Adelphine Bonneau
Biographic Data
| ID | 109185 |
|---|---|
| NAME | Adelphine Bonneau |
| GIVEN NAMES | Adelphine |
| FAMILY NAME | Bonneau |
| SIGNATURE | BONNEAU A |
| AFFILIATIONS | Université du Québec à Montréal |
| ORCID | 0000-0001-9210-8585 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 56 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
The Beads from an 18th-Century Acadian Site, Prince Edward Island, Canada
Excavation of the Pointe aux Vieux site, an 18th-century Acadian house located on western Prince Edward Island, Canada, yielded a significant assortment of beads. Among the glass and bone specimens are ten black beads decorated with undulating yellow lines around the middle. Commonly called “rattlesnake” beads by collectors, this stylistic form has been found at many sites in North America as well as elsewhere in the world. Unlike the other beads…
The shades of red: First chemical analysis of red paintings from Casa de Piedra de Roselló, Aldea Beleiro, SW Chubut, Argentine Patagonia
ExTraS program: Documenting the Processes of Fixation, Recording, and Preservation of Combustion Products in Speleothems
Characterization and dating of San rock art in the Metolong catchment, Lesotho: A preliminary investigation of technological and stylistic changes
They are all dead that I could ask: Indigenous Innovation and the Micropolitics of the Field in Twentieth-century Southern Africa
Recovering the agency, skill and innovation of archaeological field assistants from historical encounters is essential to interrogating processes of knowledge production, but is often hampered by access to appropriate archival sources and methods. We detail a field project from early twentieth-century Basutoland (modern-day Lesotho) that is unique both for its aim to salvage details of rock-art production as a dying craft and for its archive chro…
Record-Making, Research, and Removal: Mitigating Impacts on Rock Art in a CRM Context in Southern Africa—the Case of the Metolong Dam, Lesotho
This paper reports on the steps taken to mitigate the impact of the Metolong Dam (Lesotho) on the rock art present within the catchment of its associated reservoir. Mitigation took four major forms: comprehensive survey and documentation, including both photography and tracing; pigment characterization and radiocarbon dating; exploration of the ongoing significance of rock art as a form of living heritage for people living in the vicinity; and re…
Evidence of Early 17th-Century Glass Beadmaking in and around Rouen, France
Material evidence of a local drawn-glass beadmaking industry was uncovered in the old section of Rouen, France, in 1869 during street construction. Composed of production tubes and wasters (most of which exhibit evidence of a speo heat rounding), the material is attributed to the early part of the 17th century. It is significant as many of the recorded varieties have correlatives at archaeological sites in eastern North America occupied during th…
More on Frit-Core Beads in North America
This article publishes new findings on frit-core beads in North America, including an initial assessment of their chemical composition. Two new find sites have been added to the inventory, bringing the total to 19. In addition, two new types have been recorded, each with variants. The bead from one of the new sites comes from a context later than the date range attributed to this bead category. Its significance is discussed
A Pigment Characterization Approach to Selection of Dating Methods and Interpretation of Rock Art: The Case of the Mikinak Site, Lake Wapizagonke, Quebec, Canada
Dating is perhaps the most frequently asked question in rock art studies, but still one of the most difficult to answer. However, chronology is vital in order to understand and interpret rock art sites. Unfortunately, attempts at dating the Mikinak site, at Lake Wapizagonke, Quebec, Canada were unsuccessful. But a multi-instrumental protocol applied to characterize paintings shows that at least three different paint recipes were employed to creat…
The earliest directly dated rock paintings from southern Africa: New AMS radiocarbon dates
Direct dating of rock art using radiocarbon and optically stimulated luminescence: The case study of southern Africa and the Canadian Shield
Direct dating of rock art using radiocarbon and optically stimulated luminescence: the case study of southern Africa and the Canadian Shield." Azania: Archaeological Research in Africa, 51(3), pp. 415–416
Archaeometrical Analysis of Glass Beads: Potential, Limitations, and Results
Over the past few decades, several new analytical techniques have been used to determine the composition and the likely production centers of glass beads found at archaeological sites around the world. Made since antiquity, glass beads are important artifacts which can provide much more information than their small size suggests. This article reviews the most common analytical techniques used to study glass beads - optical microscopy, scanning el…
A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa
A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa
The earliest directly dated rock paintings from southern Africa: New AMS radiocarbon dates
A Pigment Characterization Approach to Selection of Dating Methods and Interpretation of Rock Art: The Case of the Mikinak Site, Lake Wapizagonke, Quebec, Canada
Dating is perhaps the most frequently asked question in rock art studies, but still one of the most difficult to answer. However, chronology is vital in order to understand and interpret rock art sites. Unfortunately, attempts at dating the Mikinak site, at Lake Wapizagonke, Quebec, Canada were unsuccessful. But a multi-instrumental protocol applied to characterize paintings shows that at least three different paint recipes were employed to creat…
ExTraS program: Documenting the Processes of Fixation, Recording, and Preservation of Combustion Products in Speleothems
They are all dead that I could ask: Indigenous Innovation and the Micropolitics of the Field in Twentieth-century Southern Africa
Recovering the agency, skill and innovation of archaeological field assistants from historical encounters is essential to interrogating processes of knowledge production, but is often hampered by access to appropriate archival sources and methods. We detail a field project from early twentieth-century Basutoland (modern-day Lesotho) that is unique both for its aim to salvage details of rock-art production as a dying craft and for its archive chro…
Direct dating of rock art using radiocarbon and optically stimulated luminescence: The case study of southern Africa and the Canadian Shield
Direct dating of rock art using radiocarbon and optically stimulated luminescence: the case study of southern Africa and the Canadian Shield." Azania: Archaeological Research in Africa, 51(3), pp. 415–416
A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa
Archaeometrical Analysis of Glass Beads: Potential, Limitations, and Results
Over the past few decades, several new analytical techniques have been used to determine the composition and the likely production centers of glass beads found at archaeological sites around the world. Made since antiquity, glass beads are important artifacts which can provide much more information than their small size suggests. This article reviews the most common analytical techniques used to study glass beads - optical microscopy, scanning el…
Direct dating of rock art using radiocarbon and optically stimulated luminescence: The case study of southern Africa and the Canadian Shield
Direct dating of rock art using radiocarbon and optically stimulated luminescence: the case study of southern Africa and the Canadian Shield." Azania: Archaeological Research in Africa, 51(3), pp. 415–416
A Pigment Characterization Approach to Selection of Dating Methods and Interpretation of Rock Art: The Case of the Mikinak Site, Lake Wapizagonke, Quebec, Canada
Dating is perhaps the most frequently asked question in rock art studies, but still one of the most difficult to answer. However, chronology is vital in order to understand and interpret rock art sites. Unfortunately, attempts at dating the Mikinak site, at Lake Wapizagonke, Quebec, Canada were unsuccessful. But a multi-instrumental protocol applied to characterize paintings shows that at least three different paint recipes were employed to creat…
The earliest directly dated rock paintings from southern Africa: New AMS radiocarbon dates
More on Frit-Core Beads in North America
This article publishes new findings on frit-core beads in North America, including an initial assessment of their chemical composition. Two new find sites have been added to the inventory, bringing the total to 19. In addition, two new types have been recorded, each with variants. The bead from one of the new sites comes from a context later than the date range attributed to this bead category. Its significance is discussed
Evidence of Early 17th-Century Glass Beadmaking in and around Rouen, France
Material evidence of a local drawn-glass beadmaking industry was uncovered in the old section of Rouen, France, in 1869 during street construction. Composed of production tubes and wasters (most of which exhibit evidence of a speo heat rounding), the material is attributed to the early part of the 17th century. It is significant as many of the recorded varieties have correlatives at archaeological sites in eastern North America occupied during th…
Record-Making, Research, and Removal: Mitigating Impacts on Rock Art in a CRM Context in Southern Africa—the Case of the Metolong Dam, Lesotho
This paper reports on the steps taken to mitigate the impact of the Metolong Dam (Lesotho) on the rock art present within the catchment of its associated reservoir. Mitigation took four major forms: comprehensive survey and documentation, including both photography and tracing; pigment characterization and radiocarbon dating; exploration of the ongoing significance of rock art as a form of living heritage for people living in the vicinity; and re…
Characterization and dating of San rock art in the Metolong catchment, Lesotho: A preliminary investigation of technological and stylistic changes
They are all dead that I could ask: Indigenous Innovation and the Micropolitics of the Field in Twentieth-century Southern Africa
Recovering the agency, skill and innovation of archaeological field assistants from historical encounters is essential to interrogating processes of knowledge production, but is often hampered by access to appropriate archival sources and methods. We detail a field project from early twentieth-century Basutoland (modern-day Lesotho) that is unique both for its aim to salvage details of rock-art production as a dying craft and for its archive chro…
ExTraS program: Documenting the Processes of Fixation, Recording, and Preservation of Combustion Products in Speleothems
The Beads from an 18th-Century Acadian Site, Prince Edward Island, Canada
Excavation of the Pointe aux Vieux site, an 18th-century Acadian house located on western Prince Edward Island, Canada, yielded a significant assortment of beads. Among the glass and bone specimens are ten black beads decorated with undulating yellow lines around the middle. Commonly called “rattlesnake” beads by collectors, this stylistic form has been found at many sites in North America as well as elsewhere in the world. Unlike the other beads…
The shades of red: First chemical analysis of red paintings from Casa de Piedra de Roselló, Aldea Beleiro, SW Chubut, Argentine Patagonia
Archaeology (9 works) · Archaeology and ancient environmental studies (7 works) · Geography (7 works) · Geology (6 works) · Pleistocene-Era Hominins and Archaeology (6 works) · Archaeology and Rock Art Studies (5 works) · Cultural Heritage Materials Analysis (5 works) · Rock art (5 works) · Paleontology (4 works) · Art (3 works)