Niall Griffith
Biographic Data
| ID | 10925922 |
|---|---|
| NAME | Niall Griffith |
| GIVEN NAMES | Niall |
| FAMILY NAME | Griffith |
| SIGNATURE | GRIFFITH N |
| AFFILIATIONS | University of Limerick |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 0 |
Is cognition plus technology an unbounded system
The relationship between cognition and culture is discussed in terms of technology and representation. The computational metaphor is discussed in relation to its providing an account of cognitive and technical development: the role of representation and self-modification through environmental manipulation and the development of open learning from stigmery. A rationalisation for the transformational effects of information and representation is sou…
Investigating Melodic Segmentation through the Temporal Multi-Scaling Framework
In this paper we approach the subject of modelling and understanding segmentation processes in melodic perception using a temporal multi-scale representation framework. We start with the hypothesis that segmentation depends on the ability of the perceptual system to detect changes in the sensory signal. In particular, we are interested in a model of change detection in music perception that would help us to investigate functional aspects of low-l…
Describing Melodic Structure Using a MusicTracker — Issues in Notation Andsound
This paper describes preliminary research towards the development of a system that can be used to investigate the mechanisms and representations underlying segmentation and phrase structure in music. It discusses the use of rules and principles in The Generative Theory of Tonal Music (Lerdahl and Jackendoff, 1983) and Implication Realization Model (Narmour, 1990). It also discusses the limitations of score notation as the basis for analysis and m…
No prominent works on this page.
Describing Melodic Structure Using a MusicTracker — Issues in Notation Andsound
This paper describes preliminary research towards the development of a system that can be used to investigate the mechanisms and representations underlying segmentation and phrase structure in music. It discusses the use of rules and principles in The Generative Theory of Tonal Music (Lerdahl and Jackendoff, 1983) and Implication Realization Model (Narmour, 1990). It also discusses the limitations of score notation as the basis for analysis and m…
Investigating Melodic Segmentation through the Temporal Multi-Scaling Framework
In this paper we approach the subject of modelling and understanding segmentation processes in melodic perception using a temporal multi-scale representation framework. We start with the hypothesis that segmentation depends on the ability of the perceptual system to detect changes in the sensory signal. In particular, we are interested in a model of change detection in music perception that would help us to investigate functional aspects of low-l…
Is cognition plus technology an unbounded system
The relationship between cognition and culture is discussed in terms of technology and representation. The computational metaphor is discussed in relation to its providing an account of cognitive and technical development: the role of representation and self-modification through environmental manipulation and the development of open learning from stigmery. A rationalisation for the transformational effects of information and representation is sou…
Artificial Intelligence (3 works) · Computer Science (3 works) · Mathematics (2 works) · Melody (2 works) · Music and Audio Processing (2 works) · Neuroscience and Music Perception (2 works) · Psychology (2 works) · Segmentation (2 works) · Speech recognition (2 works) · Timbre (2 works)