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Amy J Elias

Biographic Data

ID1088416
NAMEAmy J Elias
GIVEN NAMESAmy J
FAMILY NAMEElias
SIGNATUREELIAS A J
AFFILIATIONSUniversity of Tennessee at Knoxville
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS6
WORKS AS AUTHOR8
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2018
H-INDEX2
  • Postmodern, Postwar, Contemporary

    Andrew Hoberek, Samuel Cohen et al.•CHAPTER•Postmodern/Postwar and After•2018

  • Time

    Amy J Elias, Joel Burges et al.•BOOK•Time•2016

  • The Planetary Turn

    Amy J Elias, Christian Moraru•EDITOR•BOOK•The Planetary Turn•2015

  • The Narrativity of Post-Convergent Media

    Amy J Elias•ARTICLE•SubStance•2011

  • Psychogeography, Détournement , Cyberspace

    Amy J Elias•ARTICLE•New Literary History•2010•Cited by: 2

    This essay explores web-based art practices congenial to an avant-garde aesthetics defined by Guy Debord, Raoul Vaneigem and others affiliated with the Situationist International. Today, some cyberartists are redefining (and extending into new territories) key concepts of the 1960s Situationist avant-garde: psychogeography and détournement . An avant-garde arts counterculture is emerging on the web that takes as its starting point, in the manner …

  • Interactive Cosmopolitanism and Collaborative Technologies

    Amy J Elias•ARTICLE•New Literary History•2008

    Allen Ginsberg's America (1956) playfully reminds us of importance of rhetorical mode. Self-reflection and political cri tique merge in poem as speaker manages simultaneously to assert his opposition to and his complicity with dominant world power of his day. This power happens to be his home country and discursive regime that?he is dismayed to realize?has formed his habits of mind in midst of cultural racism, Red Scare, and metastasizing pop-cul…

  • Metahistorical Romance, the Historical Sublime, and Dialogic History

    Amy J Elias•ARTICLE•Rethinking History•2005•Cited by: 4•References: 1

    ‘Metahistorical romance’ is postmodernist historical fiction which is obsessed with historiographical questions in a self-reflexive mode. This fiction both continues and reverses the dominant of the historical romance genre associated with the work of Scott. It also rehearses many of the perspectives on history found in postmodern historiography. The central characteristic of metahistorical romance is pursuit of the historical sublime, which it c…

  • Sublime Desire

    Theda Wrede, Amy J Elias•ARTICLE•South Atlantic Review•2002

  • Hip Librarians, Dweeb Chic

    Open Access•Amy J Elias•ARTICLE•Postmodern Culture•2002

  • Metahistorical Romance, the Historical Sublime, and Dialogic History

    Amy J Elias•ARTICLE•Rethinking History•2005•Cited by: 4•References: 1

    ‘Metahistorical romance’ is postmodernist historical fiction which is obsessed with historiographical questions in a self-reflexive mode. This fiction both continues and reverses the dominant of the historical romance genre associated with the work of Scott. It also rehearses many of the perspectives on history found in postmodern historiography. The central characteristic of metahistorical romance is pursuit of the historical sublime, which it c…

  • Psychogeography, Détournement , Cyberspace

    Amy J Elias•ARTICLE•New Literary History•2010•Cited by: 2

    This essay explores web-based art practices congenial to an avant-garde aesthetics defined by Guy Debord, Raoul Vaneigem and others affiliated with the Situationist International. Today, some cyberartists are redefining (and extending into new territories) key concepts of the 1960s Situationist avant-garde: psychogeography and détournement . An avant-garde arts counterculture is emerging on the web that takes as its starting point, in the manner …

  • Sublime Desire

    Theda Wrede, Amy J Elias•ARTICLE•South Atlantic Review•2002

  • Hip Librarians, Dweeb Chic

    Open Access•Amy J Elias•ARTICLE•Postmodern Culture•2002

  • Metahistorical Romance, the Historical Sublime, and Dialogic History

    Amy J Elias•ARTICLE•Rethinking History•2005•Cited by: 4•References: 1

    ‘Metahistorical romance’ is postmodernist historical fiction which is obsessed with historiographical questions in a self-reflexive mode. This fiction both continues and reverses the dominant of the historical romance genre associated with the work of Scott. It also rehearses many of the perspectives on history found in postmodern historiography. The central characteristic of metahistorical romance is pursuit of the historical sublime, which it c…

  • Interactive Cosmopolitanism and Collaborative Technologies

    Amy J Elias•ARTICLE•New Literary History•2008

    Allen Ginsberg's America (1956) playfully reminds us of importance of rhetorical mode. Self-reflection and political cri tique merge in poem as speaker manages simultaneously to assert his opposition to and his complicity with dominant world power of his day. This power happens to be his home country and discursive regime that?he is dismayed to realize?has formed his habits of mind in midst of cultural racism, Red Scare, and metastasizing pop-cul…

  • Psychogeography, Détournement , Cyberspace

    Amy J Elias•ARTICLE•New Literary History•2010•Cited by: 2

    This essay explores web-based art practices congenial to an avant-garde aesthetics defined by Guy Debord, Raoul Vaneigem and others affiliated with the Situationist International. Today, some cyberartists are redefining (and extending into new territories) key concepts of the 1960s Situationist avant-garde: psychogeography and détournement . An avant-garde arts counterculture is emerging on the web that takes as its starting point, in the manner …

  • The Narrativity of Post-Convergent Media

    Amy J Elias•ARTICLE•SubStance•2011

  • The Planetary Turn

    Amy J Elias, Christian Moraru•EDITOR•BOOK•The Planetary Turn•2015

  • Time

    Amy J Elias, Joel Burges et al.•BOOK•Time•2016

  • Postmodern, Postwar, Contemporary

    Andrew Hoberek, Samuel Cohen et al.•CHAPTER•Postmodern/Postwar and After•2018

Art (6 works) · Aesthetics (5 works) · Literature (4 works) · History (3 works) · Philosophy (3 works) · Political science (3 works) · Sociology (3 works) · Digital Games and Media (2 works) · Epistemology (2 works) · History (2 works)

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