Maria Cristina Carile
Biographic Data
| ID | 1083203 |
|---|---|
| NAME | Maria Cristina Carile |
| GIVEN NAMES | Maria Cristina |
| FAMILY NAME | Carile |
| SIGNATURE | CARILE M C |
| AFFILIATIONS | University of Bologna |
| ORCID | 0000-0002-8873-138X |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
A Visual Analysis Between the Sheng Character of Shadow Puppets from the Central Plains of China and Sri Rama of Wayang Kulit Kelantan, Malaysia
Although research on cross-cultural influences between Asian nations has been widely published in the field of fine arts, there is a near absence of studies that directly analyse the connection of visual characteristics between the People's Republic of China and Malaysian shadow puppets, or the visual design elements that are unique to China's Central Plains Sheng shadow puppet.Using the classic shadow puppets Sheng and Sri Rama, this paper inves…
Holy icon or sacred body? The image of the emperor in the iconoclastic controversy
Throughout Iconoclasm the imperial icon was used in iconophile writings as the major argument in support of icon veneration. It included images of the emperor reproduced in various media and even panel portraits. Although the latter have not survived, they were real objects with a strong presence in the Byzantine system of visual communication. This paper will show that that the role of the imperial icon in Byzantine imagery and image theory was …
Bulletin critique
Lunga recensione critica del volume di Zuzana FRANTOVÁ, Ravenna: Sedes Imperii. Artistic Trajectories in the Late Antique Mediterranean (Studia Artium Mediaevalium Brunensia 8, Roma, Viella 2019, 292 p. ISBN 978-88-3313-048-4) che discute vari aspetti del volume in relazione alla storiografia sull'argomento
Piety, Power, or Presence? Strategies of Monumental Visualization of Patronage in Late Antique Ravenna
Between Late Antiquity and the early Middle Ages, lay and cleric alike felt the need to be remembered in the monuments they sponsored. Accordingly, specific elements of the décor were designed as means capable of bearing the patron's memory. The late antique churches of Ravenna offer an extraordinary field to understand how patrons left their mark on decorative programs of ancient buildings. There, portraits, inscriptions, and monograms emerge as…
No prominent works on this page.
Bulletin critique
Lunga recensione critica del volume di Zuzana FRANTOVÁ, Ravenna: Sedes Imperii. Artistic Trajectories in the Late Antique Mediterranean (Studia Artium Mediaevalium Brunensia 8, Roma, Viella 2019, 292 p. ISBN 978-88-3313-048-4) che discute vari aspetti del volume in relazione alla storiografia sull'argomento
Piety, Power, or Presence? Strategies of Monumental Visualization of Patronage in Late Antique Ravenna
Between Late Antiquity and the early Middle Ages, lay and cleric alike felt the need to be remembered in the monuments they sponsored. Accordingly, specific elements of the décor were designed as means capable of bearing the patron's memory. The late antique churches of Ravenna offer an extraordinary field to understand how patrons left their mark on decorative programs of ancient buildings. There, portraits, inscriptions, and monograms emerge as…
A Visual Analysis Between the Sheng Character of Shadow Puppets from the Central Plains of China and Sri Rama of Wayang Kulit Kelantan, Malaysia
Although research on cross-cultural influences between Asian nations has been widely published in the field of fine arts, there is a near absence of studies that directly analyse the connection of visual characteristics between the People's Republic of China and Malaysian shadow puppets, or the visual design elements that are unique to China's Central Plains Sheng shadow puppet.Using the classic shadow puppets Sheng and Sri Rama, this paper inves…
Holy icon or sacred body? The image of the emperor in the iconoclastic controversy
Throughout Iconoclasm the imperial icon was used in iconophile writings as the major argument in support of icon veneration. It included images of the emperor reproduced in various media and even panel portraits. Although the latter have not survived, they were real objects with a strong presence in the Byzantine system of visual communication. This paper will show that that the role of the imperial icon in Byzantine imagery and image theory was …
Ancient history (3 works) · Art (3 works) · History (3 works) · Archaeology (2 works) · Computer Science (2 works) · Historical and Religious Studies of Rome (2 works) · Political science (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Antique (1 work)