Celia Applegate
Biographic Data
| ID | 1084013 |
|---|---|
| NAME | Celia Applegate |
| GIVEN NAMES | Celia |
| FAMILY NAME | Applegate |
| SIGNATURE | APPLEGATE C |
| AFFILIATIONS | University of Rochester |
| VERIFIED | No |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 21 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Claudius Torp: Klavierwelten. Aufstieg und Verwandlung einer europäischen Kultur, 1830–1940
The Search for Medieval Music in Africa and Germany, 1891-1961: Scholars, Singers, Missionaries
Cultural History: Where It Has Been and Where It Is Going
The very meaning of “culture” has gone through so many transformations over the last sixty years that it is necessary to take stock of developments in this field of cultural history before suggesting—with an eye to the promises and perils of earlier practices—what new possibilities might exist for the future of the field. The post-1945 period witnessed a powerful impulse to understand culture as something more pervasive than just literature and t…
German Freedom and the Greek Ideal: The Cultural Legacy from Goethe to Mann
This book traces this German idea of freedom from the late Enlightenment through the early twentieth century. McGrath shows how German intellectual and artists invoked the ancient Greeks in order to i
Introduction: Music Among the Historians
Journal Article Introduction: Music Among the Historians Get access Celia Applegate Celia Applegate Vanderbilt [email protected] Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 30, Issue 3, September 2012, Pages 329–349, https://doi.org/10.1093/gerhis/ghs039 Published: 16 August 2012
Modernism after Wagner
Juliet Koss’s Modernism after Wagner reminds us that the ‘old magician’ imposed himself (in Nietzsche’s term) on a diverse range of artists and art critics, many of them influential figures in the development of modernism in the forty or so years after his death. Koss’s book is being promoted by its publisher as the ‘first critical history of Wagner’s concept of the Gesamtkunstwerk [a comprehensive artwork, combining a number of forms] and its im…
Goethe and Zelter: Musical Dialogues. By Lorraine Byrne Bodley
The 900 or so letters exchanged over more than three decades between Johann Wolfgang von Goethe (1749–1832) and Carl Friedrich Zelter (1758–1832) command the attention of cultural historians for any number of reasons, and yet they are surprisingly little known, less read, and almost universally underrated. This circumstance prompted Lorraine Byrne Bodley, a musicologist at the National University of Ireland, Maynooth, to undertake the enormous ta…
Metaphors of Continuity: The Promise and Perils of Taking the Long View
After reading this provocative, heterogeneous set of essays by Helmut Walser Smith, one is struck by the way in which the subtitle, ‘Nation, Religion, and Race across the Long Nineteenth Century’, wages a subtle war on the book's title, ‘The Continuities of German History’. Its terms, even while establishing powerful themes for the study of continuities, keep drawing our attention to change, at times gradual, at times abrupt and catastrophic, but…
Becoming Historical: Cultural Reformation and Public Memory in Early Nineteenth-Century Berlin
John Toews is one of the most formidable intellectual historians of his generation, and with Becoming Historical, he further solidifies his reputation as someone who will not be derailed from his historical task even by the most excruciatingly abstract of German philosophers. Indeed, he begins this book with one of the worst of the lot, Friedrich Wilhelm Joseph Schelling, a man convinced of his world-historic role and therefore capable of saying …
The Internationalism of Nationalism: Adolf Bernhard Marx and German Music in the Mid-nineteenth Century
GermanFrenchDer Internationalismus des Nationalismus: Adolf Bernhard Marx und die deutsche Musik in der Mitte des 19. JahrhundertsDie Menschen des 19. Jahrhunderts transformierten die überlieferte Sprechweise von nationalen Unterschieden in Begriffen von Volkscharakteren in ein Verständnis von Nationalität als gelebter Erfahrung. Die kulturellen Aktivitäten der europäischen Völker reflektierten in zunehmendem Maße die Wichtigkeit, die Nationalitä…
German Modernism: Music and the Arts , by Walter Frisch
Music and German National Identity
Is it merely a coincidence that three Bs of classical music - Bach, Beethoven, Brahms - are all German composers? Why do concert halls all over world feature mostly works of German and Austrian composers as their standard repertoire? Over past three centuries, supporters of German music ranging from music scholars to politicians have nurtured notion that German-speaking world possesses a peculiar strength in cultivation of music. This book explor…
The 'Creative Possibilities of Science' in Civil Society and Public Life: A Commentary
The commentary categorizes some of the ways the authors have depicted the relationship of science to civil society and considers some of the parallels between these analyses of civil society and those in comparable fields (art and music especially)-fields that also are attempting to broaden their perspective to the place of their subjects in society as a whole
Heimat and the Varieties of Regional History
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
A Europe of Regions: Reflections on the Historiography of Sub-National Places in Modern Times
EUROPE, SO WE READ WITH INCREASING FREQUENCY, has always been and remains very much a continent of identities.' This notion has insinuated itself into a wide range of debates on future of Whether context is an analysis of final crisis of nation-state or a description of structure of committees in European Community, recognition of significant role that regions and regionalism play in Europe today has quietly, undramatically taken hold. In 1992, T…
How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century
Research Article| April 01 1998 How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century Celia Applegate Celia Applegate Search for other works by this author on: This Site PubMed Google Scholar 19th-Century Music (1998) 21 (3): 274–296. https://doi.org/10.2307/746825 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools G…
German Unifications and the Change of Literary Discourse
Journal Article 1870/71-1989/90. German Unifications and the Change of Literary Discourse Get access Celia Applegate Celia Applegate Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 13, Issue 3, July 1995, Pages 443–444, https://doi.org/10.1093/gh/13.3.443 Published: 01 July 1995
A Nation of Provincials: The German Idea of Heimat
At the center of this pioneering work in modern European history is the German word Heimatthe homeland, the local place. Translations barely penetrate the meaning of the word, which has provided the emotional and ideological common ground for a variety of associations and individuals devoted to the cause of local preservation. Celia Applegate examines at both the national and regional levels the cultural meaning of Heimat and why it may be pivota…
Elections, Mass Politics and Social Change in Modern Germany: New Perspectives
This collection of essays presents the work on Germany's stormy and problematic encounter with mass politics from the time of Bismarck to the Nazi era. The authors - sixteen scholars from the United States, Canada, Great Britain and Germany - consider this problem from novel and sometimes surprising viewpoints. The history of elections, narrowly conceived, is abandoned in favor of a broader inquiry into roots of German political loyalties and the…
A Nation of Provincials: The German Idea of Heimat
What Is German Music? Reflections on the Role of Art in the Creation of the Nation
A Nation of Provincials: The German Idea of Heimat
At the center of this pioneering work in modern European history is the German word Heimat--the homeland, the local place. Translations barely penetrate the meaning of the word, which has provided the emotional and ideological common ground for a variety of associations and individuals devoted to the cause of local preservation. Celia Applegate examines at both the national and regional levels the cultural meaning of Heimat and why it may be pivo…
How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century
Research Article| April 01 1998 How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century Celia Applegate Celia Applegate Search for other works by this author on: This Site PubMed Google Scholar 19th-Century Music (1998) 21 (3): 274–296. https://doi.org/10.2307/746825 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools G…
Cultural History: Where It Has Been and Where It Is Going
The very meaning of “culture” has gone through so many transformations over the last sixty years that it is necessary to take stock of developments in this field of cultural history before suggesting—with an eye to the promises and perils of earlier practices—what new possibilities might exist for the future of the field. The post-1945 period witnessed a powerful impulse to understand culture as something more pervasive than just literature and t…
Introduction: Music Among the Historians
Journal Article Introduction: Music Among the Historians Get access Celia Applegate Celia Applegate Vanderbilt [email protected] Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 30, Issue 3, September 2012, Pages 329–349, https://doi.org/10.1093/gerhis/ghs039 Published: 16 August 2012
A Nation of Provincials: The German Idea of Heimat
At the center of this pioneering work in modern European history is the German word Heimat--the homeland, the local place. Translations barely penetrate the meaning of the word, which has provided the emotional and ideological common ground for a variety of associations and individuals devoted to the cause of local preservation. Celia Applegate examines at both the national and regional levels the cultural meaning of Heimat and why it may be pivo…
Elections, Mass Politics and Social Change in Modern Germany: New Perspectives
This collection of essays presents the work on Germany's stormy and problematic encounter with mass politics from the time of Bismarck to the Nazi era. The authors - sixteen scholars from the United States, Canada, Great Britain and Germany - consider this problem from novel and sometimes surprising viewpoints. The history of elections, narrowly conceived, is abandoned in favor of a broader inquiry into roots of German political loyalties and the…
A Nation of Provincials: The German Idea of Heimat
What Is German Music? Reflections on the Role of Art in the Creation of the Nation
A Nation of Provincials: The German Idea of Heimat
At the center of this pioneering work in modern European history is the German word Heimatthe homeland, the local place. Translations barely penetrate the meaning of the word, which has provided the emotional and ideological common ground for a variety of associations and individuals devoted to the cause of local preservation. Celia Applegate examines at both the national and regional levels the cultural meaning of Heimat and why it may be pivota…
German Unifications and the Change of Literary Discourse
Journal Article 1870/71-1989/90. German Unifications and the Change of Literary Discourse Get access Celia Applegate Celia Applegate Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 13, Issue 3, July 1995, Pages 443–444, https://doi.org/10.1093/gh/13.3.443 Published: 01 July 1995
How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century
Research Article| April 01 1998 How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century Celia Applegate Celia Applegate Search for other works by this author on: This Site PubMed Google Scholar 19th-Century Music (1998) 21 (3): 274–296. https://doi.org/10.2307/746825 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools G…
A Europe of Regions: Reflections on the Historiography of Sub-National Places in Modern Times
EUROPE, SO WE READ WITH INCREASING FREQUENCY, has always been and remains very much a continent of identities.' This notion has insinuated itself into a wide range of debates on future of Whether context is an analysis of final crisis of nation-state or a description of structure of committees in European Community, recognition of significant role that regions and regionalism play in Europe today has quietly, undramatically taken hold. In 1992, T…
Heimat and the Varieties of Regional History
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The 'Creative Possibilities of Science' in Civil Society and Public Life: A Commentary
The commentary categorizes some of the ways the authors have depicted the relationship of science to civil society and considers some of the parallels between these analyses of civil society and those in comparable fields (art and music especially)-fields that also are attempting to broaden their perspective to the place of their subjects in society as a whole
Music and German National Identity
Is it merely a coincidence that three Bs of classical music - Bach, Beethoven, Brahms - are all German composers? Why do concert halls all over world feature mostly works of German and Austrian composers as their standard repertoire? Over past three centuries, supporters of German music ranging from music scholars to politicians have nurtured notion that German-speaking world possesses a peculiar strength in cultivation of music. This book explor…
German Modernism: Music and the Arts , by Walter Frisch
The Internationalism of Nationalism: Adolf Bernhard Marx and German Music in the Mid-nineteenth Century
GermanFrenchDer Internationalismus des Nationalismus: Adolf Bernhard Marx und die deutsche Musik in der Mitte des 19. JahrhundertsDie Menschen des 19. Jahrhunderts transformierten die überlieferte Sprechweise von nationalen Unterschieden in Begriffen von Volkscharakteren in ein Verständnis von Nationalität als gelebter Erfahrung. Die kulturellen Aktivitäten der europäischen Völker reflektierten in zunehmendem Maße die Wichtigkeit, die Nationalitä…
Becoming Historical: Cultural Reformation and Public Memory in Early Nineteenth-Century Berlin
John Toews is one of the most formidable intellectual historians of his generation, and with Becoming Historical, he further solidifies his reputation as someone who will not be derailed from his historical task even by the most excruciatingly abstract of German philosophers. Indeed, he begins this book with one of the worst of the lot, Friedrich Wilhelm Joseph Schelling, a man convinced of his world-historic role and therefore capable of saying …
Metaphors of Continuity: The Promise and Perils of Taking the Long View
After reading this provocative, heterogeneous set of essays by Helmut Walser Smith, one is struck by the way in which the subtitle, ‘Nation, Religion, and Race across the Long Nineteenth Century’, wages a subtle war on the book's title, ‘The Continuities of German History’. Its terms, even while establishing powerful themes for the study of continuities, keep drawing our attention to change, at times gradual, at times abrupt and catastrophic, but…
Introduction: Music Among the Historians
Journal Article Introduction: Music Among the Historians Get access Celia Applegate Celia Applegate Vanderbilt [email protected] Search for other works by this author on: Oxford Academic Google Scholar German History, Volume 30, Issue 3, September 2012, Pages 329–349, https://doi.org/10.1093/gerhis/ghs039 Published: 16 August 2012
Modernism after Wagner
Juliet Koss’s Modernism after Wagner reminds us that the ‘old magician’ imposed himself (in Nietzsche’s term) on a diverse range of artists and art critics, many of them influential figures in the development of modernism in the forty or so years after his death. Koss’s book is being promoted by its publisher as the ‘first critical history of Wagner’s concept of the Gesamtkunstwerk [a comprehensive artwork, combining a number of forms] and its im…
Goethe and Zelter: Musical Dialogues. By Lorraine Byrne Bodley
The 900 or so letters exchanged over more than three decades between Johann Wolfgang von Goethe (1749–1832) and Carl Friedrich Zelter (1758–1832) command the attention of cultural historians for any number of reasons, and yet they are surprisingly little known, less read, and almost universally underrated. This circumstance prompted Lorraine Byrne Bodley, a musicologist at the National University of Ireland, Maynooth, to undertake the enormous ta…
German Freedom and the Greek Ideal: The Cultural Legacy from Goethe to Mann
This book traces this German idea of freedom from the late Enlightenment through the early twentieth century. McGrath shows how German intellectual and artists invoked the ancient Greeks in order to i
Cultural History: Where It Has Been and Where It Is Going
The very meaning of “culture” has gone through so many transformations over the last sixty years that it is necessary to take stock of developments in this field of cultural history before suggesting—with an eye to the promises and perils of earlier practices—what new possibilities might exist for the future of the field. The post-1945 period witnessed a powerful impulse to understand culture as something more pervasive than just literature and t…
The Search for Medieval Music in Africa and Germany, 1891-1961: Scholars, Singers, Missionaries
Claudius Torp: Klavierwelten. Aufstieg und Verwandlung einer europäischen Kultur, 1830–1940
Art (16 works) · History (15 works) · Political science (15 works) · German (13 works) · Art history (9 works) · Archaeology (8 works) · Law (8 works) · Musicology and Musical Analysis (7 works) · Philosophy (7 works) · Visual arts (7 works)