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Susan Woodford

Biographic Data

ID1090785
NAMESusan Woodford
GIVEN NAMESSusan
FAMILY NAMEWoodford
SIGNATUREWOODFORD S
AFFILIATIONSBritish Museum
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS13
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1976
LATEST PUBLICATION YEAR2015
H-INDEX3
  • Art of Greece and Rome

    Susan Woodford•BOOK•Art of Greece and Rome•2015

  • Daidalos and Ikaros on an Apulian Fragment Newly Acquired by the British Museum

    Open Access•Susan Woodford•ARTICLE•Bulletin of the Institute of…•2009

    Journal Article DAIDALOS AND IKAROS ON AN APULIAN FRAGMENT NEWLY ACQUIRED BY THE BRITISH MUSEUM Get access SUSAN WOODFORD SUSAN WOODFORD British Museum, Department of Greece and Rome Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 52, Issue 1, December 2009, Pages 93–101, https://doi.org/10.1111/j.2041-5370.2009.tb00748.x Published: 10 June 2010

  • The Art of Greece and Rome

    Open Access•Susan Woodford•BOOK•Art of Greece and Rome•2004

    In The Art of Greece and Rome Susan Woodford illuminates the great achievements of classical art and architecture and conveys a sense of the excitement that fired the creative artists of the ancient world. The Greeks were quick to challenge time-honored styles and, stimulated by the problems that sometimes emerged from their daring innovations, they invented solutions that have been considered classics ever since. The Romans recognized the Greek …

  • Images of Myth in Classical Antiquity

    Judith M Barringer, Susan Woodford•ARTICLE•The Classical World•2004

  • Ancient Greece: Monumental sculpture

    Sheila Adam, Elizabeth Bartman et al.•CHAPTER•2003

  • The Trojan War in Ancient Art

    Nancy H Ramage, Susan Woodford•ARTICLE•The Classical World•1997•Cited by: 3

    The myths of the Trojan War captured the imagination not only of Greek and Roman authors - Homer, Euripides, Virgil, Ovid and many others - but also of countless Greek and Roman painters and sculptors. By perceptively analysing a variety of representations, Susan Woodford assesses the creative solutions found by individual artists to problems posed by the narrative; by comparing verbal and pictorial treatments of telling episodes, she demonstrate…

  • An Introduction to Greek Art

    Beth Cohen, Susan Woodford•ARTICLE•The Classical World•1989•Cited by: 3

    The fragments of Greek sculpture and vase painting that have survived into the twentieth century are like pieces of a shattered mirror reflecting the former glory of Greek art. Though some of the images are obviously beautiful, others require interpretation before their true quality can become apparent. This book, designed primarily as an introduction for students, helps the reader trace the development of Greek art in the immensely creative peri…

  • Two Trojan Themes: The Iconography of Ajax Carrying the Body of Achilles and of Aeneas Carrying Anchises in Black Figure Vase Painting

    Susan Woodford, Margot Loudon•ARTICLE•American Journal of Archaeology•1980•Cited by: 5•References: 1

    The present paper discusses the iconography of two themes: Ajax carrying the body of Achilles and Aeneas carrying Anchises. Both were popular with black figure workshops of the last third of the sixth century B.C. Both themes appear on a previously unpublished neck amphora in San Simeon. In the first two sections we discuss the themes separately; in the third section we consider the way in which the iconography of the two themes interacted, and r…

  • Heracles Alexikakos Reviewed

    Susan Woodford•ARTICLE•American Journal of Archaeology•1976•Cited by: 2

  • Two Trojan Themes: The Iconography of Ajax Carrying the Body of Achilles and of Aeneas Carrying Anchises in Black Figure Vase Painting

    Susan Woodford, Margot Loudon•ARTICLE•American Journal of Archaeology•1980•Cited by: 5•References: 1

    The present paper discusses the iconography of two themes: Ajax carrying the body of Achilles and Aeneas carrying Anchises. Both were popular with black figure workshops of the last third of the sixth century B.C. Both themes appear on a previously unpublished neck amphora in San Simeon. In the first two sections we discuss the themes separately; in the third section we consider the way in which the iconography of the two themes interacted, and r…

  • The Trojan War in Ancient Art

    Nancy H Ramage, Susan Woodford•ARTICLE•The Classical World•1997•Cited by: 3

    The myths of the Trojan War captured the imagination not only of Greek and Roman authors - Homer, Euripides, Virgil, Ovid and many others - but also of countless Greek and Roman painters and sculptors. By perceptively analysing a variety of representations, Susan Woodford assesses the creative solutions found by individual artists to problems posed by the narrative; by comparing verbal and pictorial treatments of telling episodes, she demonstrate…

  • An Introduction to Greek Art

    Beth Cohen, Susan Woodford•ARTICLE•The Classical World•1989•Cited by: 3

    The fragments of Greek sculpture and vase painting that have survived into the twentieth century are like pieces of a shattered mirror reflecting the former glory of Greek art. Though some of the images are obviously beautiful, others require interpretation before their true quality can become apparent. This book, designed primarily as an introduction for students, helps the reader trace the development of Greek art in the immensely creative peri…

  • Heracles Alexikakos Reviewed

    Susan Woodford•ARTICLE•American Journal of Archaeology•1976•Cited by: 2

  • Heracles Alexikakos Reviewed

    Susan Woodford•ARTICLE•American Journal of Archaeology•1976•Cited by: 2

  • Two Trojan Themes: The Iconography of Ajax Carrying the Body of Achilles and of Aeneas Carrying Anchises in Black Figure Vase Painting

    Susan Woodford, Margot Loudon•ARTICLE•American Journal of Archaeology•1980•Cited by: 5•References: 1

    The present paper discusses the iconography of two themes: Ajax carrying the body of Achilles and Aeneas carrying Anchises. Both were popular with black figure workshops of the last third of the sixth century B.C. Both themes appear on a previously unpublished neck amphora in San Simeon. In the first two sections we discuss the themes separately; in the third section we consider the way in which the iconography of the two themes interacted, and r…

  • An Introduction to Greek Art

    Beth Cohen, Susan Woodford•ARTICLE•The Classical World•1989•Cited by: 3

    The fragments of Greek sculpture and vase painting that have survived into the twentieth century are like pieces of a shattered mirror reflecting the former glory of Greek art. Though some of the images are obviously beautiful, others require interpretation before their true quality can become apparent. This book, designed primarily as an introduction for students, helps the reader trace the development of Greek art in the immensely creative peri…

  • The Trojan War in Ancient Art

    Nancy H Ramage, Susan Woodford•ARTICLE•The Classical World•1997•Cited by: 3

    The myths of the Trojan War captured the imagination not only of Greek and Roman authors - Homer, Euripides, Virgil, Ovid and many others - but also of countless Greek and Roman painters and sculptors. By perceptively analysing a variety of representations, Susan Woodford assesses the creative solutions found by individual artists to problems posed by the narrative; by comparing verbal and pictorial treatments of telling episodes, she demonstrate…

  • Ancient Greece: Monumental sculpture

    Sheila Adam, Elizabeth Bartman et al.•CHAPTER•2003

  • The Art of Greece and Rome

    Open Access•Susan Woodford•BOOK•Art of Greece and Rome•2004

    In The Art of Greece and Rome Susan Woodford illuminates the great achievements of classical art and architecture and conveys a sense of the excitement that fired the creative artists of the ancient world. The Greeks were quick to challenge time-honored styles and, stimulated by the problems that sometimes emerged from their daring innovations, they invented solutions that have been considered classics ever since. The Romans recognized the Greek …

  • Images of Myth in Classical Antiquity

    Judith M Barringer, Susan Woodford•ARTICLE•The Classical World•2004

  • Daidalos and Ikaros on an Apulian Fragment Newly Acquired by the British Museum

    Open Access•Susan Woodford•ARTICLE•Bulletin of the Institute of…•2009

    Journal Article DAIDALOS AND IKAROS ON AN APULIAN FRAGMENT NEWLY ACQUIRED BY THE BRITISH MUSEUM Get access SUSAN WOODFORD SUSAN WOODFORD British Museum, Department of Greece and Rome Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 52, Issue 1, December 2009, Pages 93–101, https://doi.org/10.1111/j.2041-5370.2009.tb00748.x Published: 10 June 2010

  • Art of Greece and Rome

    Susan Woodford•BOOK•Art of Greece and Rome•2015

Classical Antiquity Studies (7 works) · Art (5 works) · History (4 works) · Computer Science (3 works) · History (3 works) · Ancient history (2 works) · Ancient Mediterranean Archaeology and History (2 works) · Archaeology (2 works) · Art history (2 works) · Classics (2 works)

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