Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Nancy H Ramage

Biographic Data

ID1090784
NAMENancy H Ramage
GIVEN NAMESNancy H
FAMILY NAMERamage
SIGNATURERAMAGE N H
AFFILIATIONSIthaca College
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS32
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2000
H-INDEX3
  • Looking at Lovemaking: Constructions of Sexuality in Roman Art, 100 B.C.-A.D. 250

    Nancy H Ramage, John R Clarke•ARTICLE•The Classical World•2000•Cited by: 7

  • The Ince Blundell Collection of Classical Sculpture 1: The Portraits; 2: The Roman Male Portraits . By Jane Fejfer

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•2000

  • Actes des rencontres internationales sur les moulages

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•2000

  • Collecting in the Gilded Age: Art patronage in Pittsburgh, 1890 1910

    Nancy H Ramage•ARTICLE•Journal of the History of…•1998

    Journal Article Collecting in the Gilded Age: Art patronage in Pittsburgh, 1890–1910 Get access Gabriel P. Weisberg , DeCourcy E. McIntosh and Alison McQueen . Pittsburgh, Frick Art & Historical Center, and Hanover and London , University Press of New England , 1997 . ISBN 1-8811403-0303 . 428 pp., 110 col. illus., 172 b. & w. illus. $75.00. Nancy H. Ramage Nancy H. Ramage Search for other works by this author on: Oxford Academic Google Scholar J…

  • Dynasty and Empire in the Age of Augustus: The Case of the Boscoreale Cups

    Nancy H Ramage•REVIEW•The Classical World•1997

    The two silver skyphoi commonly known as the Boscoreale Cups of Augustus and Tiberius are indispensable for providing the documentation of one of the only two cycles of Roman imperial state reliefs to survive from the Julio-Claudian period. This is an examination of these historical treasures. Kuttner studies the Cups not only from the standpoint of art history, but also as they relate to Augustan ideology and politics. When she began work on thi…

  • The Trojan War in Ancient Art

    Nancy H Ramage, Susan Woodford•ARTICLE•The Classical World•1997•Cited by: 3

    The myths of the Trojan War captured the imagination not only of Greek and Roman authors - Homer, Euripides, Virgil, Ovid and many others - but also of countless Greek and Roman painters and sculptors. By perceptively analysing a variety of representations, Susan Woodford assesses the creative solutions found by individual artists to problems posed by the narrative; by comparing verbal and pictorial treatments of telling episodes, she demonstrate…

  • Bucking the Tide: The Cone sisters of Baltimore

    Ellen B Hirschland, Nancy H Ramage•ARTICLE•Journal of the History of…•1996

    In the steady flow 0f correspondence between Dr Claribel Cone and Etta Cone of Baltimore, the reader learns oj the thought processes that led these dynamic sisters toward the formation of an extraordinary collection of art of the nineteenth and twentieth centuries. They displayed courageous disregard for the public's lack of understanding of their taste in exotic or avant-garde art, and acquired what they liked, even though it seemed too modern t…

  • Archaeologists & Aesthetes: In the Sculpture Galleries of the British Museum, 1800-1939 . By Ian Jenkins

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•1996

  • Roman Art: Romulus to Constantine

    Richard Brilliant, Christopher Parslow et al.•ARTICLE•The Classical World•1992•Cited by: 15

    Contents Roman Emperors Roman Gods and Goddesses and their Greek Equivalents Preface Timeline Introduction The Land Map of the Roman world in the second century ad Chronology Topographical map of Italy The Political Framework The Republic The Empire City of Rome, plan Art in the Service of the State Fascism and Propaganda The Romans' Acquisition of Art Objects Art for Private Patrons Archaeological Ethics Restoration and Forgery Winckelmann and 1…

  • Goods, Graves, and Scholars: 18Th-Century Archaeologists in Britain and Italy

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•1992•Cited by: 2•References: 1

    The comments of a number of intellectuals who were interested in archaeology in the later 18th century show that they held widely disparate views regarding the ethics associated with excavation, and that they disagreed on what constituted proper archaeological techniques. Such views are known from surviving letters and from published works, the most influential of which was J. J. Winckelmann's Open Letter on the Discoveries of Herculaneum of 1762…

  • Sir William Hamilton as Collector, Exporter, and Dealer: The Acquisition and Dispersal of His Collections

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•1990•Cited by: 4

    Although it is well known that Sir William Hamilton, British ambassador to the Court of Naples, was a prominent collector of Greek vases, no previous study has concentrated on his methods of acquiring and disposing of antiquities. He dealt not only as an agent for his own interests, but also for those of his family, friends, and acquaintances. He bought and sold antiquities, accepted gifts, and in turn gave presents both to individuals and to the…

  • Aphrodisias de Carie: Colloque du Centre de recherches archéologiques de l'Université de Lille III (13 novembre 1985) . By Juliette de la Genière and Kenan Erim

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•1989

  • The Other Monuments and Literary Evidence

    Nancy H Ramage, E N Lane•ARTICLE•The Classical World•1987•Cited by: 1

  • Roman Art: Romulus to Constantine

    Richard Brilliant, Christopher Parslow et al.•ARTICLE•The Classical World•1992•Cited by: 15

    Contents Roman Emperors Roman Gods and Goddesses and their Greek Equivalents Preface Timeline Introduction The Land Map of the Roman world in the second century ad Chronology Topographical map of Italy The Political Framework The Republic The Empire City of Rome, plan Art in the Service of the State Fascism and Propaganda The Romans' Acquisition of Art Objects Art for Private Patrons Archaeological Ethics Restoration and Forgery Winckelmann and 1…

  • Looking at Lovemaking: Constructions of Sexuality in Roman Art, 100 B.C.-A.D. 250

    Nancy H Ramage, John R Clarke•ARTICLE•The Classical World•2000•Cited by: 7

  • Sir William Hamilton as Collector, Exporter, and Dealer: The Acquisition and Dispersal of His Collections

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•1990•Cited by: 4

    Although it is well known that Sir William Hamilton, British ambassador to the Court of Naples, was a prominent collector of Greek vases, no previous study has concentrated on his methods of acquiring and disposing of antiquities. He dealt not only as an agent for his own interests, but also for those of his family, friends, and acquaintances. He bought and sold antiquities, accepted gifts, and in turn gave presents both to individuals and to the…

  • The Trojan War in Ancient Art

    Nancy H Ramage, Susan Woodford•ARTICLE•The Classical World•1997•Cited by: 3

    The myths of the Trojan War captured the imagination not only of Greek and Roman authors - Homer, Euripides, Virgil, Ovid and many others - but also of countless Greek and Roman painters and sculptors. By perceptively analysing a variety of representations, Susan Woodford assesses the creative solutions found by individual artists to problems posed by the narrative; by comparing verbal and pictorial treatments of telling episodes, she demonstrate…

  • Goods, Graves, and Scholars: 18Th-Century Archaeologists in Britain and Italy

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•1992•Cited by: 2•References: 1

    The comments of a number of intellectuals who were interested in archaeology in the later 18th century show that they held widely disparate views regarding the ethics associated with excavation, and that they disagreed on what constituted proper archaeological techniques. Such views are known from surviving letters and from published works, the most influential of which was J. J. Winckelmann's Open Letter on the Discoveries of Herculaneum of 1762…

  • The Other Monuments and Literary Evidence

    Nancy H Ramage, E N Lane•ARTICLE•The Classical World•1987•Cited by: 1

  • The Other Monuments and Literary Evidence

    Nancy H Ramage, E N Lane•ARTICLE•The Classical World•1987•Cited by: 1

  • Aphrodisias de Carie: Colloque du Centre de recherches archéologiques de l'Université de Lille III (13 novembre 1985) . By Juliette de la Genière and Kenan Erim

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•1989

  • Sir William Hamilton as Collector, Exporter, and Dealer: The Acquisition and Dispersal of His Collections

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•1990•Cited by: 4

    Although it is well known that Sir William Hamilton, British ambassador to the Court of Naples, was a prominent collector of Greek vases, no previous study has concentrated on his methods of acquiring and disposing of antiquities. He dealt not only as an agent for his own interests, but also for those of his family, friends, and acquaintances. He bought and sold antiquities, accepted gifts, and in turn gave presents both to individuals and to the…

  • Roman Art: Romulus to Constantine

    Richard Brilliant, Christopher Parslow et al.•ARTICLE•The Classical World•1992•Cited by: 15

    Contents Roman Emperors Roman Gods and Goddesses and their Greek Equivalents Preface Timeline Introduction The Land Map of the Roman world in the second century ad Chronology Topographical map of Italy The Political Framework The Republic The Empire City of Rome, plan Art in the Service of the State Fascism and Propaganda The Romans' Acquisition of Art Objects Art for Private Patrons Archaeological Ethics Restoration and Forgery Winckelmann and 1…

  • Goods, Graves, and Scholars: 18Th-Century Archaeologists in Britain and Italy

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•1992•Cited by: 2•References: 1

    The comments of a number of intellectuals who were interested in archaeology in the later 18th century show that they held widely disparate views regarding the ethics associated with excavation, and that they disagreed on what constituted proper archaeological techniques. Such views are known from surviving letters and from published works, the most influential of which was J. J. Winckelmann's Open Letter on the Discoveries of Herculaneum of 1762…

  • Bucking the Tide: The Cone sisters of Baltimore

    Ellen B Hirschland, Nancy H Ramage•ARTICLE•Journal of the History of…•1996

    In the steady flow 0f correspondence between Dr Claribel Cone and Etta Cone of Baltimore, the reader learns oj the thought processes that led these dynamic sisters toward the formation of an extraordinary collection of art of the nineteenth and twentieth centuries. They displayed courageous disregard for the public's lack of understanding of their taste in exotic or avant-garde art, and acquired what they liked, even though it seemed too modern t…

  • Archaeologists & Aesthetes: In the Sculpture Galleries of the British Museum, 1800-1939 . By Ian Jenkins

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•1996

  • Dynasty and Empire in the Age of Augustus: The Case of the Boscoreale Cups

    Nancy H Ramage•REVIEW•The Classical World•1997

    The two silver skyphoi commonly known as the Boscoreale Cups of Augustus and Tiberius are indispensable for providing the documentation of one of the only two cycles of Roman imperial state reliefs to survive from the Julio-Claudian period. This is an examination of these historical treasures. Kuttner studies the Cups not only from the standpoint of art history, but also as they relate to Augustan ideology and politics. When she began work on thi…

  • The Trojan War in Ancient Art

    Nancy H Ramage, Susan Woodford•ARTICLE•The Classical World•1997•Cited by: 3

    The myths of the Trojan War captured the imagination not only of Greek and Roman authors - Homer, Euripides, Virgil, Ovid and many others - but also of countless Greek and Roman painters and sculptors. By perceptively analysing a variety of representations, Susan Woodford assesses the creative solutions found by individual artists to problems posed by the narrative; by comparing verbal and pictorial treatments of telling episodes, she demonstrate…

  • Collecting in the Gilded Age: Art patronage in Pittsburgh, 1890 1910

    Nancy H Ramage•ARTICLE•Journal of the History of…•1998

    Journal Article Collecting in the Gilded Age: Art patronage in Pittsburgh, 1890–1910 Get access Gabriel P. Weisberg , DeCourcy E. McIntosh and Alison McQueen . Pittsburgh, Frick Art & Historical Center, and Hanover and London , University Press of New England , 1997 . ISBN 1-8811403-0303 . 428 pp., 110 col. illus., 172 b. & w. illus. $75.00. Nancy H. Ramage Nancy H. Ramage Search for other works by this author on: Oxford Academic Google Scholar J…

  • Looking at Lovemaking: Constructions of Sexuality in Roman Art, 100 B.C.-A.D. 250

    Nancy H Ramage, John R Clarke•ARTICLE•The Classical World•2000•Cited by: 7

  • The Ince Blundell Collection of Classical Sculpture 1: The Portraits; 2: The Roman Male Portraits . By Jane Fejfer

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•2000

  • Actes des rencontres internationales sur les moulages

    Nancy H Ramage•ARTICLE•American Journal of Archaeology•2000

Art (13 works) · History (10 works) · Classical Antiquity Studies (6 works) · Archaeology (5 works) · Art history (5 works) · Visual arts (5 works) · Archaeological Research and Protection (4 works) · Ancient history (3 works) · Ancient Mediterranean Archaeology and History (3 works) · Art History and Market Analysis (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae