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Caroline Elisabeth Weber

Biographic Data

ID10858861
NAMECaroline Elisabeth Weber
GIVEN NAMESCaroline Elisabeth
FAMILY NAMEWeber
SIGNATUREWEBER C E
ORCID0000-0002-6772-7410
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2004
H-INDEX0
  • On the Hardness of Virtue, or Fetishizing Disinterest in Beaumarchais' Les Deux amis

    Caroline Weber, Caroline Elisabeth Weber•ARTICLE•Modern Language Notes•2004

    An exploration of the self-delusional structures in Beaumarchais's bourgeois drama Les Deux amis, that support the iniquities engendered by commerce in mid-eighteenth-century Lyon. At the dawn of capitalistic enterprise, the protagonist of the drame bourgeois suspends knowledge of his own rapaciousness by emphatically cultivating a stance of selfless virtue as he pursues his commercial interests. It is the paradox of the genre that the very attem…

  • Overcoming Excess

    Caroline Weber, Caroline Elisabeth Weber•ARTICLE•Modern Language Notes•1999

    MLN - Volume 114, Number 4, September 1999 (French Issue)

  • Writing/Drawing/Color

    Georges Roque, Caroline Weber et al.•ARTICLE•Yale French Studies•1994

No prominent works on this page.

  • Writing/Drawing/Color

    Georges Roque, Caroline Weber et al.•ARTICLE•Yale French Studies•1994

  • Overcoming Excess

    Caroline Weber, Caroline Elisabeth Weber•ARTICLE•Modern Language Notes•1999

    MLN - Volume 114, Number 4, September 1999 (French Issue)

  • On the Hardness of Virtue, or Fetishizing Disinterest in Beaumarchais' Les Deux amis

    Caroline Weber, Caroline Elisabeth Weber•ARTICLE•Modern Language Notes•2004

    An exploration of the self-delusional structures in Beaumarchais's bourgeois drama Les Deux amis, that support the iniquities engendered by commerce in mid-eighteenth-century Lyon. At the dawn of capitalistic enterprise, the protagonist of the drame bourgeois suspends knowledge of his own rapaciousness by emphatically cultivating a stance of selfless virtue as he pursues his commercial interests. It is the paradox of the genre that the very attem…

Art (3 works) · Art history (2 works) · Bourgeoisie (2 works) · Historical and Literary Studies (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Color perception and design (1 work) · Drama (1 work)

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