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Maria T Pao

Biographic Data

ID1083342
NAMEMaria T Pao
GIVEN NAMESMaria T
FAMILY NAMEPao
SIGNATUREPAO M T
AFFILIATIONSIllinois State University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2014
H-INDEX1
  • Views and Voices of the Working Class

    Maria T Pao•ARTICLE•Hispania•2014•Cited by: 1

    In 2005, Spanish television audiences saw the debut of the nation's first spinoff, the sitcom Aída . The show featured the tribulations of its title character and her working-class family in their struggle to "llegar a fin de mes." It seemed to promise a sensibility enacted in the US series Roseanne , where another eponymous heroine faced similar conditions with wit and verve. Aída became a tremendous hit for its network, Telecinco, but unlike Ro…

  • Why George? Hagiographic Elements in Matute’s Primera memoria

    Open Access•Maria T Pao•ARTICLE•Neophilologus•2013

  • A Novel Nadie

    Maria T Pao•ARTICLE•Bulletin of Spanish Studies•2010

  • Reading Rosita or The Language of Flowers

    Maria T Pao•ARTICLE•Hispanic Research Journal•2009

    In reading Doña Rosita la soltera o El lenguaje de las flores, García Lorca's 1935 play about a young woman awaiting her fiancé's return, commentators have attended to the play's visual and verbal aspects. They have noted the spectacular period staging and costumes and song-and-dance numbers. The dialogues too have received discussion. But, filled with mundane details and social formulae, these typically elicit charges of superficiality, excess v…

  • Cinema, Spectatorship, and Subjectivity in Gutiérrez Albelo's Enigma del invitado (1936)

    Maria T Pao•ARTICLE•Journal of Iberian & Latin…•2005•References: 3

    A little-known book by a minor poet, Emeterio Gutierrez Albelo's Enigma del invitado (1936) has major things to say about spectatorship and modern subjectivity. Its 26 untitled poems chronicle the

  • Augustı ́n Espinosa's Crimen

    Maria T Pao•ARTICLE•Bulletin of Spanish Studies•2003

    BSS Subject Index: AVANT-GARDE [AS CULTURAL, ARTISTIC & LITERARY MOVEMENT]ESPINOSA, AGUSTÍN DE (1897–1939)SURREALISM/SURREALISMO

  • Views and Voices of the Working Class

    Maria T Pao•ARTICLE•Hispania•2014•Cited by: 1

    In 2005, Spanish television audiences saw the debut of the nation's first spinoff, the sitcom Aída . The show featured the tribulations of its title character and her working-class family in their struggle to "llegar a fin de mes." It seemed to promise a sensibility enacted in the US series Roseanne , where another eponymous heroine faced similar conditions with wit and verve. Aída became a tremendous hit for its network, Telecinco, but unlike Ro…

  • Augustı ́n Espinosa's Crimen

    Maria T Pao•ARTICLE•Bulletin of Spanish Studies•2003

    BSS Subject Index: AVANT-GARDE [AS CULTURAL, ARTISTIC & LITERARY MOVEMENT]ESPINOSA, AGUSTÍN DE (1897–1939)SURREALISM/SURREALISMO

  • Cinema, Spectatorship, and Subjectivity in Gutiérrez Albelo's Enigma del invitado (1936)

    Maria T Pao•ARTICLE•Journal of Iberian & Latin…•2005•References: 3

    A little-known book by a minor poet, Emeterio Gutierrez Albelo's Enigma del invitado (1936) has major things to say about spectatorship and modern subjectivity. Its 26 untitled poems chronicle the

  • Reading Rosita or The Language of Flowers

    Maria T Pao•ARTICLE•Hispanic Research Journal•2009

    In reading Doña Rosita la soltera o El lenguaje de las flores, García Lorca's 1935 play about a young woman awaiting her fiancé's return, commentators have attended to the play's visual and verbal aspects. They have noted the spectacular period staging and costumes and song-and-dance numbers. The dialogues too have received discussion. But, filled with mundane details and social formulae, these typically elicit charges of superficiality, excess v…

  • A Novel Nadie

    Maria T Pao•ARTICLE•Bulletin of Spanish Studies•2010

  • Why George? Hagiographic Elements in Matute’s Primera memoria

    Open Access•Maria T Pao•ARTICLE•Neophilologus•2013

  • Views and Voices of the Working Class

    Maria T Pao•ARTICLE•Hispania•2014•Cited by: 1

    In 2005, Spanish television audiences saw the debut of the nation's first spinoff, the sitcom Aída . The show featured the tribulations of its title character and her working-class family in their struggle to "llegar a fin de mes." It seemed to promise a sensibility enacted in the US series Roseanne , where another eponymous heroine faced similar conditions with wit and verve. Aída became a tremendous hit for its network, Telecinco, but unlike Ro…

Art (4 works) · Philosophy (4 works) · Spanish Literature and Culture Studies (4 works) · Comparative Literary Analysis and Criticism (3 works) · Literature (3 works) · Philosophy (3 works) · Spanish Culture and Identity (3 works) · Art history (2 works) · Epistemology (2 works) · Aesthetics (1 work)

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