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Ryan D Giles

Biographic Data

ID1086193
NAMERyan D Giles
GIVEN NAMESRyan D
FAMILY NAMEGiles
SIGNATUREGILES R D
AFFILIATIONSUniversity of Chicago
ORCID0000-0003-3424-9624
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2020
H-INDEX0
  • The Problem of Interreligious Peacemaking in the Works of Ramon Llull

    Open Access•Ryan D Giles•ARTICLE•Religions•2020•References: 13

    The purpose of this essay is to examine depictions of interior peace, as well as exterior peacemaking in the world, in representative works by Ramon Llull, written during the later thirteenth and early fourteenth centuries. I will show how Llull's goal of ending conflict involved interreligious dialogue and an attitude of intellectual openness, but at the same time advocated problematic efforts to proselytize religious others that were to be back…

  • Inscribed Power

    Ryan D Giles•BOOK•Inscribed Power•2019

  • Laughter of the Saints

    Ryan D Giles•BOOK•Laughter of the Saints•2016

  • The Wineskin of Love

    Ryan D Giles, Ryan Giles•ARTICLE•Bulletin of Spanish Studies•2012

    The following article shows how the well-known episode of the Canonical Hours in the Libro de buen amor (Salamanca MS 2198 or S) engages in a subversive,intentional hybridization of Latin and Castilian. Errors in this preserved manuscript must be understood not merely as corrupting intrusions, but more importantly as active collaborations in the Archpriest of Hita's parody of Love's eroticized prayer. Specifically, vernacular alterationscontribut…

  • "El Triunfo de Átropos en la" Celestina

    Open Access•Ryan D Giles, Ryan Giles•ARTICLE•Anales de Historia del Arte•2012

    La siguiente presentación examina las posibles connotaciones de las tres hadas que se invocan al final de la Tragicomedia de Calisto y Melibea o Celestina de Fernando de Rojas. Veremos cómo se interpretaban los papeles de estas hermanas mitológicas en la imaginación visual de la época de Rojas, y sobre todo la importancia de la tercera figura, conocida como Átropos en griego y Morta en latín, en tratamientos del tema petrarquista de la conquista …

  • The Laughter of the Saints

    Ryan D Giles•BOOK•Laughter of the Saints•2009

    The Laughter of the Saints examines this rich carnivalesque tradition of parodied holy men and women and traces their influence to the anti-heroes and picaresque roots of early modern novels such as Don Quixote.

  • Toma gallo que te muestre’

    Ryan D Giles, Ryan Giles•ARTICLE•Bulletin of Spanish Studies•2008

    Early in his poem, the Archpriest of Hita observes that it is only natural for men, like other animals, to seek ‘juntamiento con fenbra plazentera’.1 This tenet is later problematized when Don Amor

No prominent works on this page.

  • Toma gallo que te muestre’

    Ryan D Giles, Ryan Giles•ARTICLE•Bulletin of Spanish Studies•2008

    Early in his poem, the Archpriest of Hita observes that it is only natural for men, like other animals, to seek ‘juntamiento con fenbra plazentera’.1 This tenet is later problematized when Don Amor

  • The Laughter of the Saints

    Ryan D Giles•BOOK•Laughter of the Saints•2009

    The Laughter of the Saints examines this rich carnivalesque tradition of parodied holy men and women and traces their influence to the anti-heroes and picaresque roots of early modern novels such as Don Quixote.

  • The Wineskin of Love

    Ryan D Giles, Ryan Giles•ARTICLE•Bulletin of Spanish Studies•2012

    The following article shows how the well-known episode of the Canonical Hours in the Libro de buen amor (Salamanca MS 2198 or S) engages in a subversive,intentional hybridization of Latin and Castilian. Errors in this preserved manuscript must be understood not merely as corrupting intrusions, but more importantly as active collaborations in the Archpriest of Hita's parody of Love's eroticized prayer. Specifically, vernacular alterationscontribut…

  • "El Triunfo de Átropos en la" Celestina

    Open Access•Ryan D Giles, Ryan Giles•ARTICLE•Anales de Historia del Arte•2012

    La siguiente presentación examina las posibles connotaciones de las tres hadas que se invocan al final de la Tragicomedia de Calisto y Melibea o Celestina de Fernando de Rojas. Veremos cómo se interpretaban los papeles de estas hermanas mitológicas en la imaginación visual de la época de Rojas, y sobre todo la importancia de la tercera figura, conocida como Átropos en griego y Morta en latín, en tratamientos del tema petrarquista de la conquista …

  • Laughter of the Saints

    Ryan D Giles•BOOK•Laughter of the Saints•2016

  • Inscribed Power

    Ryan D Giles•BOOK•Inscribed Power•2019

  • The Problem of Interreligious Peacemaking in the Works of Ramon Llull

    Open Access•Ryan D Giles•ARTICLE•Religions•2020•References: 13

    The purpose of this essay is to examine depictions of interior peace, as well as exterior peacemaking in the world, in representative works by Ramon Llull, written during the later thirteenth and early fourteenth centuries. I will show how Llull's goal of ending conflict involved interreligious dialogue and an attitude of intellectual openness, but at the same time advocated problematic efforts to proselytize religious others that were to be back…

Art (4 works) · Early Modern Spanish Literature (4 works) · Humanities (3 works) · Medieval Iberian Studies (3 works) · History and criticism (2 works) · History and criticism (2 works) · Literature (2 works) · Philosophy (2 works) · Poetry (2 works) · Psychology (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae