Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Diane Grams

Biographic Data

ID109303
NAMEDiane Grams
GIVEN NAMESDiane
FAMILY NAMEGrams
SIGNATUREGRAMS D
AFFILIATIONSTulane University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS26
AUTHOR COUNT9
EDITOR COUNT1
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2020
H-INDEX3
  • Building Arts Participation through Transaction s, Relation ships, or Both

    Diane Grams•CHAPTER•Entering Cultural Communities•2020

  • The artist as curator edited by Celina Jeffery

    Diane Grams•ARTICLE•Visual Studies•2017

  • Reforming New Orleans: The Contentious Politics of Change in the Big Easy

    Diane Grams•ARTICLE•Ethnic and Racial Studies•2017•Cited by: 3

    The physical devastation of a city was only the first of many traumas experienced by New Orleanians following the landfall of Hurricane Katrina on 29 August 2005. As Peter Burns and Matthew Thomas

  • The Dynamics of Auction: Social Interaction and the Sale of Fine Art and Antiques

    Open Access•Diane Grams•ARTICLE•Contemporary Sociology A Journal…•2015

  • Not Here, Not Now, Not That: Protest Over Art and Culture In America

    Open Access•Diane Grams•ARTICLE•Contemporary Sociology A Journal…•2014

  • Displaced: Life in the Katrina diaspora

    Diane Grams•ARTICLE•Ethnic and Racial Studies•2014•Cited by: 3•References: 1

    Diane GramsDepartment of Sociology, Loyola University, Chicago, IL, [email protected](c) 2014, Diane Grams

  • Freedom and Cultural Consciousness: Black Working-Class Parades in Post-Katrina New Orleans

    Diane Grams, Diane M Grams•ARTICLE•Journal of Urban Affairs•2013•Cited by: 2•References: 15

    This analysis of public parading in New Orleans extends a cultural sociology framework to shed new light on the importance of public parades in the construction of meaning in the postdisaster city. Not dependent upon a functioning city structure for their existence, public parades reemerged in the months following Katrina and have remained self-generating resources creating the logic and momentum for rebuilding communities and meaning in local li…

  • The Neoliberal Deluge: Hurricane Katrina, Late Capitalism and the Remaking of New Orleans

    Diane Grams•ARTICLE•Ethnic and Racial Studies•2012•Cited by: 1

    THE NEOLIBERAL DELUGE: HURRICANE KATRINA, LATE CAPITALISM AND THE REMAKING OF NEW ORLEANS." Ethnic and Racial Studies, 35(12), pp. 2218–2219

  • Entering Cultural Communities: Diversity and Change in the Nonprofit Arts

    Morris Fred, D Carroll Joynes et al.•BOOK•Entering Cultural Communities•2008

  • Neo‐Bohemia: Art and Commerce in the Postindustrial City . By Richard Lloyd. New York: Routledge, 2005

    Diane Grams•ARTICLE•American Journal of Sociology•2006•Cited by: 17

  • Neo‐Bohemia: Art and Commerce in the Postindustrial City . By Richard Lloyd. New York: Routledge, 2005

    Diane Grams•ARTICLE•American Journal of Sociology•2006•Cited by: 17

  • Reforming New Orleans: The Contentious Politics of Change in the Big Easy

    Diane Grams•ARTICLE•Ethnic and Racial Studies•2017•Cited by: 3

    The physical devastation of a city was only the first of many traumas experienced by New Orleanians following the landfall of Hurricane Katrina on 29 August 2005. As Peter Burns and Matthew Thomas

  • Displaced: Life in the Katrina diaspora

    Diane Grams•ARTICLE•Ethnic and Racial Studies•2014•Cited by: 3•References: 1

    Diane GramsDepartment of Sociology, Loyola University, Chicago, IL, [email protected](c) 2014, Diane Grams

  • Freedom and Cultural Consciousness: Black Working-Class Parades in Post-Katrina New Orleans

    Diane Grams, Diane M Grams•ARTICLE•Journal of Urban Affairs•2013•Cited by: 2•References: 15

    This analysis of public parading in New Orleans extends a cultural sociology framework to shed new light on the importance of public parades in the construction of meaning in the postdisaster city. Not dependent upon a functioning city structure for their existence, public parades reemerged in the months following Katrina and have remained self-generating resources creating the logic and momentum for rebuilding communities and meaning in local li…

  • The Neoliberal Deluge: Hurricane Katrina, Late Capitalism and the Remaking of New Orleans

    Diane Grams•ARTICLE•Ethnic and Racial Studies•2012•Cited by: 1

    THE NEOLIBERAL DELUGE: HURRICANE KATRINA, LATE CAPITALISM AND THE REMAKING OF NEW ORLEANS." Ethnic and Racial Studies, 35(12), pp. 2218–2219

  • Neo‐Bohemia: Art and Commerce in the Postindustrial City . By Richard Lloyd. New York: Routledge, 2005

    Diane Grams•ARTICLE•American Journal of Sociology•2006•Cited by: 17

  • Entering Cultural Communities: Diversity and Change in the Nonprofit Arts

    Morris Fred, D Carroll Joynes et al.•BOOK•Entering Cultural Communities•2008

  • The Neoliberal Deluge: Hurricane Katrina, Late Capitalism and the Remaking of New Orleans

    Diane Grams•ARTICLE•Ethnic and Racial Studies•2012•Cited by: 1

    THE NEOLIBERAL DELUGE: HURRICANE KATRINA, LATE CAPITALISM AND THE REMAKING OF NEW ORLEANS." Ethnic and Racial Studies, 35(12), pp. 2218–2219

  • Freedom and Cultural Consciousness: Black Working-Class Parades in Post-Katrina New Orleans

    Diane Grams, Diane M Grams•ARTICLE•Journal of Urban Affairs•2013•Cited by: 2•References: 15

    This analysis of public parading in New Orleans extends a cultural sociology framework to shed new light on the importance of public parades in the construction of meaning in the postdisaster city. Not dependent upon a functioning city structure for their existence, public parades reemerged in the months following Katrina and have remained self-generating resources creating the logic and momentum for rebuilding communities and meaning in local li…

  • Not Here, Not Now, Not That: Protest Over Art and Culture In America

    Open Access•Diane Grams•ARTICLE•Contemporary Sociology A Journal…•2014

  • Displaced: Life in the Katrina diaspora

    Diane Grams•ARTICLE•Ethnic and Racial Studies•2014•Cited by: 3•References: 1

    Diane GramsDepartment of Sociology, Loyola University, Chicago, IL, [email protected](c) 2014, Diane Grams

  • The Dynamics of Auction: Social Interaction and the Sale of Fine Art and Antiques

    Open Access•Diane Grams•ARTICLE•Contemporary Sociology A Journal…•2015

  • The artist as curator edited by Celina Jeffery

    Diane Grams•ARTICLE•Visual Studies•2017

  • Reforming New Orleans: The Contentious Politics of Change in the Big Easy

    Diane Grams•ARTICLE•Ethnic and Racial Studies•2017•Cited by: 3

    The physical devastation of a city was only the first of many traumas experienced by New Orleanians following the landfall of Hurricane Katrina on 29 August 2005. As Peter Burns and Matthew Thomas

  • Building Arts Participation through Transaction s, Relation ships, or Both

    Diane Grams•CHAPTER•Entering Cultural Communities•2020

Sociology (8 works) · History (7 works) · History (6 works) · Political science (5 works) · Art (4 works) · Cultural Industries and Urban Development (4 works) · Geography (4 works) · Law (4 works) · Law (4 works) · Media studies (4 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae