Katherine Butler Schofield
Biographic Data
| ID | 108275 |
|---|---|
| NAME | Katherine Butler Schofield |
| GIVEN NAMES | Katherine Butler |
| FAMILY NAME | Schofield |
| SIGNATURE | SCHOFIELD K B |
| AFFILIATIONS | King's College London |
| ORCID | 0000-0002-7433-9117 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 18 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Emotions in Indian music history
Music's ability to stimulate the emotions has long been fundamental to the aesthetics and reception of India's elite rāga -based traditions. These emotions are generally studied aesthetically through the lens of ' rasa ': the Sanskrit theory that proposes the musician's role is to stimulate one of nine distilled emotional essences ( rasa s) that is 'tasted' by the audience. But here I ask the inverse question: what emotions arose when historical …
Tellings and Texts
"Examining materials from early modern and contemporary North India and Pakistan, Tellings and Texts brings together seventeen first-rate papers on the relations between written and oral texts, their performance, and the musical traditions these performances have entailed. The contributions from some of the best scholars in the field cover a wide range of literary genres and social and cultural contexts across the region. The texts and practices …
The Courtesan Tale
There are many problems in trying to construct a history of female musicians and dancers in Mughal North India. Such women appear frequently in Mughal writings and apparently played an important role in elite society; there is clearly much we can learn from such sources about gender and class in the empire generally, as well as female performers more specifically. However, what evidence we have is written from the perspective of their male patron…
Reviving the Golden Age Again
Research Article| October 01 2010 Reviving the Golden Age Again:"Classicization," Hindustani Music, and the Mughals Katherine Butler Schofield Katherine Butler Schofield King's College London Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (3): 484–517. https://doi.org/10.5406/ethnomusicology.54.3.0484 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Katherine Butler Schofield; Reviving…
The Courtesan Tale
There are many problems in trying to construct a history of female musicians and dancers in Mughal North India. Such women appear frequently in Mughal writings and apparently played an important role in elite society; there is clearly much we can learn from such sources about gender and class in the empire generally, as well as female performers more specifically. However, what evidence we have is written from the perspective of their male patron…
Reviving the Golden Age Again
Research Article| October 01 2010 Reviving the Golden Age Again:"Classicization," Hindustani Music, and the Mughals Katherine Butler Schofield Katherine Butler Schofield King's College London Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (3): 484–517. https://doi.org/10.5406/ethnomusicology.54.3.0484 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Katherine Butler Schofield; Reviving…
Reviving the Golden Age Again
Research Article| October 01 2010 Reviving the Golden Age Again:"Classicization," Hindustani Music, and the Mughals Katherine Butler Schofield Katherine Butler Schofield King's College London Search for other works by this author on: This Site Google Ethnomusicology (2010) 54 (3): 484–517. https://doi.org/10.5406/ethnomusicology.54.3.0484 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Katherine Butler Schofield; Reviving…
The Courtesan Tale
There are many problems in trying to construct a history of female musicians and dancers in Mughal North India. Such women appear frequently in Mughal writings and apparently played an important role in elite society; there is clearly much we can learn from such sources about gender and class in the empire generally, as well as female performers more specifically. However, what evidence we have is written from the perspective of their male patron…
Tellings and Texts
"Examining materials from early modern and contemporary North India and Pakistan, Tellings and Texts brings together seventeen first-rate papers on the relations between written and oral texts, their performance, and the musical traditions these performances have entailed. The contributions from some of the best scholars in the field cover a wide range of literary genres and social and cultural contexts across the region. The texts and practices …
Emotions in Indian music history
Music's ability to stimulate the emotions has long been fundamental to the aesthetics and reception of India's elite rāga -based traditions. These emotions are generally studied aesthetically through the lens of ' rasa ': the Sanskrit theory that proposes the musician's role is to stimulate one of nine distilled emotional essences ( rasa s) that is 'tasted' by the audience. But here I ask the inverse question: what emotions arose when historical …
Art (4 works) · Literature (4 works) · History (3 works) · Aesthetics (2 works) · Law (2 works) · Law (2 works) · Linguistics (2 works) · Musical (2 works) · Philosophy (2 works) · Politics (2 works)