPELLÓN G
VERIFICADONo
TOTAL DE OBRAS17
TOTAL DE CITAS0
TOTAL COMO AUTOR17
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1980
AÑO MÁS RECIENTE DE PUBLICACIÓN2018
ÍNDICE H0
  • Incomparable Empires

    Gustavo Pellón•ARTICLE•Modern Language Notes•2018

    Reviewed by: Incomparable Empires: Modernism and the Translation of Spanish and American Literature by Gayle Rogers, and: Media Laboratories: Late Modernist Authorship in South America by Sarah Ann Wells Gustavo Pellón Gayle Rogers, Incomparable Empires: Modernism and the Translation of Spanish and American Literature. Columbia University Press, 2016. 296 pp. Sarah Ann Wells, Media Laboratories: Late Modernist Authorship in South America. Northwe…

  • To Be Continued

    Gustavo Pellón•ARTICLE•South Atlantic Review•2002

  • A Companion to Spanish-American Literature

    Gustavo Pellón, Siobhan M Hart et al.•ARTICLE•Hispanic Review•2002

    A Companion to Spanish-American Literature. By Stephen M. Hart. London: Tamesis, 1999. 202 pages. Stephen Hart is clear about the purpose and the intended audience of his book: What the present study attempts to do is to provide a continuous, brief narrative about the main writers and works of the Spanish-American canon, and frames that historical narrative in the context of literary print culture... It is hoped that this overview of Spanish-Amer…

  • Painful Ghosts

    Gustavo Pellón•ARTICLE•Callaloo•2001

    Callaloo - Volume 24, Number 1, Winter 2001

  • With Dad at Madame Sophie's

    José Alcántara Almánzar, Gustavo Pellón•ARTICLE•Callaloo•2000

    Callaloo - Volume 23, Number 3, Summer 2000

  • The Cambridge History of Latin American Literature

    Open Access•Cathy Jrade, Angéla Gonzalez et al.•BOOK•The Cambridge history of Latin…•1996

    The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 2 provides coverage of all genres from the end of the nineteenth century up to García Márquez's One Hundred Years of Solitude and beyond …

  • De donde son los cantantes

    Gustavo Pellón, Severo Sarduy et al.•ARTICLE•Hispanic Review•1995

  • José Lezama Lima's Joyful Vision

    Kenneth E Hall, Gustavo Pellón•ARTICLE•Hispania•1991

  • Jose Lezama Lima's Joyful Vision. A Study of "Paradiso" and Other Prose Works

    Gustavo Perez Firmat, Gustavo Pellón•ARTICLE•Hispanic Review•1991

  • José Lezama Lima's Joyful Vision

    Open Access•William L Siemens, Gustavo Pellón•ARTICLE•Chasqui•1990

  • The Meaning of Experience in the Prose of Jorge Luis Borges

    Gustavo Pellón, Ion T Agheana•ARTICLE•Hispanic Review•1990

  • José Lezama Lima's Joyful Vision

    Gustavo Pellón•BOOK•José Lezama Lima's Joyful Vision•1989

    Cuba’s José Lezama Lima became the most controversial figure in the flowering of the Latin American novel with the 1966 publication of Paradiso. Hailed as a seminal writer of breathtaking originality by Julio Cortázar, Octavio Paz, and Mario Vargas Llosa, Lezama was also attacked by the Castro regime and others for his stylistic obscurity, erotic descriptions, and violation of literary norms. Indeed, his experimental fiction, written on the very …

  • Portrait of the Cuban Writer as French Painter

    Gustavo Pellón•ARTICLE•Modern Language Notes•1988

    Is Jose Lezama Lima a primitive or a primitivist? Is the essential idiosyncracy of his style and his outlook a result of the naivete of a self-taught man of letters, or are they signs of his radical originality? Is that original style truly due to intention or merely a consequence of his defective technique? Finally, is this Cuban colossus a seminal Latin American writer or an elaborate hoax perpetrated on the reading public by the sophisticated …

  • Juan Goytisolo y Severo Sarduy

    Gustavo Pellón•ARTICLE•Hispanic Review•1988

  • Upstarts, Wanderers or Swindlers

    Gustavo Pellón, Julio Rodriguez-Luis•BOOK•Upstarts, Wanderers or Swindlers•1986

  • Literature and Liminality

    Gustavo Pellón, Gustavo Perez Firmat•ARTICLE•South Atlantic Review•1986

  • Giving the Lie to Liars

    Gustavo Pellón•ARTICLE•Modern Language Notes•1980

    When we consider that the issue of lying in A la Recherche du temps perdu has attracted so much attention, it seems somewhat puzzling that no one has appropriately looked into the very nature of that lying. This omission appears all the more glaring since Proust's narrator himself brings the manner in which Albertine lies to the attention of the reader. The narrator relates the process in detail and even makes an attempt, however halfhearted, to …

Sin obras prominentes en esta página.

  • Giving the Lie to Liars

    Gustavo Pellón•ARTICLE•Modern Language Notes•1980

    When we consider that the issue of lying in A la Recherche du temps perdu has attracted so much attention, it seems somewhat puzzling that no one has appropriately looked into the very nature of that lying. This omission appears all the more glaring since Proust's narrator himself brings the manner in which Albertine lies to the attention of the reader. The narrator relates the process in detail and even makes an attempt, however halfhearted, to …

  • Upstarts, Wanderers or Swindlers

    Gustavo Pellón, Julio Rodriguez-Luis•BOOK•Upstarts, Wanderers or Swindlers•1986

  • Literature and Liminality

    Gustavo Pellón, Gustavo Perez Firmat•ARTICLE•South Atlantic Review•1986

  • Portrait of the Cuban Writer as French Painter

    Gustavo Pellón•ARTICLE•Modern Language Notes•1988

    Is Jose Lezama Lima a primitive or a primitivist? Is the essential idiosyncracy of his style and his outlook a result of the naivete of a self-taught man of letters, or are they signs of his radical originality? Is that original style truly due to intention or merely a consequence of his defective technique? Finally, is this Cuban colossus a seminal Latin American writer or an elaborate hoax perpetrated on the reading public by the sophisticated …

  • Juan Goytisolo y Severo Sarduy

    Gustavo Pellón•ARTICLE•Hispanic Review•1988

  • José Lezama Lima's Joyful Vision

    Gustavo Pellón•BOOK•José Lezama Lima's Joyful Vision•1989

    Cuba’s José Lezama Lima became the most controversial figure in the flowering of the Latin American novel with the 1966 publication of Paradiso. Hailed as a seminal writer of breathtaking originality by Julio Cortázar, Octavio Paz, and Mario Vargas Llosa, Lezama was also attacked by the Castro regime and others for his stylistic obscurity, erotic descriptions, and violation of literary norms. Indeed, his experimental fiction, written on the very …

  • José Lezama Lima's Joyful Vision

    Open Access•William L Siemens, Gustavo Pellón•ARTICLE•Chasqui•1990

  • The Meaning of Experience in the Prose of Jorge Luis Borges

    Gustavo Pellón, Ion T Agheana•ARTICLE•Hispanic Review•1990

  • José Lezama Lima's Joyful Vision

    Kenneth E Hall, Gustavo Pellón•ARTICLE•Hispania•1991

  • Jose Lezama Lima's Joyful Vision. A Study of "Paradiso" and Other Prose Works

    Gustavo Perez Firmat, Gustavo Pellón•ARTICLE•Hispanic Review•1991

  • De donde son los cantantes

    Gustavo Pellón, Severo Sarduy et al.•ARTICLE•Hispanic Review•1995

  • The Cambridge History of Latin American Literature

    Open Access•Cathy Jrade, Angéla Gonzalez et al.•BOOK•The Cambridge history of Latin…•1996

    The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 2 provides coverage of all genres from the end of the nineteenth century up to García Márquez's One Hundred Years of Solitude and beyond …

  • With Dad at Madame Sophie's

    José Alcántara Almánzar, Gustavo Pellón•ARTICLE•Callaloo•2000

    Callaloo - Volume 23, Number 3, Summer 2000

  • Painful Ghosts

    Gustavo Pellón•ARTICLE•Callaloo•2001

    Callaloo - Volume 24, Number 1, Winter 2001

  • To Be Continued

    Gustavo Pellón•ARTICLE•South Atlantic Review•2002

  • A Companion to Spanish-American Literature

    Gustavo Pellón, Siobhan M Hart et al.•ARTICLE•Hispanic Review•2002

    A Companion to Spanish-American Literature. By Stephen M. Hart. London: Tamesis, 1999. 202 pages. Stephen Hart is clear about the purpose and the intended audience of his book: What the present study attempts to do is to provide a continuous, brief narrative about the main writers and works of the Spanish-American canon, and frames that historical narrative in the context of literary print culture... It is hoped that this overview of Spanish-Amer…

  • Incomparable Empires

    Gustavo Pellón•ARTICLE•Modern Language Notes•2018

    Reviewed by: Incomparable Empires: Modernism and the Translation of Spanish and American Literature by Gayle Rogers, and: Media Laboratories: Late Modernist Authorship in South America by Sarah Ann Wells Gustavo Pellón Gayle Rogers, Incomparable Empires: Modernism and the Translation of Spanish and American Literature. Columbia University Press, 2016. 296 pp. Sarah Ann Wells, Media Laboratories: Late Modernist Authorship in South America. Northwe…

Art (14 obras) · Art history (7 obras) · History (6 obras) · Literature (6 obras) · Cultural and Social Studies in Latin America (4 obras) · Latin American Literature Studies (4 obras) · Philosophy (4 obras) · Aesthetics (3 obras) · Cuban History and Society (3 obras) · Linguistics (3 obras)

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