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Esther Rashkin

Biographic Data

ID1089438
NAMEEsther Rashkin
GIVEN NAMESEsther
FAMILY NAMERashkin
SIGNATURERASHKIN E
AFFILIATIONSUniversidad Veracruzana
ORCID0000-0003-1223-777X
VERIFIEDYes
TOTAL WORKS26
TOTAL CITATIONS1
AUTHOR COUNT26
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2025
H-INDEX1
  • El amor a las flores

    Open Access•Rafael Delgado, José Julián González Osorno et al.•ARTICLE•Balajú Revista de Cultura y…•2025

    Ensayo sobre las flores en la historia universal que el escritor veracruzano Rafael Delgado leyó a integrantes de la Sociedad Sánchez Oropesa, Orizaba, México, en septiembre de 1888 y publicado en el Boletín de la sociedad el año siguiente. Con una introducción de Elissa Rashkin y Julián Osorno

  • Archivo, Memoria y Resignificación

    Open Access•Esther Rashkin, J Pablo Romo Álvarez•ARTICLE•Aniki Revista Portuguesa da…•2022•References: 1

    Este artículo explora las posibilidades analíticas del estudio del cine mexicano desde la desaparición y/o fragmentación de los archivos primordiales, para llegar posteriormente al ejercicio experimental de la reconstrucción. Nos avalamos del creciente corpus de historias trabajadas sobre y desde los márgenes de la cultura y la comunicación, donde los huecos y silencios hablan tanto como los hechos verificables. Partimos de la pérdida de la mayor…

  • Sobre John Lear, Imaginar el proletariado. Artistas y trabajadores en el México revolucionario, 1908-1940

    Open Access•Esther Rashkin, Elissa Rashkin•ARTICLE•Historia Mexicana•2022

  • Psychological Roots of the Climate Crisis

    Esther Rashkin, Sally Weintrobe et al.•BOOK•Psychological Roots of the…•2021

    Psychological Roots of the Climate Crisis tells the story of a fundamental fight between a caring and an uncaring imagination. It helps us to recognise the uncaring imagination in politics, in culture – for example in the writings of Ayn Rand – and also in ourselves.

  • La ruta integral

    Open Access•Esther Rashkin, Elissa J Rashkin•ARTICLE•Bibliographica•2020

    A principios de 1930, surgió en Xalapa, Veracruz, un movimiento cultural en torno al grupo Noviembre, con el fin de producir “literatura proletaria”. Protagonizado por Lorenzo Turrent Rozas, José Mancisidor, Julio de la Fuente y Germán List Arzubide, entre otros, el movimiento se desprendió en parte del Estridentismo, vanguardia cultural activa en los años 20, y a la vez constituyó una crítica de éste desde una postura más cercana al realismo soc…

  • Writing Cure

    Emma Lieber, Esther Rashkin et al.•BOOK•Writing Cure•2020

    A hybrid work of psychoanalytic autotheory that tells a story about the end of an analysis and the end of a marriage

  • Mujeres zapatistas y producción videográfica en Chiapas

    Open Access•Esther Rashkin•ARTICLE•Kamchatka Revista de análisis…•2018•References: 2

    Los primeros años de la rebelión zapatista coincidieron con la emergencia en México de un sector videográfico independiente, posibilitado por las nuevas tecnologías de grabación y edición, e inspirado en la lucha chiapaneca con sus redes de comunicación y solidaridad nacional e internacional. Antecediendo la era del Web 2.0 y las actuales redes sociales digitales, la producción videográfica sobre y desde el zapatismo fue una herramienta important…

  • Construcciones cinematográficas de la Revolución Mexicana

    Open Access•Esther Rashkin, Elissa J Rashkin•ARTICLE•Comunicación y Sociedad•2015

  • Feminine look

    Open Access•Esther Rashkin•ARTICLE•Psychoanalysis Culture & Society•2014

  • Psychic murder and the asylum of psychosis

    Open Access•Esther Rashkin•ARTICLE•Psychoanalysis Culture & Society•2012•Cited by: 1•References: 1

  • Introduction to Special Section

    Open Access•Esther Rashkin•ARTICLE•Psychoanalysis Culture & Society•2012•References: 1

  • Reading the Mind, Reading the Text

    Esther Rashkin•ARTICLE•American imago•2011

    This essay considers whether the developmental concept of “reflective functioning”—which emerged from attachment research—is relevant for the study of literature and especially for examining narratives concerned with trauma. Since the ability to construct narrative and show an awareness of one’s own and others’ intrapsychic worlds is key to reflective functioning, can we legitimately think of fictional characters who reflect on their own inner st…

  • Data Learns to Dance

    Esther Rashkin•ARTICLE•American imago•2011

    This essay explores how the episode "Data's Day" from the television series Star Trek: The Next Generation functions allegorically as a drama of human psychic development and also a commentary on psychoanalytic treatment and the anxiety it can evoke. Drawing on the work of Winnicott and concepts such as "holding," "primary maternal preoccupation," and the "false self," among others, the author argues that the android Data's efforts to learn diffe…

  • The American Psychoanalytic Association Fellowship

    Esther Rashkin•ARTICLE•American imago•2010

    The American Psychoanalytic Association Fellowship:A Unique Opportunity for Academics and Multidisciplinary Educators and Researchers Esther Rashkin The Fellowship program sponsored by the American Psychoanalytic Association (APsaA) was begun in 1991 with the intent of nurturing an interest in psychoanalytic theory and practice among future leaders in psychiatry. In the years since the program's very successful beginnings, the applicant categorie…

  • Sex, Sadism, Encrypted Loss and Encrypted History in Last Tango in Paris

    Esther Rashkin•ARTICLE•Parallax•2009

  • Unmourned Dead, Filtered History, and the Screening of Anti-Semitism in Kieślowski's A Short Film About Killing

    Esther Rashkin•ARTICLE•American imago•2009

    A searing indictment of the death penalty, Krzysztof Kieślowski's A Short Film About Killing derives its power in large part from its stark juxtaposition of Jacek Lazar's brutal murder of a taxi driver with the Polish State's execution of Jacek for his crime—an act critics have consistently described as unmotivated and inexplicable. This essay explores how the film invites us to view it psychoanalytically, cinematographically, and historically as…

  • Unspeakable Secrets and the Psychoanalysis of Culture

    Esther Rashkin•BOOK•Unspeakable Secrets and the…•2008

  • Projected Shadows

    Esther Rashkin•ARTICLE•American imago•2008

    Reviewed by: Projected Shadows: Psychoanalytic Reflections on the Representation of Loss in European Cinema Esther Rashkin Projected Shadows: Psychoanalytic Reflections on the Representation of Loss in European Cinema. Ed. Andrea Sabbadini. London: Routledge, 2007. 190 pp. $99.00 (hb), $38.95 (pb). The fifteen essays in this collection, most of which are revised versions of papers presented at the Third European Psychoanalytic Film Festival (epff…

  • Unspeakable secrets and the psychoanalysis of culture

    Esther Rashkin•BOOK•Unspeakable secrets and the…•2008

    Esther Rashkin argues that psychoanalysis galvanizes, as no other discipline can, an understanding of texts in their social, historical, and political contexts. Demonstrating that close reading can be a radical political practice, she exposes heretofore unseen ideologies concealed in works of film and literature, from Last Tango in Paris to The Picture of Dorian Gray, from Barthes's Mythologies and Balzac's Sarrasine to Babette's Feast. Psychoana…

  • Tracing Phantoms

    Esther Rashkin•ARTICLE•Religion and the Arts•1996

  • Tracing Phantoms

    Esther Rashkin•ARTICLE•Religion and the Arts•1996

  • Family Secrets and the Psychoanalysis of Narrative

    Dorothy Kelly, Esther Rashkin•ARTICLE•SubStance•1994

  • Family Secrets and the Psychoanalysis of Narrative

    Eduardo González, Esther Rashkin•ARTICLE•Modern Language Notes•1993

    Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwittin…

  • Family secrets and the psychoanalysis of narrative

    Esther Rashkin•BOOK•Family secrets and the…•1992

    Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwittin…

  • A Spectacle of Haunting

    Open Access•Esther Rashkin•ARTICLE•Oxford Literary Review•1990

Next
  • Psychic murder and the asylum of psychosis

    Open Access•Esther Rashkin•ARTICLE•Psychoanalysis Culture & Society•2012•Cited by: 1•References: 1

  • Tools for a New Psychoanalytic Literary Criticism

    Esther Rashkin, Nicolas Abraham et al.•ARTICLE•diacritics•1988

  • A Spectacle of Haunting

    Open Access•Esther Rashkin•ARTICLE•Oxford Literary Review•1990

  • Family secrets and the psychoanalysis of narrative

    Esther Rashkin•BOOK•Family secrets and the…•1992

    Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwittin…

  • Family Secrets and the Psychoanalysis of Narrative

    Eduardo González, Esther Rashkin•ARTICLE•Modern Language Notes•1993

    Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwittin…

  • Family Secrets and the Psychoanalysis of Narrative

    Dorothy Kelly, Esther Rashkin•ARTICLE•SubStance•1994

  • Tracing Phantoms

    Esther Rashkin•ARTICLE•Religion and the Arts•1996

  • Tracing Phantoms

    Esther Rashkin•ARTICLE•Religion and the Arts•1996

  • Unspeakable Secrets and the Psychoanalysis of Culture

    Esther Rashkin•BOOK•Unspeakable Secrets and the…•2008

  • Projected Shadows

    Esther Rashkin•ARTICLE•American imago•2008

    Reviewed by: Projected Shadows: Psychoanalytic Reflections on the Representation of Loss in European Cinema Esther Rashkin Projected Shadows: Psychoanalytic Reflections on the Representation of Loss in European Cinema. Ed. Andrea Sabbadini. London: Routledge, 2007. 190 pp. $99.00 (hb), $38.95 (pb). The fifteen essays in this collection, most of which are revised versions of papers presented at the Third European Psychoanalytic Film Festival (epff…

  • Unspeakable secrets and the psychoanalysis of culture

    Esther Rashkin•BOOK•Unspeakable secrets and the…•2008

    Esther Rashkin argues that psychoanalysis galvanizes, as no other discipline can, an understanding of texts in their social, historical, and political contexts. Demonstrating that close reading can be a radical political practice, she exposes heretofore unseen ideologies concealed in works of film and literature, from Last Tango in Paris to The Picture of Dorian Gray, from Barthes's Mythologies and Balzac's Sarrasine to Babette's Feast. Psychoana…

  • Sex, Sadism, Encrypted Loss and Encrypted History in Last Tango in Paris

    Esther Rashkin•ARTICLE•Parallax•2009

  • Unmourned Dead, Filtered History, and the Screening of Anti-Semitism in Kieślowski's A Short Film About Killing

    Esther Rashkin•ARTICLE•American imago•2009

    A searing indictment of the death penalty, Krzysztof Kieślowski's A Short Film About Killing derives its power in large part from its stark juxtaposition of Jacek Lazar's brutal murder of a taxi driver with the Polish State's execution of Jacek for his crime—an act critics have consistently described as unmotivated and inexplicable. This essay explores how the film invites us to view it psychoanalytically, cinematographically, and historically as…

  • The American Psychoanalytic Association Fellowship

    Esther Rashkin•ARTICLE•American imago•2010

    The American Psychoanalytic Association Fellowship:A Unique Opportunity for Academics and Multidisciplinary Educators and Researchers Esther Rashkin The Fellowship program sponsored by the American Psychoanalytic Association (APsaA) was begun in 1991 with the intent of nurturing an interest in psychoanalytic theory and practice among future leaders in psychiatry. In the years since the program's very successful beginnings, the applicant categorie…

  • Reading the Mind, Reading the Text

    Esther Rashkin•ARTICLE•American imago•2011

    This essay considers whether the developmental concept of “reflective functioning”—which emerged from attachment research—is relevant for the study of literature and especially for examining narratives concerned with trauma. Since the ability to construct narrative and show an awareness of one’s own and others’ intrapsychic worlds is key to reflective functioning, can we legitimately think of fictional characters who reflect on their own inner st…

  • Data Learns to Dance

    Esther Rashkin•ARTICLE•American imago•2011

    This essay explores how the episode "Data's Day" from the television series Star Trek: The Next Generation functions allegorically as a drama of human psychic development and also a commentary on psychoanalytic treatment and the anxiety it can evoke. Drawing on the work of Winnicott and concepts such as "holding," "primary maternal preoccupation," and the "false self," among others, the author argues that the android Data's efforts to learn diffe…

  • Psychic murder and the asylum of psychosis

    Open Access•Esther Rashkin•ARTICLE•Psychoanalysis Culture & Society•2012•Cited by: 1•References: 1

  • Introduction to Special Section

    Open Access•Esther Rashkin•ARTICLE•Psychoanalysis Culture & Society•2012•References: 1

  • Feminine look

    Open Access•Esther Rashkin•ARTICLE•Psychoanalysis Culture & Society•2014

  • Construcciones cinematográficas de la Revolución Mexicana

    Open Access•Esther Rashkin, Elissa J Rashkin•ARTICLE•Comunicación y Sociedad•2015

  • Mujeres zapatistas y producción videográfica en Chiapas

    Open Access•Esther Rashkin•ARTICLE•Kamchatka Revista de análisis…•2018•References: 2

    Los primeros años de la rebelión zapatista coincidieron con la emergencia en México de un sector videográfico independiente, posibilitado por las nuevas tecnologías de grabación y edición, e inspirado en la lucha chiapaneca con sus redes de comunicación y solidaridad nacional e internacional. Antecediendo la era del Web 2.0 y las actuales redes sociales digitales, la producción videográfica sobre y desde el zapatismo fue una herramienta important…

  • La ruta integral

    Open Access•Esther Rashkin, Elissa J Rashkin•ARTICLE•Bibliographica•2020

    A principios de 1930, surgió en Xalapa, Veracruz, un movimiento cultural en torno al grupo Noviembre, con el fin de producir “literatura proletaria”. Protagonizado por Lorenzo Turrent Rozas, José Mancisidor, Julio de la Fuente y Germán List Arzubide, entre otros, el movimiento se desprendió en parte del Estridentismo, vanguardia cultural activa en los años 20, y a la vez constituyó una crítica de éste desde una postura más cercana al realismo soc…

  • Writing Cure

    Emma Lieber, Esther Rashkin et al.•BOOK•Writing Cure•2020

    A hybrid work of psychoanalytic autotheory that tells a story about the end of an analysis and the end of a marriage

  • Psychological Roots of the Climate Crisis

    Esther Rashkin, Sally Weintrobe et al.•BOOK•Psychological Roots of the…•2021

    Psychological Roots of the Climate Crisis tells the story of a fundamental fight between a caring and an uncaring imagination. It helps us to recognise the uncaring imagination in politics, in culture – for example in the writings of Ayn Rand – and also in ourselves.

  • Archivo, Memoria y Resignificación

    Open Access•Esther Rashkin, J Pablo Romo Álvarez•ARTICLE•Aniki Revista Portuguesa da…•2022•References: 1

    Este artículo explora las posibilidades analíticas del estudio del cine mexicano desde la desaparición y/o fragmentación de los archivos primordiales, para llegar posteriormente al ejercicio experimental de la reconstrucción. Nos avalamos del creciente corpus de historias trabajadas sobre y desde los márgenes de la cultura y la comunicación, donde los huecos y silencios hablan tanto como los hechos verificables. Partimos de la pérdida de la mayor…

  • Sobre John Lear, Imaginar el proletariado. Artistas y trabajadores en el México revolucionario, 1908-1940

    Open Access•Esther Rashkin, Elissa Rashkin•ARTICLE•Historia Mexicana•2022

Art (19 works) · Psychology (14 works) · Psychoanalysis (13 works) · Literature (8 works) · Philosophy (8 works) · Political science (8 works) · Psychotherapy Techniques and Applications (7 works) · Law (6 works) · Psychoanalytic theory (6 works) · Sociology (6 works)

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