Patrick
Biographic Data
| ID | 10914 |
|---|---|
| NAME | Patrick |
| FAMILY NAME | Patrick |
| SIGNATURE | PATRICK |
| AFFILIATIONS | University of Ottawa |
| ORCID | 0000-0001-8589-0871 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 15 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
More than a sex crime
This article examines the media framing of and relations to the 2014 iCloud hack, wherein hundreds of female celebrities’ private photos were stolen and distributed online. In particular, I problematize the reading of this event as merely signalling the misogyny of ‘toxic’ online cultures and contextualize it as part of a larger political economy of female celebrity. I argue that, while the growth in feminist discourses emanating from both the ma…
You get to stop him! Gendered violence and interactive witnessing in Netflix's Kimmy vs The Reverend
Across four seasons of her Netflix hit comedy, Kimmy Schmidt emerged as a strong, female survivor of sexual violence. However, Unbreakable Kimmy Schmidt would often walk a fine line between post-feminist and feminist understandings of rape and gendered violence, while reinforcing harmful racial tropes rooted in 'white feminism'. In 2020, Netflix brought Kimmy back for her 'biggest adventure yet' in Kimmy vs the Reverend, but, this time, the viewe…
Life Is But a Story
While the rise of new media has led to a blurring of stars’ public personae and private, intimate lives, the musician, in particular, has long been expected to share their private, authentic self through their music. This is certainly the case with superstar Beyoncé, whose 2016 solo album Lemonade was widely received as a revealing portrait of her marriage to hip hop mogul Jay-Z. Yet Beyoncé has long been playing with the public–private divide as…
This Is What a Feminist Looks Like”
The taking up of feminist discourses and practices by a violent misogynist on Netflix’s You is an important departure from mainstream televisual engagements with gendered violence. Drawing on Jackson and Mazzei’s methodological work, we examine “threshold texts” as those that radically destabilize incommensurable political stances such as feminism/misogyny and queer alliance/homophobia. What are the implications of this destabilization for social…
Becky with the Twitter
As someone who uses Twitter to follow celebrity culture, but rarely tweets directly ‘at’ celebrities, I have been neglected in much work on social media that centres on issues of authenticity or ‘democratisation’. In this article I theorise ‘aca-fandom’ in relation to race, situating myself as a white feminist researcher/consumer of Black women’s cultural and intellectual production. I reflect upon on my own use of Twitter in relation to Beyoncé’…
Bibliographie / Bibliography
Spies, Amanda: Continued state liability for police inaction in assisting victims of domestic violence: a reflection on the implementation
Without a Paddle
Background The Canadian television landscape is a key site through which national identity is expressed and debated. This article examines one such site—the recent CBC hit comedy Schitt’s Creek(2015–)—that depicts economic uncertainty, family, and community. Analysis A textual analysis of the show and a cultural analysis of its production highlight the parallels between precarious Canadian identity and precarious economic conditions in the neolib…
Winner of the William M. Jones Best Graduate Student Paper Award at the 2017 American Culture Association Conference
I want my Snooki
As a sexually promiscuous and outrageously flamboyant young woman, Nicole “Snooki” Polizzi of MTV’s Jersey Shore (2009–2012) Jersey Shore. 2009–2012. Television Series. Seasons 1–6. USA: MTV. [Google Scholar] could be said to be the ultimate example of Angela McRobbie’s post-feminist subject. However, as pervasive as post-feminist narratives have become in popular culture, the figure of Snooki problematizes its ideal forms of femininity and merit…
Sexting panic
In an age of heightened concern over rape culture and sexualization in the media, Amy Adele Hasinoff's (2015) Sexting Panic is one of the most insightful, concise, and necessary works to emerge in recent feminist media studies. In the short, yet comprehensive text, Hasinoff critiques the central contradiction that informs most contemporary policies intended to discourage and/or punish underage sexting: the notion that a teenager can be too young …
Bibliographie
partie, sous quelque forme et de quelque manire que ce soit, est interdite sauf accord pralable et crit de l'diteur, en dehors des cas prvus par la lgislation en vigueur en France. Il est prcis que son stockage dans une base de donnes est galement interdit
On the Uses of Computer-Assisted Simulation Modeling in the Social Sciences
University College, Dar es Salaam
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button
On the Uses of Computer-Assisted Simulation Modeling in the Social Sciences
More than a sex crime
This article examines the media framing of and relations to the 2014 iCloud hack, wherein hundreds of female celebrities’ private photos were stolen and distributed online. In particular, I problematize the reading of this event as merely signalling the misogyny of ‘toxic’ online cultures and contextualize it as part of a larger political economy of female celebrity. I argue that, while the growth in feminist discourses emanating from both the ma…
Becky with the Twitter
As someone who uses Twitter to follow celebrity culture, but rarely tweets directly ‘at’ celebrities, I have been neglected in much work on social media that centres on issues of authenticity or ‘democratisation’. In this article I theorise ‘aca-fandom’ in relation to race, situating myself as a white feminist researcher/consumer of Black women’s cultural and intellectual production. I reflect upon on my own use of Twitter in relation to Beyoncé’…
Bibliographie / Bibliography
Spies, Amanda: Continued state liability for police inaction in assisting victims of domestic violence: a reflection on the implementation
Winner of the William M. Jones Best Graduate Student Paper Award at the 2017 American Culture Association Conference
University College, Dar es Salaam
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button
On the Uses of Computer-Assisted Simulation Modeling in the Social Sciences
Bibliographie
partie, sous quelque forme et de quelque manire que ce soit, est interdite sauf accord pralable et crit de l'diteur, en dehors des cas prvus par la lgislation en vigueur en France. Il est prcis que son stockage dans une base de donnes est galement interdit
Sexting panic
In an age of heightened concern over rape culture and sexualization in the media, Amy Adele Hasinoff's (2015) Sexting Panic is one of the most insightful, concise, and necessary works to emerge in recent feminist media studies. In the short, yet comprehensive text, Hasinoff critiques the central contradiction that informs most contemporary policies intended to discourage and/or punish underage sexting: the notion that a teenager can be too young …
I want my Snooki
As a sexually promiscuous and outrageously flamboyant young woman, Nicole “Snooki” Polizzi of MTV’s Jersey Shore (2009–2012) Jersey Shore. 2009–2012. Television Series. Seasons 1–6. USA: MTV. [Google Scholar] could be said to be the ultimate example of Angela McRobbie’s post-feminist subject. However, as pervasive as post-feminist narratives have become in popular culture, the figure of Snooki problematizes its ideal forms of femininity and merit…
Winner of the William M. Jones Best Graduate Student Paper Award at the 2017 American Culture Association Conference
Without a Paddle
Background The Canadian television landscape is a key site through which national identity is expressed and debated. This article examines one such site—the recent CBC hit comedy Schitt’s Creek(2015–)—that depicts economic uncertainty, family, and community. Analysis A textual analysis of the show and a cultural analysis of its production highlight the parallels between precarious Canadian identity and precarious economic conditions in the neolib…
This Is What a Feminist Looks Like”
The taking up of feminist discourses and practices by a violent misogynist on Netflix’s You is an important departure from mainstream televisual engagements with gendered violence. Drawing on Jackson and Mazzei’s methodological work, we examine “threshold texts” as those that radically destabilize incommensurable political stances such as feminism/misogyny and queer alliance/homophobia. What are the implications of this destabilization for social…
Becky with the Twitter
As someone who uses Twitter to follow celebrity culture, but rarely tweets directly ‘at’ celebrities, I have been neglected in much work on social media that centres on issues of authenticity or ‘democratisation’. In this article I theorise ‘aca-fandom’ in relation to race, situating myself as a white feminist researcher/consumer of Black women’s cultural and intellectual production. I reflect upon on my own use of Twitter in relation to Beyoncé’…
Bibliographie / Bibliography
Spies, Amanda: Continued state liability for police inaction in assisting victims of domestic violence: a reflection on the implementation
Life Is But a Story
While the rise of new media has led to a blurring of stars’ public personae and private, intimate lives, the musician, in particular, has long been expected to share their private, authentic self through their music. This is certainly the case with superstar Beyoncé, whose 2016 solo album Lemonade was widely received as a revealing portrait of her marriage to hip hop mogul Jay-Z. Yet Beyoncé has long been playing with the public–private divide as…
You get to stop him! Gendered violence and interactive witnessing in Netflix's Kimmy vs The Reverend
Across four seasons of her Netflix hit comedy, Kimmy Schmidt emerged as a strong, female survivor of sexual violence. However, Unbreakable Kimmy Schmidt would often walk a fine line between post-feminist and feminist understandings of rape and gendered violence, while reinforcing harmful racial tropes rooted in 'white feminism'. In 2020, Netflix brought Kimmy back for her 'biggest adventure yet' in Kimmy vs the Reverend, but, this time, the viewe…
More than a sex crime
This article examines the media framing of and relations to the 2014 iCloud hack, wherein hundreds of female celebrities’ private photos were stolen and distributed online. In particular, I problematize the reading of this event as merely signalling the misogyny of ‘toxic’ online cultures and contextualize it as part of a larger political economy of female celebrity. I argue that, while the growth in feminist discourses emanating from both the ma…
Sociology (11 works) · Gender, Feminism, and Media (9 works) · Law (6 works) · Media studies (6 works) · Political science (6 works) · Art (5 works) · Computer Science (5 works) · Law (5 works) · Psychology (5 works) · Aesthetics (4 works)