Diana Korzenik
Biographic Data
| ID | 1084484 |
|---|---|
| NAME | Diana Korzenik |
| GIVEN NAMES | Diana |
| FAMILY NAME | Korzenik |
| SIGNATURE | KORZENIK D |
| AFFILIATIONS | Massachusetts College of Art and Design |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 0 |
Portrait of the Artist as an American
The Bennington Museum's 2011 exhibition “Grandma Moses and the Primitive Tradition” invited viewers to reassess the twentieth-century work and reception of painter Anna Mary Robertson Moses. The meteoric rise of her art, marketed as “primitive,” coincided with certain refugee German art dealers’ quest to offer an American alternative to the war-contaminated wares of Europe
That Is Best Which Liest Nearest”
The two-hundredth birthday of American poet Henry Wadsworth Longfellow prompted two curators at the Maine Historical Society to gather materials that demonstrate the skill and respect for art making shared by many members of the Portland, Maine, Longfellow family. This review reflects on their visual creations, produced over the course of 120 years
The Cultivation of Artists in Nineteenth-Century America
Drawn to Art
Francis way land parker's vision of the arts in education
No prominent works on this page.
Francis way land parker's vision of the arts in education
Drawn to Art
The Cultivation of Artists in Nineteenth-Century America
That Is Best Which Liest Nearest”
The two-hundredth birthday of American poet Henry Wadsworth Longfellow prompted two curators at the Maine Historical Society to gather materials that demonstrate the skill and respect for art making shared by many members of the Portland, Maine, Longfellow family. This review reflects on their visual creations, produced over the course of 120 years
Portrait of the Artist as an American
The Bennington Museum's 2011 exhibition “Grandma Moses and the Primitive Tradition” invited viewers to reassess the twentieth-century work and reception of painter Anna Mary Robertson Moses. The meteoric rise of her art, marketed as “primitive,” coincided with certain refugee German art dealers’ quest to offer an American alternative to the war-contaminated wares of Europe
Art (5 works) · History (4 works) · History (4 works) · Art history (3 works) · Art History and Market Analysis (3 works) · Art Education and Development (2 works) · Photography and Visual Culture (2 works) · Sociology (2 works) · Visual arts (2 works) · Archaeology (1 work)