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Susan Z Andrade

Biographic Data

ID1089211
NAMESusan Z Andrade
GIVEN NAMESSusan Z
FAMILY NAMEAndrade
SIGNATUREANDRADE S Z
AFFILIATIONSUniversity of Pittsburgh
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS4
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2019
H-INDEX2
  • Written Under the Skin: Blood and Intergenerational Memory in South AfricaSusan Z. Andrade

    Susan Z Andrade•ARTICLE•Journal of the African Literature…•2019

  • Poetry

    Susan Z Andrade•ARTICLE•Journal of the African Literature…•2018

  • Books: Review Forum

    Adeleke Adeeko, Tom Langley et al.•ARTICLE•Interventions•2013•References: 1

  • The Joys of Daughterhood: Gender, Nationalism, and the Making of Literary Tradition(s)

    Open Access•Susan Z Andrade•CHAPTER•Cultural Institutions of the Novel•1996

  • White Skin, Black Masks: Colonialism and the Sexual Politics of Oroonoko

    Susan Z Andrade•ARTICLE•Cultural Critique•1994•Cited by: 2

    n focusing on white, middle-class, heterosexual women, hegemonic feminist literary theory has generally presumed that centuries of gendered oppression have left such women naturally sympathetic to the oppression of all people. Much of this criticism has failed to recognize that differently oppressed groups in given historical moments often have conflicting political agendas that preclude ready alliances between struggles or easy understandings be…

  • The Nigger of the Narcissist: History, Sexuality and Intertextuality in Maryse Conde's Heremakhonon

    Susan Z Andrade•ARTICLE•Callaloo•1993•Cited by: 2

    Unlike other colonized regions of the world, the particularly brutal violence of the colonial enterprise in the Caribbean led to the importation of most of the current populations and the cultural forms of the region. I refer primarily to the decimation of indigenous Amerindian populations, particularly those of the Carib and Arawak/ Taino people, as well as to the importation and systematic de-acculturation of Africans who served as slaves. Late…

  • White Skin, Black Masks: Colonialism and the Sexual Politics of Oroonoko

    Susan Z Andrade•ARTICLE•Cultural Critique•1994•Cited by: 2

    n focusing on white, middle-class, heterosexual women, hegemonic feminist literary theory has generally presumed that centuries of gendered oppression have left such women naturally sympathetic to the oppression of all people. Much of this criticism has failed to recognize that differently oppressed groups in given historical moments often have conflicting political agendas that preclude ready alliances between struggles or easy understandings be…

  • The Nigger of the Narcissist: History, Sexuality and Intertextuality in Maryse Conde's Heremakhonon

    Susan Z Andrade•ARTICLE•Callaloo•1993•Cited by: 2

    Unlike other colonized regions of the world, the particularly brutal violence of the colonial enterprise in the Caribbean led to the importation of most of the current populations and the cultural forms of the region. I refer primarily to the decimation of indigenous Amerindian populations, particularly those of the Carib and Arawak/ Taino people, as well as to the importation and systematic de-acculturation of Africans who served as slaves. Late…

  • The Nigger of the Narcissist: History, Sexuality and Intertextuality in Maryse Conde's Heremakhonon

    Susan Z Andrade•ARTICLE•Callaloo•1993•Cited by: 2

    Unlike other colonized regions of the world, the particularly brutal violence of the colonial enterprise in the Caribbean led to the importation of most of the current populations and the cultural forms of the region. I refer primarily to the decimation of indigenous Amerindian populations, particularly those of the Carib and Arawak/ Taino people, as well as to the importation and systematic de-acculturation of Africans who served as slaves. Late…

  • White Skin, Black Masks: Colonialism and the Sexual Politics of Oroonoko

    Susan Z Andrade•ARTICLE•Cultural Critique•1994•Cited by: 2

    n focusing on white, middle-class, heterosexual women, hegemonic feminist literary theory has generally presumed that centuries of gendered oppression have left such women naturally sympathetic to the oppression of all people. Much of this criticism has failed to recognize that differently oppressed groups in given historical moments often have conflicting political agendas that preclude ready alliances between struggles or easy understandings be…

  • The Joys of Daughterhood: Gender, Nationalism, and the Making of Literary Tradition(s)

    Open Access•Susan Z Andrade•CHAPTER•Cultural Institutions of the Novel•1996

  • Books: Review Forum

    Adeleke Adeeko, Tom Langley et al.•ARTICLE•Interventions•2013•References: 1

  • Poetry

    Susan Z Andrade•ARTICLE•Journal of the African Literature…•2018

  • Written Under the Skin: Blood and Intergenerational Memory in South AfricaSusan Z. Andrade

    Susan Z Andrade•ARTICLE•Journal of the African Literature…•2019

Art (4 works) · History (3 works) · Literature (3 works) · Aesthetics (2 works) · Caribbean history, culture, and politics (2 works) · Colonialism (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · History (2 works) · Political science (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae