Jim W Murphy
Biographic Data
| ID | 10927641 |
|---|---|
| NAME | Jim W Murphy |
| GIVEN NAMES | Jim W |
| FAMILY NAME | Murphy |
| SIGNATURE | MURPHY J W |
| AFFILIATIONS | Education New Zealand |
| ORCID | 0000-0003-4352-3656 |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Transcoding Nancarrow at the Dawn of the Age of MIDI
This article focuses on the process by which, in 1987, sound artist and inventor Trimpin converted composer Conlon Nancarrow’s Studies for Player Piano from their original hand-punched rolls into the MIDI format. In addition to presenting the technology utilized in this conversion, the article focuses on the collaboration between Trimpin and Nancarrow, and on the significance of the act of porting works composed upon a vulnerable media format to …
Musical Robotics in a Loudspeaker World
Musical robotics is a rapidly growing field, with dozens of new works appearing in the past half decade. This paper explores the foundations of the discipline and how, due to the ability of musical robots to serve as uniquely spatialized musical agents, it experienced a rebirth even in the face of loudspeaker technology's dominance. The growth of musical robotics is traced from its pre-computer roots through its 1970s renaissance and to contempor…
No prominent works on this page.
Musical Robotics in a Loudspeaker World
Musical robotics is a rapidly growing field, with dozens of new works appearing in the past half decade. This paper explores the foundations of the discipline and how, due to the ability of musical robots to serve as uniquely spatialized musical agents, it experienced a rebirth even in the face of loudspeaker technology's dominance. The growth of musical robotics is traced from its pre-computer roots through its 1970s renaissance and to contempor…
Transcoding Nancarrow at the Dawn of the Age of MIDI
This article focuses on the process by which, in 1987, sound artist and inventor Trimpin converted composer Conlon Nancarrow’s Studies for Player Piano from their original hand-punched rolls into the MIDI format. In addition to presenting the technology utilized in this conversion, the article focuses on the collaboration between Trimpin and Nancarrow, and on the significance of the act of porting works composed upon a vulnerable media format to …
Art (2 works) · Art history (2 works) · Computer Science (2 works) · Music Technology and Sound Studies (2 works) · Piano (2 works) · Artificial Intelligence (1 work) · Diverse Musicological Studies (1 work) · Engineering (1 work) · Human–computer interaction (1 work) · Interactive and Immersive Displays (1 work)