Andrew Morrall
Biographic Data
| ID | 1091789 |
|---|---|
| NAME | Andrew Morrall |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Morrall |
| SIGNATURE | MORRALL A |
| AFFILIATIONS | The Graduate Center, CUNY |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Religious Materiality in the Early Modern World
This collection of essays offers a comparative perspective on religious materiality across the early modern world. Setting out from the premise that artefacts can provide material evidence of the nature of early modern religious practices and beliefs, the volume tests and challenges conventional narratives of change based on textual sources. Religious Materiality in the Early Modern World brings together scholars of Catholic, Protestant, Jewish, …
Religious Materiality in the Early Modern World
This collection of essays offers a comparative perspective on religious materiality across the early modern world. Setting out from the premise that artefacts can provide material evidence of the nature of early modern religious practices and beliefs, the volume tests and challenges conventional narratives of change based on textual sources. Religious Materiality in the Early Modern World brings together scholars of Catholic, Protestant, Jewish, …
Religious Materiality in the Early Modern World
The Family at Table
Divine Diagrams
Divine Diagrams: The Manuscripts and Drawings of Paul Lautensack (1477/78–1558). Berthold Kress. Library of the Written Word 34; The Manuscript World 6. Leiden: Brill, 2014. xxx + 590 pp. $253. - Volume 69 Issue 3
Siben Farben unnd Künsten frey’
This article investigates the place of colors within an encyclopedic scheme painted as a tabletop by the Ulm artist Martin Schaffner in 1533 for a member of the Strassburg goldsmith family Stedelin. The painting depicts a model of the Ptolemaic Universe, structured in sequences of sevens – of planets, metals, virtues and liberal arts, days of the week, as well as colors. The essay situates the seven colors within the traditions of medieval color …
Objekt, Überlieferung und Narrativ
Evelin Wetter. Objekt, Überlieferung und Narrativ: Spätmittelalterliche Goldschmiedekunst im historischen Königreich Ungarn. Studia Jagellonica Lipsiensia 8. Ostfildern: Jan Thorbecke Verlag, 2011. 312 pp. €54. ISBN: 978-3-7995-8408-1. - Volume 67 Issue 1
Dressing Up
Ulinka Rublack’s original and richly detailed study of Renaissance dress adds significantly to the growing body of cultural history which takes as its central premise the concept of ‘materialism’ as a structuring force within early modern society. She argues that an increasing availability, variety and complexity of clothing, no less than other material goods, made it a significant constituent of Renaissance culture, a vehicle which could signal …
Die Kunst Des Augsburger Rates 1588–1631
Julian Jachmann. Die Kunst Des Augsburger Rates 1588–1631: Kommunale Raume als Medium von Herrschaft und Erinnerung. Munich: Deutscher Kunstverlag, 2008. 392pp. index. illus. map. bibl. €49.90. ISBN: 978–3–422–06784–4. - Volume 62 Issue 3
Marketing Maximilian
Larry A. Silver. Marketing Maximilian: The Visual Ideology of a Holy Roman Emperor. Princeton: Princeton University Press, 2008. xiv + 304 pp. index. illus. bibl. $49.95. ISBN: 978–0–691–13019–4. - Volume 62 Issue 1
The Art of the Goldsmith in Late Fifteenth-Century Germany
Jeffrey Chipps Smith, The Art of the Goldsmith in Late Fifteenth-Century Germany: The Kimbell Virgin and her Bishop. Kimbell Art Museum. New Haven: Yale University Press, 2006. viii + 86 pp. illus. map. bibl. $16.95. ISBN: 0-300-11736-1. - Volume 60 Issue 2
Tugend versus Gnade
Margit Kern. Tugend versus Gnade: Protestantische Bildprogramme in Nürnberg, Pima, Regensburg und Ulm. Berliner Schriften zur Kunst 16. Berlin: Gebr. Mann Verlag, 2002. 493 pp. index, append, illus. bibl. n.p. ISBN: 3-7861-2391-8. - Volume 57 Issue 2
Anonymous monogrammists
No prominent works on this page.
Anonymous monogrammists
Tugend versus Gnade
Margit Kern. Tugend versus Gnade: Protestantische Bildprogramme in Nürnberg, Pima, Regensburg und Ulm. Berliner Schriften zur Kunst 16. Berlin: Gebr. Mann Verlag, 2002. 493 pp. index, append, illus. bibl. n.p. ISBN: 3-7861-2391-8. - Volume 57 Issue 2
The Art of the Goldsmith in Late Fifteenth-Century Germany
Jeffrey Chipps Smith, The Art of the Goldsmith in Late Fifteenth-Century Germany: The Kimbell Virgin and her Bishop. Kimbell Art Museum. New Haven: Yale University Press, 2006. viii + 86 pp. illus. map. bibl. $16.95. ISBN: 0-300-11736-1. - Volume 60 Issue 2
Die Kunst Des Augsburger Rates 1588–1631
Julian Jachmann. Die Kunst Des Augsburger Rates 1588–1631: Kommunale Raume als Medium von Herrschaft und Erinnerung. Munich: Deutscher Kunstverlag, 2008. 392pp. index. illus. map. bibl. €49.90. ISBN: 978–3–422–06784–4. - Volume 62 Issue 3
Marketing Maximilian
Larry A. Silver. Marketing Maximilian: The Visual Ideology of a Holy Roman Emperor. Princeton: Princeton University Press, 2008. xiv + 304 pp. index. illus. bibl. $49.95. ISBN: 978–0–691–13019–4. - Volume 62 Issue 1
Dressing Up
Ulinka Rublack’s original and richly detailed study of Renaissance dress adds significantly to the growing body of cultural history which takes as its central premise the concept of ‘materialism’ as a structuring force within early modern society. She argues that an increasing availability, variety and complexity of clothing, no less than other material goods, made it a significant constituent of Renaissance culture, a vehicle which could signal …
Objekt, Überlieferung und Narrativ
Evelin Wetter. Objekt, Überlieferung und Narrativ: Spätmittelalterliche Goldschmiedekunst im historischen Königreich Ungarn. Studia Jagellonica Lipsiensia 8. Ostfildern: Jan Thorbecke Verlag, 2011. 312 pp. €54. ISBN: 978-3-7995-8408-1. - Volume 67 Issue 1
Siben Farben unnd Künsten frey’
This article investigates the place of colors within an encyclopedic scheme painted as a tabletop by the Ulm artist Martin Schaffner in 1533 for a member of the Strassburg goldsmith family Stedelin. The painting depicts a model of the Ptolemaic Universe, structured in sequences of sevens – of planets, metals, virtues and liberal arts, days of the week, as well as colors. The essay situates the seven colors within the traditions of medieval color …
Divine Diagrams
Divine Diagrams: The Manuscripts and Drawings of Paul Lautensack (1477/78–1558). Berthold Kress. Library of the Written Word 34; The Manuscript World 6. Leiden: Brill, 2014. xxx + 590 pp. $253. - Volume 69 Issue 3
The Family at Table
Religious Materiality in the Early Modern World
This collection of essays offers a comparative perspective on religious materiality across the early modern world. Setting out from the premise that artefacts can provide material evidence of the nature of early modern religious practices and beliefs, the volume tests and challenges conventional narratives of change based on textual sources. Religious Materiality in the Early Modern World brings together scholars of Catholic, Protestant, Jewish, …
Religious Materiality in the Early Modern World
Religious Materiality in the Early Modern World
This collection of essays offers a comparative perspective on religious materiality across the early modern world. Setting out from the premise that artefacts can provide material evidence of the nature of early modern religious practices and beliefs, the volume tests and challenges conventional narratives of change based on textual sources. Religious Materiality in the Early Modern World brings together scholars of Catholic, Protestant, Jewish, …
Art (10 works) · History (7 works) · Aesthetics (6 works) · Art history (6 works) · Philosophy (6 works) · Reformation and Early Modern Christianity (6 works) · Computer Science (4 works) · Historical and Religious Studies of Rome (4 works) · Sociology (4 works) · Archaeology (3 works)