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Clarisse Zimra

Biographic Data

ID1087372
NAMEClarisse Zimra
GIVEN NAMESClarisse
FAMILY NAMEZimra
SIGNATUREZIMRA C
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS10
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2004
H-INDEX2
  • Hearing Voices, or, Who You Calling Postcolonial? The Evolution of Djebar's Poetics

    Clarisse Zimra•ARTICLE•Research in African Literatures•2004•References: 1

    Monolingualism of the Other, or, The Prosthesis of Origin. By Jacques Derrida. Trans. Patrick Mensah Stanford: Stanford UP, 1998. 95 pp. Ces voix qui m'assiègent By Assia Djebar Paris: Albin Michel, 1999. 271 pp. Recasting Postcolonialism By Anne Donadey Portsmouth: Heinemann, 2001. 178 pp. Assia Djebar ou la résisitance de l'écriture: regards d'un écrivain d'Algérie By Mireille Calle-Gruber Paris: Maison larose, 2001. 282 pp. Experimental Nation…

  • Sounding Off the Absent Body: Intertextual Resonances in ?La femme qui pleure? and ?La femme en morceaux

    Clarisse Zimra•ARTICLE•Research in African Literatures•1999•References: 3

    Research in African Literatures - Volume 30, Number 3, Fall 1999

  • Not so Far from Medina: "Assia Djebar Charts Islam's "Insupportable Feminist Revolution

    Clarisse Zimra•ARTICLE•World Literature Today•1996•Cited by: 4

  • Disorienting the Subject in Djebar's L'Amour, la Fantasia

    Clarisse Zimra•ARTICLE•Yale French Studies•1995•Cited by: 2

  • When the Past Answers Our Present: Assia Djebar Talks About Loin de Medine

    Clarisse Zimra•ARTICLE•Callaloo•1993•Cited by: 2

  • Haitian Literature After Duvalier: An Interview With Yanick Lahens

    Clarisse Zimra•ARTICLE•Callaloo•1993

  • Writing Woman: The Novels of Assia Djebar

    Clarisse Zimra•ARTICLE•SubStance•1992•Cited by: 2

    IN 1957 A YOUNG UNKNOWN burst on the French literary scene with an insolently sensual story written on a dare. La Soif had everything: beautiful females, well-off males, fast cars, lazy days at the beach, and, to top it off, a botched abortion resulting in death. Its author, the proper daughter of a Moslem civil servant, was not quite twenty years old. To the Parisian pundits, the resemblance to young Franqoise Sagan's 1954 scandalous Bonjour tri…

  • Not so Far from Medina: "Assia Djebar Charts Islam's "Insupportable Feminist Revolution

    Clarisse Zimra•ARTICLE•World Literature Today•1996•Cited by: 4

  • Disorienting the Subject in Djebar's L'Amour, la Fantasia

    Clarisse Zimra•ARTICLE•Yale French Studies•1995•Cited by: 2

  • When the Past Answers Our Present: Assia Djebar Talks About Loin de Medine

    Clarisse Zimra•ARTICLE•Callaloo•1993•Cited by: 2

  • Writing Woman: The Novels of Assia Djebar

    Clarisse Zimra•ARTICLE•SubStance•1992•Cited by: 2

    IN 1957 A YOUNG UNKNOWN burst on the French literary scene with an insolently sensual story written on a dare. La Soif had everything: beautiful females, well-off males, fast cars, lazy days at the beach, and, to top it off, a botched abortion resulting in death. Its author, the proper daughter of a Moslem civil servant, was not quite twenty years old. To the Parisian pundits, the resemblance to young Franqoise Sagan's 1954 scandalous Bonjour tri…

  • Writing Woman: The Novels of Assia Djebar

    Clarisse Zimra•ARTICLE•SubStance•1992•Cited by: 2

    IN 1957 A YOUNG UNKNOWN burst on the French literary scene with an insolently sensual story written on a dare. La Soif had everything: beautiful females, well-off males, fast cars, lazy days at the beach, and, to top it off, a botched abortion resulting in death. Its author, the proper daughter of a Moslem civil servant, was not quite twenty years old. To the Parisian pundits, the resemblance to young Franqoise Sagan's 1954 scandalous Bonjour tri…

  • When the Past Answers Our Present: Assia Djebar Talks About Loin de Medine

    Clarisse Zimra•ARTICLE•Callaloo•1993•Cited by: 2

  • Haitian Literature After Duvalier: An Interview With Yanick Lahens

    Clarisse Zimra•ARTICLE•Callaloo•1993

  • Disorienting the Subject in Djebar's L'Amour, la Fantasia

    Clarisse Zimra•ARTICLE•Yale French Studies•1995•Cited by: 2

  • Not so Far from Medina: "Assia Djebar Charts Islam's "Insupportable Feminist Revolution

    Clarisse Zimra•ARTICLE•World Literature Today•1996•Cited by: 4

  • Sounding Off the Absent Body: Intertextual Resonances in ?La femme qui pleure? and ?La femme en morceaux

    Clarisse Zimra•ARTICLE•Research in African Literatures•1999•References: 3

    Research in African Literatures - Volume 30, Number 3, Fall 1999

  • Hearing Voices, or, Who You Calling Postcolonial? The Evolution of Djebar's Poetics

    Clarisse Zimra•ARTICLE•Research in African Literatures•2004•References: 1

    Monolingualism of the Other, or, The Prosthesis of Origin. By Jacques Derrida. Trans. Patrick Mensah Stanford: Stanford UP, 1998. 95 pp. Ces voix qui m'assiègent By Assia Djebar Paris: Albin Michel, 1999. 271 pp. Recasting Postcolonialism By Anne Donadey Portsmouth: Heinemann, 2001. 178 pp. Assia Djebar ou la résisitance de l'écriture: regards d'un écrivain d'Algérie By Mireille Calle-Gruber Paris: Maison larose, 2001. 282 pp. Experimental Nation…

Art (6 works) · African history and culture analysis (3 works) · History (3 works) · North African History and Literature (3 works) · Art history (2 works) · Islamic Studies and History (2 works) · Jewish and Middle Eastern Studies (2 works) · Literature (2 works) · Sociology (2 works) · African history and culture studies (1 works)

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